👁️Bienvenido Bones Bañez, Jr. with Robert J. Wickenheiser, & Terrance Lindall 🇺🇸

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Bienvenido “Bones” Banez, Jr.

Bienvenido “Bones” Banez, Jr. (born June 7, 1962) is a Filipino surrealist painter. He lives in New York City. ^[32] : 47 ^[2]

Bienvenido “Bones” Banez, Jr.
Born	June 7, 1962(age 62) Davao City, Mindanao, the Philippines
Education	The Learning Center of the Arts
Known for	Painting
Website	www.welcomebones666artworld.trilogistick.com

MEDIA

Life and work

Banez was born on June 7, 1962 in Davao City, Philippines. ^[1] He studied at the Learning Center of the Arts (now Ford Academy of the Arts) in that city, where one of his tutors was Victorio C. Edades, Jr.

In 2002 he won the Asian Fellowship Painting Competition of the Vermont Studio Center in Vermont, USA. ^[32] : 47

In 2004, Bañez went to New York where he now lives.

In 2010, he was included in Lexikon der phantastischen Künstler.

^[32] : 47

Between 2009 and 2014 several drawings and paintings were acquired for the Robert J. Wickenheiser John Milton collection at the University of South Carolina.

In 2017 a portrait of John Milton was added to the Milton’s Cottage collection, and he was named to the editorial board of Emmanations, a print anthology of poetry, fiction and essay published by International Authors.

Selected exhibitions

• Dinner with the Devil ^[11] Williamsburg Art & Historical Center, Brooklyn, New York, USA, Sept 19, 2014
• Satanic Verses Reading ^[6] Williamsburg Art & Historical Center, Brooklyn, New York, USA, Sept, 2014
• The first presentation of The Satanic Verses of Bones Banez ^[12] Williamsburg Art & Historical Center, Brooklyn, New York, USA, Jan 25, 2014
• Satan’s Peculiar Grace ^[13] 14th Annual WAH Salon Art Club Show, Williamsburg Art & Historical Center, Brooklyn, New York, USA, Jan 26-Feb 24, 2013
• The Society For Art Of Imagination Exhibition, ^[-1] Phantasten Museum (Phantastenmuseum Wien), Palais Palffy; Vienna, Austria 2012
• WAH’s 16th Anniversary, The Grand Harvest : ^[15] International Juried Show with Awards, WAH Center, Brooklyn, NY, USA, Oct 27-Dec 9, 2012
• The Visionaries Show at the QCC Art Gallery, ^[16] Queensborough Community College, New York, USA. “Visionaries: The Art Of The Fantastic” July 12, 2012 – to September 20, 2012
• Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit, ^[17] WAH Center, Brooklyn, NY, USA, April 14–15, 2012
• WAH Salon Art Club, ^[18] WAH Center, Brooklyn, NY, USA: 2011, 2010, 2009, 2008, 2007, 2006
• Fifty Year Fantastic, ^[19] The Society for Art of Imagination, United Kingdom, London, 2010
• Great Artists Exhibit, ^[20] Museo Dabawenyo, Davao, Philippines, 2010
• Selected Contemporary Works From The Permanent Collection, PART 2 (2002–Present), ^[21] Williamsburg Art & Historical Center, Brooklyn, New York, USA
• Paradise Lost Festival and Exhibit Celebrating Milton’s 400th Birthday, ^[22] 2008
• International Surrealist Show, ^[23] 2008, 2006
• Brave Destiny Exhibit, ^[24] WAH Center, Brooklyn, NY, USA, 2003
• Around the Coyote Winter Arts Festival. Chicago IL USA, 2003
• Red Mill Gallery, Vermont Studio Center, 2002, Johnson, Vermont, USA
• Amarin Café, Greenpoint, Brooklyn, NY, USA
• Mark Gallery, 1993, Davao City, Philippines
• Victoria Gallery, Victoria Plaza, Davao City, Philippines
• Ford Academy of the Arts, Davao City, Philippines, April 1984

Reviews and publications

• Banez, Bienvenido Bones and Dr Horace Jeffery Hodges (2014) **, Yuko Nii Foundation; 1ST edition (2014). ISBN 1495117340. ISBN 978-1495117343.
• Kaplan, Carter. (2013). Emanations: Third Eye. p. xvi. Introduction includes works by various visual artists. Brookline, Massachusetts: International Authors. ISBN 0615494404.
• Kaplan, Carter, et al. (2012). Emanations: Second Sight. The second anthology showcasing the work of thirty writers from around the world, with illustrations by various artists. Brookline, Massachusetts: International Authors. ISBN 0615699928.
• Visionaries: The Art of the Fantastic, 1st Edition. ISBN 1936658143. 2012: QCC Art Gallery Press.
• Lindall, Terrance (2012) with commentary by **, p. 53. ISBN 978-1-4675-6146-4. 2012: Yuko Nii Foundation.
• Surrealism in the Philippines (An interview with multidisciplinary artist and writer Danny Castillones Sillada). ^[2] 2012: ArtSlant, New York.
• Visionaries: the Art of the Fantastic, ^[2] a Queens Public Television review.
• Himmelblau, Ulrich Goette (2010). Who’s Who in Visual Art 2010-2011: 100 Artists in Painting, Graphic Arts, Digital Arts, Sculpture. 2010: Art Domain Whois Verlag. ISBN 3981347404.
• Rapp, Otto (2010). Visionary Art Yearbook 2010-2011; ^[2] Canada: Otto Rapp.
• Somozo, Phillip (Jan-Feb 2010). Mindanaoan Artist in Lexicon of Surrealism, ^[2] p. 48. Manila: Filipinas Mag.
• Somozo, Phillip (2010). Ben Bañez, Art of Surrealism. M Life & living in Mindanao Volume 3 No.1, p. 61.
• Somozo, Phillip (2009). Mindanaoan Artist Visual Irony in Lexicon of Surrealism, ^[2] Ang Dabawenyo.
• Habarta, Gerard (2009). Lexikon der phantastischen Künstler. ^[2] Encyclopedia of Fantastic & Surrealistic & Symbolist & Visionary Artists. Germany: Books on Demand. pp. 47–48. ISBN 3837084272.
• Ayala, Tita Lacambra, and Ricardo M. Ungria (2008). Davao Harvest 2. ^[2] Manila, Philippines: National Commission for Culture and the Arts. ISBN 9718141162.
• Lindall, Terrance. What’s New in the Surreal World, ^[2] p. 164. March 2006: Art and Antiques Magazine.
• Ramirez, Eileen Legaspi (2006). Crossbred and Emigre: Visual Art in a Flux ^[2] (Commissioned Article). Manila: National Commission for Culture and the Arts.
• Datuin, Flaudette May V. and Alya Honasan (1998) PANANAW: Philippine Journal of Visual Arts (Vol. 2). ^[2] Manila, Philippines: National Commission for Culture and the Arts.
• Index of Painters and Sculptors Biography and Works Around the World ^[1]

References

[1]

Citation Linken.wikipedia.orgThe original version of this page is from Wikipedia, you can edit the page right here on Everipedia.Text is available under the Creative Commons Attribution-ShareAlike License.Additional terms may apply.See everipedia.org/everipedia-terms for further details.Images/media credited individually (click the icon for details).

Jul 11, 2016, 8:15 AM

[2]

Citation Linksites.google.com”Bienvenido Bones Banez, Jr. by Phillip Somozo”

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[3]

Citation Linkfilipinasmag.com”Mindanaoan Artist in Lexicon of Surrealism”

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[4]

Citation Linkhttp://www.sunstar.com.ph”Showtime at Ford Academy”

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[5]

Citation Linkartmajeur.com”Dabawenyo artist gets fellowship grant in US By Emi Alexander Englis, April 2008.(See Press Release with reference to Bañez in Vermont.).”

Jul 11, 2016, 8:15 AM

[6]

Citation Linkwhoisverlag.de”Who’s Who in Visual Art 2010-2011: 100 Artists in Painting, Graphic Arts, Digital Arts, Sculpture”

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[7]

Citation Linkwahcenter.net”Archive – Williamsburg Art & Historical Center”

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[8]

Citation Linkoovrag.com”Our Own Voice: Filipinos in the Diaspora”

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[9]

Citation Linkissuu.com”Commentary by Robert J. Wickenheiser, PhD in John Milton’s Paradise Lost illustrated and summarized by Terrance Lindall, p.53″

Jul 11, 2016, 8:15 AM

[10]

Citation Linkgypsyscholarship.blogspot.com”Horace Jeffery Hodges’ Felix Culpa: More Images of Bien’s “Colorful Satan in Gypsy Scholar”

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[11]

Citation Linkkulay-diwa.com”Kulay Diwa: Gallery of Philippine Contemporary Art”

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[12]

Citation Linkwahcenter.net”Archive – Williamsburg Art & Historical Center”

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Citation Linkwahcenter.net”Archive – Williamsburg Art & Historical Center”

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Citation Linkwahcenter.net”Archive – Williamsburg Art & Historical Center”

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Citation Linkfantasticvisions.net”Society for Art of Imagination Exhibition Phantasten Museum Vienna”

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[16]

Citation Linkwahcenter.net”Archive – Williamsburg Art & Historical Center”

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[17]

Citation Linkhttp://www.qcc.cuny.edu”QCC Art Gallery”

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Citation Linkwahcenter.net”Archive – Williamsburg Art & Historical Center”

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Citation Linkartofimagination.org”Member Gallery”

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🇺🇸Awesome Visionaries in the New York art world power! Only First World Country New York Art World Historical Contextual and Prophetic! The legacy of Sir John Milton Projects Surrealmageddon Visual Poetry!
OUR GREAT PHILOSOPHERS-SURREALIST IS SIR TERRANCE LINDALL” With BONES REVELATION, and JOHN MILTON SURREALMAGEDDON MACHINE! WE ARE PROUD TO HAVE OUR GREAT PHILOSOPHER, VISIONARY, JOHN MILTON’S BOOK EXPOUNDER, SURREALIST VISIONARY ADVOCATOR AND WIKIPEDIA PROMOTER in NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL🇺🇸🗽And MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR❤️🙏🇺🇸 https://youtu.be/M659gN27lc0?si=6U-tv1nVrSJeoXkk

https://alchetron.com/Terrance-Lindall Terrance Lindall’s Paradise Lost, 🇺🇸 Terrance Lindall, Once upon a time and I was so happy with searching my favorite artist, before I visited the Williamsburg Art & Historical Center. First of all I was won the Freeman Fellowship in Vermont Studio Center 2002, and I meet the VSC president his name Sir Jonathan Greg is the founder of the Vermont Studio Center Fellowship-( https://en.wikipedia.org/wiki/Vermont_Studio_Center ,) and my first one man show at Red Mill Gallery in VSC, Johnson, Vermont, and I got a message from VSC to introduce me to Alex Grey, and some my VSC fellowship are talking about my painting in similar ways to Alex Grey and that is the time to get another blessing for going to New York City, and the President of the Vermont Studio Center is Jonathan Greg suggests me to visit the Alex Grey in One Man Show, Manhattan, New York City, that was throwback 2002 December, and that is my excitement for going to New York City, and my first landed on the world famous New York Art World on December 20, 2002, and I stay at NY Hotel and I call the taxi and time to visit to our world famous artist Alex Grey and I meet him in person and he answered me for “Good for you Bien Bones to meet you” and Alex said “You and Me we are same psyche visionary” and that’s my first heard for he encouraged me to do it for more painting, but I took a photo with him and paintings by Alex Grey-( https://en.wikipedia.org/wiki/Alex_Grey). After 2 days stayed in New York and I decided to going to Chicago to visit my sister in that was December 22, 2002 for another tour in Chicago Museum, and I stayed more than 4 months in Chicago and I participated in paintings art exhibits in Chicago with my 8 paintings for art festival of the “Around the Coyote Winter Arts Festival 2003, Chicago”, Illinois, and while I was strolling in art haven in Chicago and there’s a lot of people and galleries until I found the art magazine and I read the art news about the prestigious invitation for coming show about the Brave Destiny 2003-( https://www.wahcenter.net/exhibits/2003/surreal/BD_artists.html & https://www.wahcenter.net/exhibits/2003/surreal/ ) and that was my first apply for being participate on the world famous Surrealists and Visionary in Williamsburg Art & Historical Center and that’s why I am excited to be included the famous Brave Destiny, and after Chicago and I move to California for visit my first cousin Earl Bones and I got a email and letter from Williamsburg Art & Historical Center and the good news is I am qualified for be part of the Brave Destiny 2003. Meanwhile, I have a time going to New York 2005, and I have a plan to visit the Williamsburg Art & Historical Center, and I found the Marcy Avenue at Brooklyn, and I walked in the street going to WAH Center and that place was weird and no people around here but it like the war zone area and very silent and cold days in Marcy street in Brooklyn and until I get inside the WAH Center and my first saw in WAH Center is Sir Terrance Lindall greeting to me and say Welcome to my world and I introduce myself and I am the one who painted the “My Warlock Dream 666” and Sir Terrance smiled at me and he introduced a new way of art world, and he invited me going to upstairs and Terrance Lindall show me the most important treasures in the art world collection and he was very proud to Master Yuko Nii visionary-( https://alchetron.com/Yuko-Nii ) and Terrance told me that Williamsburg Art & Historical Center one of the world’s greatest art collections and that’s why I am excited to be included the famous Brave Destiny 2003 and be part of the John Milton’s Legacy. And the year of 2006, October, I got a blessed day with the help by Williamsburg Art & Historical Center and my first time in life as a One Man Show at WAH SALON individual exhibitions were hosted at Amarin Café, 617 Manhattan Ave., Greenpoint, Brooklyn, New York. And after years ago and I was another One Man Show 2008 at Amarin Cafe, by WAH Salon members. And another important thing in the Celebrating John Milton’s 400th Birthday
The unrivaled arts festival honoring Milton’s birthday and Paradise Lost, the greatest poem in the English language. Bridging classic literature and contemporary fine art,
performing arts and poetry reading.
September 27th — November 2nd, 2008 and click this link for more messages👇 https://www.facebook.com/100085608697157/posts/318834544313500/?app=fbl 🇺🇸& https://www.slideshare.net/BBaez1/celebrating-john-miltons-400th-birthday-the-unrivaled-arts-festival-honoring-miltons-birthday-and-paradise-lost-the-greatest-poem-in-the-english-language-satan-brings-color-to-the-world-paradise-lost-surreal-blasphemous-visual-poetry 👁️. https://www.wahcenter.net/events-and-exhibitions-archive/ 🇺🇸,And after years gone and another One Man Show at WILLIAMSBURG ART & HISTORICAL CENTER invites you to a One Person Show by a member of the WAH SALON ART CLUB Bienvenido Bones Banez jr.
Nov. 14, 2010 – Jan. 9, 2011. And after January 2011, I have another One Man Show Dec. 11, 2011 – Feb. 5, 2012. Between 2009 and 2014 several drawings and paintings were acquired for the Robert J. Wickenheiser John Milton collection at the University of South Carolina.👇🇺🇸 https://archive.org/details/img-20230215-141628 🇺🇸And I meet the world famous Prof Carter Kaplan-( https://www.encyclopedia.com/arts/educational-magazines/kaplan-carter-1960 ) in WAH Center with Sir Terrance Lindall introduce me to Prof Carter Kaplan and we gather to get a good hot coffee with Inspiring conversations on the Emanations Books and truly inspired from the New York Art World Intellectual in the International Authors-( http://internationalauthors.info/books.html ). 💥👁️And Foremost icon on the “EMANTONS ZEN” joins KENT SPECIAL COLLECTIONS❤️🙏
Our Prof Carter Kaplan have received notification that EMANATIONS ZEN is now catalogued with KENT STATE UNIVERSITY SPECIAL COLLECTIONS, joining the COMPLETE SET OF the ANTHOLOGY available there.
KIND💞THANKS to all at KENT LIBRARIES –Professor Cara Gilganbach, Head, SPECIAL COLLECTIONS & ARCHIVES; and Professor Kate Medicus, SPECIAL COLLECTIONS LIBRARIAN, CATALOGING & METADATA LEAD –and Mack Hassler, INTERNATIONAL AUTHORS EDITORIAL BOARD MEMBER and PROFESSOR of ENGLISH, EMERITUS. 🇺🇸 💞❤️🙏👁️👌 https://carterkaplan.blogspot.com/2023/12/emantons-zen-joins-kent-special.html?fbclid=IwAR31Wdm-6goeXN4w6mpeFh2EatrExEaSc3Dv-xzCd9KC9g4fDEuLHXV0qoY&m=1 🇺🇸💞KENT STATE UNIVERSITY & UNIVERSITIES LIBRARY, -(In First World Country in the United States America). 🇺🇸https://kentlink.kent.edu/record=b6071020~S1 ) In 2017 a portrait of John Milton was added to the Milton’s Cottage collection, and Bienvenido Bones Bañez was named to the editorial board of Emmanations, a print anthology of poetry, fiction and essay published by International Authors. “Thomas Cooper Society Newsletter- Winter 2013” by University Libraries–University of South Carolina. And another blessed again to be a part of the Society Art of Imagination-( http://www.artofimagination.org/Pages/Banez.html ) 🇺🇸👁️( http://artofimagination.org/portfolio/bones-banez-jr/ ) and special exhibition of the Visionaries 2012 with Robert Venosa, HR Giger, Prof Ernst Fuchs, Breck Outland, Brigid Marlin, Alex Grey, Otto Rapp, Sandra Stanton, Miguel Tio, Olga Spiegel, KD Matheson, Eike Erzmoneit, Pedro De Kastro, Cynthia Lund Torroll, Tanya Miller, France Garrido, Peter Gric, Janelle Mckain, Martina Hoffmann, Heidi Taillefer, Carroll Spicuzza, Carrie Ann Baade, Scott Jason, Isaac Abrams, Erik Heyninck, De Es Schwertberger, John Seabury, Mario Martinez (Aka MARS-1), William Otto, Yarek Godfrey, Artur Golacki, Kim M Evans, Graszka Paulska, Steven Peabody, Michel De Saint Ouen, Shlomo Felberbaum, Madeline Von Forester, Sibylle Ruppert, at Queensborough Community College-( https://qptv.org/content/visionaries-art-fantastic ) is the “City University of New York-( https://artgallery.qcc.cuny.edu/exhibits/visionaries/ .) ( https://www.dnainfo.com/new-york/20120703/bayside/alien-artist-hr-gigers-work-be-featured-queens-exhibit/ ) “In the year of 2011 and Sir Terrance Lindall wrote the Wikipedia Article for Me as “Bienvenido “Bones” Banez” and I was happy to see the Google search: https://ipfs.io/ipfs/QmXoypizjW3WknFiJnKLwHCnL72vedxjQkDDP1mXWo6uco/wiki/Bienvenido_%22Bones%22_Banez%2C_Jr..html ) and I found it on the beautiful day of the year 2011, because Sir Terrance Lindall love my paintings and my weirdo grunge poetry is dystopian but before Wikipedia Article write by Terrance Lindall and I have a website is “Welcome Bones 666 Art World” I made that was 2003 at Chicago, Illinois, and after years ago and my first time to participated in the John Milton’s 400th Birthday 2008 at Williamsburg Art & Historical Center, Brooklyn, New York Art World! And here’s the world of Terrance Lindall as a Encyclopedic and mentioned my name for Paradise Lost Elephant Folio👇 https://studylib.net/doc/26258097/654851680-universal-mind-s-paradise-lost-of-terrance-lind… And that years I was just inspired by Sir Terrance Lindall and Dr Robert J Wickenheiser lecturing in Williamsburg Circle of International Arts, and I was special artist in the Miltonian Legacy with our world famous Dr Robert J. Wickenheiser with Sir Terrance Lindall. And Sir Terrance Lindall introduce me to Dr Robert J. Wickenheiser and I never realized that I am part of the Elephant folio Paradise Lost by Terrance Lindall and Dr Robert J Wickenheiser Commentary in the Paradise Lost Elephant Folio, and my word inspiration is part of the world historical context in saying:”Satan Brings Color To The World”. And throwback 2014 Terrance Lindall read the Satanic Verses Bones Banez after I played the grand piano-( https://carterkaplan.blogspot.com/2023/12/surreal-vocalist-pianist-bienvenido.html?m=1&fbclid=IwAR3MJ0aNw20rQzZ7zRMBq7QJpKD5TFdQP9tkDZmOYWKZn9K2A7nR-Ru8GvA -)of Satanic Rhapsody in my spontaneous composition, and that was my first special featured from the greatest legacy in John Milton’s Paradise Lost with Terrance Lindall with Dr Robert J Wickenheiser. 👇( https://wahcenter.wixsite.com/wah-center-books/about-terrance-lindall ) and I was in great jubilation with our world famous Miltonian New York with Dr Robert J Wickenheiser and Sir Terrance Lindall, after years and Sir Terrance Lindall write about Wikipedia Article for Dr Robert J Wickenheiser, and Sir Terrance Lindall using the photo of three of us are “Robert J Wickenheiser, at Center, Bienvenido Bones Bañez, at left and Sir Terrance Lindall at right”-( https://peoplepill.com/i/robert-j-wickenheiser ) And I introduced my spontaneous piano as a surreal sound of music and did you know only Terrance Lindall give the title as a-(Satanic Rhapsody) of my piano composition for another part of the Satanic Verses of John Milton Project. And Me as Bienvenido Bones Bañez and Terrance Lindall have my greatest experience in Two Man Show with the world famous Philosopher, Museum Founder and Surrealist is Master Terrance Lindall, and Collaboration for the John Milton’s Legacy in Williamsburg Art & Historical Center, New York Art World. And Satanic Verses Bones Banez Collaboration with Terrance Lindall because I believe only Master promoter in Wikipedia Article and John Milton Projects advocator and John Milton propaganda machine is Master Terrance Lindall can create the promoting content in the John Milton’s Legacy of historical context in New York Art World, to magnifying the grandeur of the World John Milton’s Paradise Lost Into Colorful Historical Contexts, and that is the power and reason for being creating the Wikipedia Article for Robert J Wickenheiser, Bienvenido Bones Bañez, Amanda Husberg, and Dario Rivarossa. But I believe that is the power from Master in the Art World Authority that is Master Terrance Lindall have to be a part of art world authorities in Wikipedia Article and possibilities for Brittanica Encyclopedia. https://alchetron.com/Robert-J-Wickenheiser ( https://www.academia.edu/44738926/Acrostic_Paradise_Lost_by_Terrance_Lindall and Terrance Lindall’s Paradise Lost https://www.academia.edu/…/Acrostic_Paradise_Lost_by… )👁️ https://issuu.com/bienvenidobonesbanezjr./docs/008353044_1_ 🇺🇸And the greatest New York Achievement Art World to be part of the ”Robert J. Wickenheiser donated more than 120 volumes of Milton, Bunyan and Miltonian and twenty-five works by contemporary Artists illustrating Milton Paradise Lost. The artists represented include Terrance Lindall, Robert S. Beal, Bienvenido Bones Banez, Alan Beck, Troy Frantz, and Agnieszka Szyfter.” written in the: https://scholarcommons.sc.edu/tcl_news/17/ https://sc.edu/search… THOMAS COOPER SOCIETY NEWSLETTER – WINTER 2013 (University Libraries- University of South Carolina). And Special Discussion of Satan Peculiar Grace 👇 https://archive.org/details/pdfslide.net-satans-peculiar-grace-1 🇺🇸 And we are very inspired by Master Terrance Lindall to make greatest announcement for John Milton Legacy and more propaganda machine for uplifting years and more powerful than ever, then I was featured in the Acrostic Paradise Lost by Terrance Lindall 👇 https://studylib.net/doc/26042282/acrostic-paradise-lost-final-2-reduced-page-.pdf–5- and another blessing and I thanks from Prof Gerhard Habarta in German Edition of the Lexikon Surreal 1 and 2 as a Surreal Encyclopedia and the new book 2021 KUNSTHERZ author by Prof Gerhard Habarta. But the year 2017 my Wikipedia Article about Me was blocked because I am the one who retouch the category and after twice attempt to rewrite the Wikipedia block and banned because of the “Conflicts of Interest” with working with Terrance Lindall in Williamsburg Art & Historical Center, https://en.wikipedia.org/wiki/Bienvenido_%22Bones%22_Banez_Jr. and that is reason why my Wikipedia Article was banned, but I thanks from Sir Terrance Lindall who wrote the Wikipedia Article 2011 until 2017 is still part of the New York Art World experiences. But it’s my fault because I didn’t ask permission to Sir Terrance Lindall, and Terrance Lindall told me that Wikipedia more about Anglo people and Terrance Lindall told me this is discrimination from Wikipedia policy and I told him I understand because I read the Wikipedia issue more on Anglo-American than third world countries and majority is english white people in the world power. And I understand that point from Terrance Lindall is true helping me with the writing of Wikipedia Article despite I am Autistic Survivors Surrealist, but despite that happened to me, well it’s considered part of the world historical context of Terrance Lindall and Dr Robert J Wickenheiser. The most important thing is we have a hard cover books in Robert J Wickenheiser & Terrance Lindall The John Milton Projects 2009-2015 by Terrance Lindall with photo cover with Terrance Lindall, Robert J Wickenheiser and Bienvenido Bones Bañez, and Acrostic Paradise Lost by Terrance Lindall with my painting and photo, and I my name was included in the Paradise Lost Elephant Folio by Terrance Lindall with Dr Robert J Wickenheiser Commentary on the historical context in the University of South Carolina Library of John Milton book 👇 https://www.liquisearch.com/terrance_lindall/the_paradise_lost_elephant_folio?fbclid=IwAR13DqAKQvBconYwQbiFW-WkJqgkOG-g6PPVfz__P-WeVHb9rL_yljUO65w .) and also the German Edition by Prof Gerhard Habarta in Lexikon Surreal 1 and 2, Visionary Art Magazine 2012 by Gerhard Habarta and KunstHerz is the world notable biography in German Edition but only Filipino American Surrealist in listed in the KunstHerz 2021-👇 https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false) And that’s the most important thing despite Bienvenido Bones Bañez banned from the Wikipedia Article. Because my principle was “Surreal Acidity Truthful” and true Revelation of the World Paradise Lost Kingdom 666. And after years ago and I was debating in Wikimedia articles throwback 2022 and I was obsessed with promoting John Milton Surrealmageddon Visual Poetry and artwork by Terrance Lindall, but I miss the fact that I reset the Wikimedia watchers and then our Wikimedia suddenly blocked me and affected the photos of Robert J Wickenheiser with Terrance Lindall and Bienvenido Bones Bañez, and almost blocked my Wikimedia because more on personal promotions about my artworks and books and another “Conflict of Interest”,. and I emailed Sir Terrance Lindall… I am sorry for another block our Wikimedia and that’s why you do not see anything about WAH Center because my big responsibility and everything is my fault… That is a lesson from my fault and weakness as a Survivors Autistic Surrealist very voracious in narcissistic visual screaming in the Techno War of Propaganda machine… After all it’s a work of Idiot Savant Autistic Survivors Surrealist and our beautiful memories from our autistic narcissistic I am and maybe sociopath are always part of the Universe! 🙏. https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o ✨💥 https://en.everybodywiki.com/Topic:Xwpjoknvjd1fxp03 https://studylib.net/search/?q=Bienvenido+Bones+Banez+jr&fbclid=IwAR2NsRxeOdHeghlHlKtvcpfRJ0LcB3S9xK9aT-yNyr7a-Pn700C_GAqEUs8 💥 https://online.pubhtml5.com/jltd/fore/’

WE ARE PROUD TO HAVE OUR GREATS PHILOSOPHER, VISIONARY, JOHN MILTON’S BOOK EXPOUNDER, SURREALIST ADVOCATOR, WIKIPEDIA PROMOTER IN NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL and he is the best architect visionary in the art world of John Milton Projects in New York Art World! And I want to know why important thing, and Master Terrance Lindall is the one who helped me to build up my career in art world and without him maybe I had “No Name” in Wikipedia New York Article in featured in the first world country New York Art World that has been dated in 2011 until 2017, despite Wikipedia banned the name of Bienvenido “Bones” Bañez, but the important thing is already done within Six Years Propaganda machine from John Milton Projects by our architect visionary is Master Terrance Lindall in New York Art projects. And our World Famous Miltonian Philosophers, Visionary Artist Sir Terrance Lindall is one of the MUSEUM FOUNDER IN THE ART WORLD 🇺🇸https://www.amazon.es/Museum-founders-Augustus-Guggenheim-Rockefeller/dp/1155565851 🇺🇸https://www.sapnaonline.com/books/museum-founders-augustus-pitt-rivers-source-wikipedia-1155565851-9781155565859/ It’s a wild wild wildest New York Artists. And some my artists friends asked me why Terrance Lindall help you and build up with the majestic clan in John Milton’s Legacy? And I answered my friend request and because the power of my paintings speak loud and my grunge poetry in vulgarity is truth like a stingy pain from their eyes and ears to our audiences. And that is why our first world country Master Terrance Lindall love my paintings and Dystopian Poetry as grunge styles, and I performed in piano with my freaking spontaneously and surreal sounds like thunder distorted notes, and that makes sense to me as trance aura and I don’t know how it goes to well, but important follow your heart and mind if someone possess… After Terrance Lindall, Yuko Nii, Peter Dizzoza, Orin Buck, Sam was surprised my piano performance in WAH Center, Brooklyn, New York. And after several weeks and Terrance Lindall decided to give the title of my musical sound into the “Satanic Rhapsody” and I accept the title for my spontaneous composition in piano. And every time have an occasion for Art exhibition and performing arts, and I always participate in every annual art exhibition in WAH Center New York. But some people say that I am from third world country-( https://peoplepill.com/i/bienvenido-bones-banez-jr )and mostly Anglo-American white people are easily into the Wikipedia articles and they control their categories to separate them from first world country famous and that’s why they’re more propaganda than a measurement in our individual talents. But the irony from Wikipedia has been promoted porn star is a considered Notability or “Notable” despite fleshy stars? ( https://en.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido_%22Bones%22_Banez_Jr. ) ( https://en.wikipedia.org/wiki/Special:WhatLinksHere/User_talk:Bienvenido_Bones_Banez,Jr. ) ( https://en.m.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido%22Bones%22_Banez_Jr.?fbclid=IwAR0uo2zuruT-oqeW4MADFrQ6UYKpoBJNj9nSZ041rB2cc3qbp6DwrpsdkGA ) Well, it’s a part of the Satanic Notability and famous according from Wikipedia as Wickedpedia Inspirations from criminal untouchable superstar and Notability pervert stars. They want portray they are superior races and some like eugenics systems despite imperfection DNA in the human mortal creatures desires. 🇺🇸. https://wahcenter.net/events/2014/satanicverses/Biens_Journey_WAH_Salon.doc 🇺🇸👁️. https://online.pubhtml5.com/jltd/uxwl/’ 🇺🇸🎨 🗽 http://colorsofpain.info/8.html?fbclid=IwAR1nWvQzMKMjWynOwvwA-Os8AvzebgH7A62xGke-bbYfpRoaWYnQRziUU But will tell you the consequences magical enchanted from the Human Mortal Creatures Dreamers for let us build our names in according from Nimrod the Great build the world tallest tower in the world power is the Tower of Babel and they are totally original in making names around the world for being gods and goddesses, Inspired from the TREE OF KNOWLEDGE. Natural beings a part of the Satan Brings Color To The World Famous Names- Matthew 4 :9. / First John 5:19. / Ephesians 6:12. 🇺🇸👁️ And someone who suggested us that will be part of the Wikipedia Article for the Notability or Notable from the Human Mortal Creatures Geniuses and Welcome Bones 666 Art World Blasphemous Desires from the Tree of Knowledge turned into Surreal Blasphemous Desires!!!! But according from the book of “The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success” by Kevin Dutton points to be part of the Wikipedia Article into the Wickedpedia Encyclopedia in “Satan Brings Color To The World Famous” from our lower edge our human mortal creatures desires. 👁️. https://www.slideshare.net/BBaez1/surrealist-meaning-of-wikipedia-turned-into-the-subliminal-wickedpedia-desires-from-human-imperfection-dna-666-deoxyribonucleicsatanicacid-into-delusional-god-complex-from-human-mortal-creatures-narcissistic-despite-the-future-for-cemeteries-world 🇺🇸👁️. https://duckduckgo.com/?q=The+Wisdom+of+Psychopath+by+Kevin+Dutton&t=h_&ia=web 👁️. https://www.ebay.com/itm/404627552366?fbclid=IwAR0VpB4AlbKGDyTuHJPrdx_AFyT2ue9Mnwu4ERQY5m9GQg-R2EidjByO_X8 🇺🇸. 🇺🇸. Meanwhile in recent months Our New York World Famous Philosophers, Surrealist, Visionary artist Sir Terrance Lindall 🇺🇸🌟and foremost icon on the John Milton’s Legacy, and Thanks from Master PhD Is Dr Robert J. Wickenheiser commentary on the Terrance Lindall Folio for John Milton’s Paradise Lost Into Colorful Satan Brings Color To The World!👇 https://archive.org/details/img-20230215-141628
And We proudly present to you and our universal Master Terrance Lindall for his magnificent achievements and Dr Robert J Wickenheiser and Master Yuko Nii. And here’s the link for the World of Terrance Lindall👇 🇺🇲👁️Museum of Modern Art & The Metropolitan Museum
https://snaccooperative.org/view/51555704#resources

❤️‍🔥🇺🇲Virtual International Authority:
https://viaf.org/viaf/63032373/

🇺🇲🌍World Identities:
https://id.oclc.org/worldcat/entity/E39PBJgmK8cQTGJ66HBp4Y3PcP.html

🇺🇲🌍❤️‍🔥Library of Congress:
https://id.loc.gov/authorities/names/n86109912.html

🌎❤️‍🔥🇺🇲National Library of New Zealand:
https://researchworks.oclc.org/archivegrid/?p=1&q=Lindall,+Terrance+R.

❤️‍🔥🇺🇲One of the most influential persons in academia according to “InfluenceRanking”❤️‍🔥🙏 https://academicinfluence.com/

Analysis by machine-learning technology developed with funding from the Defense Advanced Research Projects Agency (DARPA).

Take note 👇
“NOT MANY established scholars and artists are listed on these sites. But I think being there establishes a presence for the future.” https://www.wahcenter.net/events-and-exhibitions-archive/ 🇺🇲👁️❤️‍🔥. https://johnmiltoninouterspace.wordpress.com/author/tlindall/?fbclid=IwAR2d2JhHMsWjdYVD2BAIQHh9YI1Q63tplrEn1sIS-zL4MzEM-galMzAO0Mg

🇺🇸👁️ https://johnmilton51.wordpress.com/2023/08/16/%F0%9F%87%BA%F0%9F%87%B2one-of-historys-foremost-philosopher-provocateur-artist-is-master-terrance-lindall-the-new-art-world-surrealmageddon-visual-poetry%F0%9F%92%A5/?fbclid=IwAR194tci0OOPEE_pa3YboOkJRJqbgzdT_F0-nSEER_7kaqQrCfjD1RGuXjY 🇺🇲👁️. 🙏. Here’s the Conservapedia Differs from Wikipedia 👇 https://www.conservapedia.com/Conservapedia:How_Conservapedia_Differs_from_Wikipedia 💥 https://www.google.com/search?sca_esv=592749244&sxsrf=AM9HkKl1-yYa1m1G_OiTLSMgi9IrsfkX-g:1703142461578&q=bienvenido+bones+banez+jr&tbm=bks&source=lnms&prmd=ivsnbmtz&sa=X&ved=2ahUKEwjWhLKL_J-DAxV68DgGHQ6EDQ0Q0pQJegQICxAB&biw=360&bih=683&dpr=2 🗽 https://m.famousfix.com/list/surrealist-artists 🇬🇧 https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o 💥 https://en.everybodywiki.com/Bienvenido_Bones_Banez,_Jr.?fbclid=IwAR2Cz2ZgDRIQtINBKVPz82QeR-EtuLTzehhphyzwLQpqpWOmP9Y7EWK5XjI#google_vignette

🌈🇺🇲FEATURED ARTIST at Williamsburg Art & Historical Center: Bienvenido Bones Bañez. To night we celebrate the works of Bones Bañez and Terrance Lindall & the Gold Folio.🇺🇲Satanic Verses Bones Banez Collaboration with Terrance Lindall☠️💥 20-September_2014👌 “UNIVERSAL SPERM SPELL 666” with frame with Painting design by Terrance Lindall collaboration with Bienvenido Bones Banez Jr. And permanent collection of Yuko Nii Foundation, Williamsburg Art & Historical Center, Brooklyn, NY, USA 🇺🇲 💞💥☠️👁️🇺🇲🙏

🌈FEATURED ARTIST at Williamsburg Art & Historical Center: Bienvenido Bones Bañez. To night we celebrate the works of Bones Bañez and Terrance Lindall & the Gold Folio.🇺🇲Satanic Verses Bones Banez Collaboration with Terrance Lindall☠️💥 20-September_2014👌 “UNIVERSAL SPERM SPELL 666” with frame with Painting design by Terrance Lindall collaboration with Bienvenido Bones Banez Jr. And permanent collection of Yuko Nii Foundation, Williamsburg Art & Historical Center, Brooklyn, NY, USA 🇺🇲 https://mobile.twitter.com/wahcenter/status/513058414281629696?fbclid=IwAR1h7sLWHr467goFXC6Urj0NoQycZ5Xxkcfk17mkZmNHYuV9-4s_Ch07Bj8 AND http://dictionary.sensagent.com/Terrance%20Lindall/en-en/

🌈FEATURED ARTIST at WAH Center: Bienvenido Bones Bañez. To night we celebrate the works of Bones Bañez and Terrance Lindall & the Gold Folio.🇺🇲Satanic Verses Bones Banez Collaboration with Terrance Lindall☠️💥 20-September_2014👌 “UNIVERSAL SPERM SPELL 666” with frame with Painting design by Terrance Lindall collaboration with Bienvenido Bones Banez Jr. And permanent collection of Yuko Nii Foundation, Williamsburg Art & Historical Center, Brooklyn, NY, USA 🇺🇲 https://mobile.twitter.com/wahcenter/status/513058414281629696?fbclid=IwAR1h7sLWHr467goFXC6Urj0NoQycZ5Xxkcfk17mkZmNHYuV9-4s_Ch07Bj8 AND http://dictionary.sensagent.com/Terrance%20Lindall/en-en/

🌈FEATURED ARTIST at WAH Center: Bienvenido Bones Bañez. To night we celebrate the works of Bones Bañez and Terrance Lindall & the Gold Folio.🇺🇲Satanic Verses Bones Banez Collaboration with Terrance Lindall☠️💥 20-September_2014👌 “UNIVERSAL SPERM SPELL 666” with frame with Painting design by Terrance Lindall collaboration with Bienvenido Bones Banez Jr. And permanent collection of Yuko Nii Foundation, Williamsburg Art & Historical Center, Brooklyn, NY, USA 🇺🇲 https://mobile.twitter.com/wahcenter/status/513058414281629696?fbclid=IwAR1h7sLWHr467goFXC6Urj0NoQycZ5Xxkcfk17mkZmNHYuV9-4s_Ch07Bj8 AND http://dictionary.sensagent.com/Terrance%20Lindall/en-en/

💥Terrance Lindall’s Paradise Lost in the Universal Dr. Robert J. Wickenheiser🇺🇸

Sources: TERRANCE LINDALL’S PARADISE LOST: ABOUT DR. ROBERT J. WICKENHEISER

ABOUT DR. ROBERT J. WICKENHEISER –Robert J. Wickenheiser – Wikipedia

Dr. Wickenheiser, 19th president of St. Bonaventure, is remembered for various important advancements during his nine-year tenure. He worked successfully to solve the grave financial problems faced by the university when he took office and he is credited with leading the university out of financial exigency.

He also began an era of new construction designed to meet important needs, including most notably new apartments for students and a new art center and theater joined by a new state-of-the-art museum. The latter two facilities gained wide acclaim for the university’s commitment to the arts and for is advancement of new programs in art, music and dance.

All schools were encouraged to gain individual accreditation, and a new school of journalism was established drawing increased recognition for its focus and its programs of study as a department. Broadcast journalism was also incorporated into the new school building upon an already highly successful emphasis on written journalism in prior years.

Dr. Wickenheiser was a driving force leading the University into the 21st century. From the outset he supported the development of Clare College, the new core curriculum introduced by the faculty in 1998. Experts (National Endowment for Humanities) have called the curriculum “ground breaking” and referred to it as “a national model”. Dr. Wickenheiser also played a key role in revitalizing the Franciscan values of the university and expanding University Ministries. He was also influential in helping to establish the Franciscan Center for Social Concern.

Shortly before leaving office he secured a significant lead gift (the largest in the history of the university) from Mr. William L. Richter to construct a large center for students to recreate indoors; the leading grant to begin important renovation needs in the science center; and various other lead gifts to help define the goals of a major new capital campaign beginning in 2000.

From his early teaching days at Princeton University, Dr. Wickenheiser was a major collector of books and his Milton collection of over 6000 books by and about the great poet, scholar and philosopher John Milton is now at The Thomas Cooper Library at the University of South Carolina, where it bears the name of its collector. The collection was acquired for The Thomas Cooper Library in 2006 with leading support from William L. Richter and The William L. Richter Family Foundation. The Robert J. Wickenheiser Milton collection is looked upon as enabling the university to become an important center for Milton studies in years to come. One of the Gold Illuminated Elephant Folio’s of Terrance Lindall will be in the collection. – Robert J. Wickenheiser – Wikipedia Wikiwand – Robert J. Wickenheiser

From our Great WAH Center Art World!: Major Scholar, art collector, university president and former editor of the Princeton Review to Head Williamsburg Circle of International Arts and Letters at the WAH Center. He has graciously accepted the post of CHAIRMAN AND PRESIDENT. Meet Dr. Robert J. Wickenheiser during the:

Paradise Lost Collectors Weekend April 2012. Robert J. Wickenheiser – Wikipedia

From our great WAH Center Art World! : Major Scholar, art collector, university president and former editor of the Princeton Review to Head Williamsburg Circle of International Arts and Letters at the WAH Center. He has graciously accepted the post of CHAIRMAN AND PRESIDENT. Meet Dr. Robert J. Wickenheiser during the:

Paradise Lost Collectors Weekend April 2012 Robert J. Wickenheiser – Wikipedia

Brocade cover

Paradise Lost in Elephant Folio / Terrance Lindall

☝️”War in Heaven” Terrance Lindall / Paradise Lost for Elephant Folio

☝️”Satan Ruined” Terrance Lindall / Paradise Lost for Elephant Folio. 📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚 And here’s the continuing news from Terrance Lindall 👇🇺🇸🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚🇺🇸📚Dr-ROBERT-J-WICKENHEISER-on-TERRANCE-LINDALL-S-MILTON-ILLUSTRATION-FORTUNATE-I-am-to-have-Robert-J-Wickenheiser 👁️Dr. ROBERT J. WICKENHEISER on TERRANCE LINDALL’S MILTON ILLUSTRATION💥 💞FORTUNATE I am, to have Robert J. Wickenheiser & Terrance Lindall as 666-Hermeneutical-Surrealist to Williamsburg Art & Historical Center of the World! Who is Dr. Robert J. Wickenheiser? According to G.W. Stuart Jr., expert on fine and rare books, “Dr. Robert Wickenheiser is the uncontested premier collector of Milton and Miltoniana in the world . . . . There is, to the best of my knowledge, no other privately held collection in the world that even remotely begins to approach the Wickenheiser Milton Collection in scope, range, or importance . . . . The purchase of this collection would immediately catapult the purchaser into world-class status.” According to Dr.Robert J. Wickenheiser: This wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. According to Dr. Robert J. Wickenheiser, “Without a doubt, Terrance Lindall is the foremost illustrator of Paradise Lost in our age, comparable to other great illustrators through the ages, and someone who has achieved a place of high stature for all time.” Dr. Wickenheiser subsequently added, “I consider myself the most fortunate of Miltonists to have lived during the time of the greatest of Milton illustrators, to have been his friend and brother so that I could say so to others and indeed the world, while discussing Milton.” https://youtu.be/UEOxZe_bnEA ☝️Milton’s Paradise Lost – Lindall Quatro🇺🇸 ☝️According to Dr.Robert J. Wickenheiser Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. ☝️Peter Dizozza and Terrance Lindall ☝️Dr.Carter Kaplan, Sam, and Terrance Lindall, We are inspired! 👇💞ROBERT J WICKENHEISER-(Center), Bienvenido Bones Bañez-(Left side), & Terrance Lindall-(Right Side) at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸👇 According to Dr.Robert J. Wickenheiser: My good fortune to be with two great artists of our time, Bienvenido Bones Bañez and Terrance Lindall. Several of Bien’s drawings illustrating Paradise Lost and a major grouping of original drawings by Terrrance Lindall as well as the only other copy of his magnificent elephant folio illustrating Paradise Lost in the style of a medieval manuscript are in my private Milton collection and will ultimately become center pieces in my Milton collection in Rare Books and Special Collections at the University of Special Collections. ☝️Private Collection – Dr.Robert J. Wickenheiser ☝️Private Collection- Dr.Robert J. Wickenheiser ☝️Private Collection- Dr.Robert J. Wickenheiser The Paradise Lost Elephant Folio In 2011 and 2012 Lindall will be working on production of “The Paradise Lost Elephant Folio,” a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page printed illustrations with hand-painted illustrated borders. { The borders of the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also tell stories or make commentary about what is illustrated in the featured central paintings. The borders also are tributes to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on his ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr. { discovered Lindall’s repertoire during the Brave Destiny Show and communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border. Read more about this topic: Terrance Lindall The Paradise Lost Elephant Folio In 2011 and 2012 Lindall will be working on production of “The Paradise Lost Elephant Folio,” a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page printed illustrations with hand-painted illustrated borders. { The borders of the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also tell stories or make commentary about what is illustrated in the featured central paintings. The borders also are tributes to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on his ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr. { discovered Lindall’s repertoire during the Brave Destiny Show and communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border. Read more about this topic: Terrance Lindall According to Dr.Robert J. Wickenheiser I couldn’t agree more with Bienvenido Bones Banes’s statement on this picture: “I declares this one of the world’s greatest printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues.” ABOUT THE SHOW’S DIRECTOR Terrance Lindall is an American artist who was born in Minneapolis, Minnesota, USA, in 1944. Lindall attended the University of Minnesota and graduated magna cum laude from Hunter College in New York City in 1970, with a double major in Philosophy and English and a double minor in Psychology and Physical Anthropology. He was in the Doctor of Philosophy program in philosophy at New York University from 1970 to 1973. He is listed in Marquis Who’s Who in America 2006. Information about this artist is also on file in the Smithsonian Institution Library Collection. His illustrations for John Milton’s Paradise Lost are perhaps today the best-known illustrations for this epic outside of those by William Blake and Gustave Dore, and are part of this exhibit. His art is on the cover of Random House’s 2008 “Essential Milton.” WHAT MILTON SCHOLARS ARE SAYING “Appropriately for his background in art and philosophy, Lindall seems especially interested in using art to express ideas, which makes his work particularly intriguing for Milton scholars, for he has painted a number of works depicting scenes in Paradise Lost” —Horace Jeffery Hodges, Assistant Professor in Kyung Hee University’s Dept. of English Language and Literature”Lindall’s image (on the cover of Random House’s 2008 Essential Milton) is, of course, the star. It seems to me at once unmistakably modern and yet just as unmistakably archaic: exactly the doubleness I was hoping for on our cover.”—William Kerrigan of Random House, 2007“Radical artist and nonconformist Terrance Lindall has channeled Milton’s spirit into a modern context, in a provocative series of illustrations toParadise Lost. His visual celebration of Milton reveals his remarkable affinity for the radical English poet, and his ability to create a fitting tribute to Milton’s enduring influence in the arts.” —Professor Karen Karbiener, New York University, 2007“Terrance Lindall’s fanciful illustrations are bound to arouse response & provoke thought in the may persons interested in Paradise Lost & its subjects & in surreal illustration generally” — Professor Thomas Clayton, University of Minnesota Department of EnglishLindall’s art for Paradise Lost appears on the 2008 cover of Complete Poetry and Essential Prose of John Milton, Random House 2008. Edited by William Kerrigan, John Rumrich and Stephen M. Fallon Format: Hardcover, 1392 pages ISBN: 978-0-679-64253-4 (0-679-64253-6) THIS EDITION IS CALLED “THE DEFINITIVE MILTON OF OUR TIME” (NOW IN IT’S SECOND PRINTING)Holt Rinehart & Winston is using another Lindall Paradise Lost image in a 2009 high school textbook, which will have a first run of 370,000. Title: Elements of Literature, Sixth Course ISBN No.: 9780030368820Oxford’s major exhibit “CITIZEN MILTON” at the Bodleian Library, Oxford has one of Lindall’s paintings on their web-site for their exhibit honoring Milton’s 400th birthday, on the page Exhumations and Destinies: ‘For Books are not absolutely Dead Things’Buy the DVD movie of Terrance reciting Paradise Lost. Send check for $20 plus $2 shipping to WAH Center, 135 Broadway, Brooklyn, NY 11211 ☝️Bienvenido Bones Bañez Collaboration with Terrance Lindall / Satanic Verses of the World-666!🇺🇸 ☝️Bienvenido Bones Bañez Collaboration with Terrance Lindall / Satanic Verses of the World-666!🇺🇸 ☝️Bienvenido Bones Bañez Jr Collaboration with Terrance Lindall / Satanic Verses of the World-666!💞🇺🇸 🇺🇸☝️Bienvenido Bones Bañez Collaboration with Terrance Lindall / Satanic Verses of the World-666! 🇺🇸☝️Lindall_Bañez THE SATANIC VERSES GOLD FOLIO at Williamsburg Art & Historical Center / Yuko Nii Foundation🇺🇸👁️💞 ‘’Satan gave color to the world” Private Collection- Dr. Robert J. Wickenheiser.🇺🇸💝 ABOUT THE SHOW’S DIRECTOR Terrance Lindall is an American artist who was born in Minneapolis, Minnesota, USA, in 1944. Lindall attended the University of Minnesota and graduated magna cum laude from Hunter College in New York City in 1970, with a double major in Philosophy and English and a double minor in Psychology and Physical Anthropology. He was in the Doctor of Philosophy program in philosophy at New York University from 1970 to 1973. He is listed in Marquis Who’s Who in America 2006. Information about this artist is also on file in the Smithsonian Institution Library Collection. His illustrations for John Milton’s Paradise Lost are perhaps today the best-known illustrations for this epic outside of those by William Blake and Gustave Dore, and are part of this exhibit. His art is on the cover of Random House’s 2008 “Essential Milton.” WHAT MILTON SCHOLARS ARE SAYING “Appropriately for his background in art and philosophy, Lindall seems especially interested in using art to express ideas, which makes his work particularly intriguing for Milton scholars, for he has painted a number of works depicting scenes in Paradise Lost” —Horace Jeffery Hodges, Assistant Professor in Kyung Hee University’s Dept. of English Language and Literature”Lindall’s image (on the cover of Random House’s 2008 Essential Milton) is, of course, the star. It seems to me at once unmistakably modern and yet just as unmistakably archaic: exactly the doubleness I was hoping for on our cover.”—William Kerrigan of Random House, 2007“Radical artist and nonconformist Terrance Lindall has channeled Milton’s spirit into a modern context, in a provocative series of illustrations toParadise Lost. His visual celebration of Milton reveals his remarkable affinity for the radical English poet, and his ability to create a fitting tribute to Milton’s enduring influence in the arts.” —Professor Karen Karbiener, New York University, 2007“Terrance Lindall’s fanciful illustrations are bound to arouse response & provoke thought in the may persons interested in Paradise Lost & its subjects & in surreal illustration generally” — Professor Thomas Clayton, University of Minnesota Department of EnglishLindall’s art for Paradise Lost appears on the 2008 cover of Complete Poetry and Essential Prose of John Milton, Random House 2008. Edited by William Kerrigan, John Rumrich and Stephen M. Fallon Format: Hardcover, 1392 pages ISBN: 978-0-679-64253-4 (0-679-64253-6) THIS EDITION IS CALLED “THE DEFINITIVE MILTON OF OUR TIME” (NOW IN IT’S SECOND PRINTING)Holt Rinehart & Winston is using another Lindall Paradise Lost image in a 2009 high school textbook, which will have a first run of 370,000. Title: Elements of Literature, Sixth Course ISBN No.: 9780030368820Oxford’s major exhibit “CITIZEN MILTON” at the Bodleian Library, Oxford has one of Lindall’s paintings on their web-site for their exhibit honoring Milton’s 400th birthday, on the page Exhumations and Destinies: ‘For Books are not absolutely Dead Things’Buy the DVD movie of Terrance reciting Paradise Lost. Send check for $20 plus $2 shipping to WAH Center, 135 Broadway, Brooklyn, NY 11211

💞FORTUNATE I AM, TO HAVE DR. ROBERT J. WICKENHEISER & TERRANCE LINDALL as part In Historical of the Williamsburg Circle of International Arts and Letters 🇺🇸💝

👁️Dr. ROBERT J. WICKENHEISER on TERRANCE LINDALL’S MILTON ILLUSTRATION💥

💞FORTUNATE I am, to have Robert J. Wickenheiser & Terrance Lindall as 666-Hermeneutical-Surrealist to Williamsburg Art & Historical Center of the World!

Who is Dr. Robert J. Wickenheiser? According to G.W. Stuart Jr., expert on fine and rare books, “Dr. Robert Wickenheiser is the uncontested premier collector of Milton and Miltoniana in the world . . . . There is, to the best of my knowledge, no other privately held collection in the world that even remotely begins to approach the Wickenheiser Milton Collection in scope, range, or importance . . . . The purchase of this collection would immediately catapult the purchaser into world-class status.”

According to Dr.Robert J. Wickenheiser: This wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic.

According to Dr. Robert J. Wickenheiser, “Without a doubt, Terrance Lindall is the foremost illustrator of Paradise Lost in our age, comparable to other great illustrators through the ages, and someone who has achieved a place of high stature for all time.” Dr. Wickenheiser subsequently added, “I consider myself the most fortunate of Miltonists to have lived during the time of the greatest of Milton illustrators, to have been his friend and brother so that I could say so to others and indeed the world, while discussing Milton.”

☝️Milton’s Paradise Lost – Lindall Quatro🇺🇸

☝️According to Dr.Robert J. Wickenheiser Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic.

☝️Peter Dizozza and Terrance Lindall

☝️Dr.Carter Kaplan, Sam, and Terrance Lindall, We are inspired!

👇💞ROBERT J WICKENHEISER-(Center), Bienvenido Bones Bañez-(Left side), & Terrance Lindall-(Right Side) at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸👇

According to Dr.Robert J. Wickenheiser: My good fortune to be with two great artists of our time, Bienvenido Bones Bañez and Terrance Lindall. Several of Bien’s drawings illustrating Paradise Lost and a major grouping of original drawings by Terrrance Lindall as well as the only other copy of his magnificent elephant folio illustrating Paradise Lost in the style of a medieval manuscript are in my private Milton collection and will ultimately become center pieces in my Milton collection in Rare Books and Special Collections at the University of Special Collections.

☝️Private Collection – Dr.Robert J. Wickenheiser

☝️Private Collection- Dr.Robert J. Wickenheiser

☝️Private Collection- Dr.Robert J. Wickenheiser

The Paradise Lost Elephant Folio In 2011 and 2012 Lindall will be working on production of “The Paradise Lost Elephant Folio,” a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page printed illustrations with hand-painted illustrated borders. { The borders of the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also tell stories or make commentary about what is illustrated in the featured central paintings. The borders also are tributes to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on his ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr. { discovered Lindall’s repertoire during the Brave Destiny Show and communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border. Read more about this topic: Terrance Lindall

The Paradise Lost Elephant Folio In 2011 and 2012 Lindall will be working on production of “The Paradise Lost Elephant Folio,” a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page printed illustrations with hand-painted illustrated borders. { The borders of the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also tell stories or make commentary about what is illustrated in the featured central paintings. The borders also are tributes to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on his ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr. { discovered Lindall’s repertoire during the Brave Destiny Show and communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border. Read more about this topic: Terrance Lindall

According to Dr.Robert J. Wickenheiser I couldn’t agree more with Bienvenido Bones Banes’s statement on this picture: “I declares this one of the world’s greatest printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues.”

ABOUT THE SHOW’S DIRECTOR

Terrance Lindall is an American artist who was born in Minneapolis, Minnesota, USA, in 1944. Lindall attended the University of Minnesota and graduated magna cum laude from Hunter College in New York City in 1970, with a double major in Philosophy and English and a double minor in Psychology and Physical Anthropology. He was in the Doctor of Philosophy program in philosophy at New York University from 1970 to 1973. He is listed in Marquis Who’s Who in America 2006. Information about this artist is also on file in the Smithsonian Institution Library Collection. His illustrations for John Milton’s Paradise Lost are perhaps today the best-known illustrations for this epic outside of those by William Blake and Gustave Dore, and are part of this exhibit. His art is on the cover of Random House’s 2008 “Essential Milton.”

WHAT MILTON SCHOLARS ARE SAYING

“Appropriately for his background in art and philosophy, Lindall seems especially interested in using art to express ideas, which makes his work particularly intriguing for Milton scholars, for he has painted a number of works depicting scenes in Paradise Lost” —Horace Jeffery Hodges, Assistant Professor in Kyung Hee University’s Dept. of English Language and Literature”Lindall’s image (on the cover of Random House’s 2008 Essential Milton) is, of course, the star. It seems to me at once unmistakably modern and yet just as unmistakably archaic: exactly the doubleness I was hoping for on our cover.”—William Kerrigan of Random House, 2007“Radical artist and nonconformist Terrance Lindall has channeled Milton’s spirit into a modern context, in a provocative series of illustrations toParadise Lost. His visual celebration of Milton reveals his remarkable affinity for the radical English poet, and his ability to create a fitting tribute to Milton’s enduring influence in the arts.” —Professor Karen Karbiener, New York University, 2007“Terrance Lindall’s fanciful illustrations are bound to arouse response & provoke thought in the may persons interested in Paradise Lost & its subjects & in surreal illustration generally” — Professor Thomas Clayton, University of Minnesota Department of EnglishLindall’s art for Paradise Lost appears on the 2008 cover of Complete Poetry and Essential Prose of John Milton, Random House 2008. Edited by William Kerrigan, John Rumrich and Stephen M. Fallon Format: Hardcover, 1392 pages ISBN: 978-0-679-64253-4 (0-679-64253-6) THIS EDITION IS CALLED “THE DEFINITIVE MILTON OF OUR TIME” (NOW IN IT’S SECOND PRINTING)Holt Rinehart & Winston is using another Lindall Paradise Lost image in a 2009 high school textbook, which will have a first run of 370,000. Title: Elements of Literature, Sixth Course ISBN No.: 9780030368820Oxford’s major exhibit “CITIZEN MILTON” at the Bodleian Library, Oxford has one of Lindall’s paintings on their web-site for their exhibit honoring Milton’s 400th birthday, on the page Exhumations and Destinies: ‘For Books are not absolutely Dead Things’Buy the DVD movie of Terrance reciting Paradise Lost. Send check for $20 plus $2 shipping to WAH Center, 135 Broadway, Brooklyn, NY 11211

☝️Bienvenido Bones Bañez Collaboration with Terrance Lindall / Satanic Verses of the World-666!🇺🇸

☝️Bienvenido Bones Bañez Collaboration with Terrance Lindall / Satanic Verses of the World-666!🇺🇸

☝️Bienvenido Bones Bañez Jr Collaboration with Terrance Lindall / Satanic Verses of the World-666!💞🇺🇸

🇺🇸☝️Bienvenido Bones Bañez Collaboration with Terrance Lindall / Satanic Verses of the World-666!

🇺🇸☝️Lindall_Bañez THE SATANIC VERSES GOLD FOLIO at Williamsburg Art & Historical Center / Yuko Nii Foundation🇺🇸👁️💞

‘’Satan gave color to the world” Private Collection- Dr. Robert J. Wickenheiser.🇺🇸💝

ABOUT THE SHOW’S DIRECTOR

Terrance Lindall is an American artist who was born in Minneapolis, Minnesota, USA, in 1944. Lindall attended the University of Minnesota and graduated magna cum laude from Hunter College in New York City in 1970, with a double major in Philosophy and English and a double minor in Psychology and Physical Anthropology. He was in the Doctor of Philosophy program in philosophy at New York University from 1970 to 1973. He is listed in Marquis Who’s Who in America 2006. Information about this artist is also on file in the Smithsonian Institution Library Collection. His illustrations for John Milton’s Paradise Lost are perhaps today the best-known illustrations for this epic outside of those by William Blake and Gustave Dore, and are part of this exhibit. His art is on the cover of Random House’s 2008 “Essential Milton.”

WHAT MILTON SCHOLARS ARE SAYING

“Appropriately for his background in art and philosophy, Lindall seems especially interested in using art to express ideas, which makes his work particularly intriguing for Milton scholars, for he has painted a number of works depicting scenes in Paradise Lost” —Horace Jeffery Hodges, Assistant Professor in Kyung Hee University’s Dept. of English Language and Literature”Lindall’s image (on the cover of Random House’s 2008 Essential Milton) is, of course, the star. It seems to me at once unmistakably modern and yet just as unmistakably archaic: exactly the doubleness I was hoping for on our cover.”—William Kerrigan of Random House, 2007“Radical artist and nonconformist Terrance Lindall has channeled Milton’s spirit into a modern context, in a provocative series of illustrations toParadise Lost. His visual celebration of Milton reveals his remarkable affinity for the radical English poet, and his ability to create a fitting tribute to Milton’s enduring influence in the arts.” —Professor Karen Karbiener, New York University, 2007“Terrance Lindall’s fanciful illustrations are bound to arouse response & provoke thought in the may persons interested in Paradise Lost & its subjects & in surreal illustration generally” — Professor Thomas Clayton, University of Minnesota Department of EnglishLindall’s art for Paradise Lost appears on the 2008 cover of Complete Poetry and Essential Prose of John Milton, Random House 2008. Edited by William Kerrigan, John Rumrich and Stephen M. Fallon Format: Hardcover, 1392 pages ISBN: 978-0-679-64253-4 (0-679-64253-6) THIS EDITION IS CALLED “THE DEFINITIVE MILTON OF OUR TIME” (NOW IN IT’S SECOND PRINTING)Holt Rinehart & Winston is using another Lindall Paradise Lost image in a 2009 high school textbook, which will have a first run of 370,000. Title: Elements of Literature, Sixth Course ISBN No.: 9780030368820Oxford’s major exhibit “CITIZEN MILTON” at the Bodleian Library, Oxford has one of Lindall’s paintings on their web-site for their exhibit honoring Milton’s 400th birthday, on the page Exhumations and Destinies: ‘For Books are not absolutely Dead Things’Buy the DVD movie of Terrance reciting Paradise Lost. Send check for $20 plus $2 shipping to WAH Center, 135 Broadway, Brooklyn, NY 11211

JOHN MILTON by Bienvenido “Bones” Bañez Jr.

HIGHBROW💥 “JOHN MILTON” by Bienvenido “Bones” Bañez, Jr. Bienvenido Bones Bañez Jr. According to Mr. Bañez, the scene of the Fall at the bottom of the painting, together with Milton himself, suggest enlightenment, while the fallen angel above Milton’s head is an exponent of the “dark wisdom” that comes with that same enlightenment. The delicacy of the representation of Adam and Eve, and the multivalent character of the landscape into which they are set, are worth examining at length, as are the tessellations of energy emanating from the deftly-realized angel, while the fusion of joy and integrity which figures strongly in Mr. Bañez’s characterization of Milton, is both tranquil and pleasant, and worth meditating upon as a model of spiritual assurance and intellectual consolation.

On January 9 at the Williamsburg Art and Historical Center, Mr. Bañez presented the painting to representatives of Milton’s Cottage Trust. Please click HERE to read about the occasion. https://carterkaplan.blogspot.com/2017/02/john-miton-by-bienvenido-bones-banez-jr.html?m=1&fbclid=IwAR0cjUj13YxN8VtknUlVSxTdQcCX15e7es8-oU8D1Dm2ne3eUxoa8slfQzw  🇺🇸👁️🙏🇺🇸🇬🇧💥🇺🇸🇬🇧 And continuing👇 BIENVENIDO BONES’S GIFT to JOHN DUGDALE BRADLEY, TRUSTEE of MILTON’S COTTAGE TRUST.

John Milton’s Paradise Lost
Milton’s Cottage For A Day At The WAH!
January 9, 2017
What do Superman, Malcolm X, George Lucas, and a Heavy Metal Rock Band all have in common with John Milton??? Find out at this VERY SPECIAL EVENT! The beginning of a world-wide year long celebration of the 350th Anniversary of the publishing of PARADISE LOST.

John Dugdale Bradley, Trustee of Milton’s Cottage Trust, Buckinghamshire England, and their business director Kelly O’Reilly have been invited to speak at the WAH Center at 135 Broadway Brooklyn, New York on January 9th. Please come to our art center for the luncheon on Monday.

Some of the Yuko Nii Foundation’s Milton collection will be on display on January 9th for John’s visit, and, after a tour of the building, a light luncheon will be served in the grand reception hall at 12:30. You can get tickets here: https://www.eventbrite.com/myevent?eid=29864621888

11 A.M. Tour of the building
12 P.M. Talk by John Dugdale Bradley
12:30 P.M. Luncheon
1:30 P.M. Other Speakers TBA
2 P.M. Terrance Lindall, whose illustrations for Paradise Lost appeared in Heavy Metal Magazine, talks about Satan as Anti-hero, a necessary being in God’s Universe! Bienvenido Bones Banez plays his wild THE SATANIC RHAPSODY on piano!

Luncheon Tickets $50 each, WAH SALON MEMBERS $20

donations on Paypal: donatewah@gmail.com

Check out the online Yuko Nii Collection Milton Collection overview here:
https://issuu.com/lindall/docs/paradsie_lost_collection_yuko_nii_f Documentary about New York Art World in Williamsburg Art & Historical Center! Bienvenido Bones’s gift to John Dugdale Bradley, Trustee of Milton’s Cottage Trust.

John Milton’s Paradise Lost
Milton’s Cottage For A Day At The WAH!
January 9, 2017
What do Superman, Malcolm X, George Lucas, and a Heavy Metal Rock Band all have in common with John Milton??? Find out at this VERY SPECIAL EVENT! The beginning of a world-wide year long celebration of the 350th Anniversary of the publishing of PARADISE LOST.

John Dugdale Bradley, Trustee of Milton’s Cottage Trust, Buckinghamshire England, and their business director Kelly O’Reilly have been invited to speak at the WAH Center at 135 Broadway Brooklyn, New York on January 9th. Please come to our art center for the luncheon on Monday.

Some of the Yuko Nii Foundation’s Milton collection will be on display on January 9th for John’s visit, and, after a tour of the building, a light luncheon will be served in the grand reception hall at 12:30. You can get tickets here: https://www.wahcenter.net/2016/12/miltons-cottage-for-a-day-at-the-wah/ https://www.eventbrite.com/myevent?eid=29864621888

11 A.M. Tour of the building
12 P.M. Talk by John Dugdale Bradley
12:30 P.M. Luncheon
1:30 P.M. Other Speakers TBA
2 P.M. Terrance Lindall, whose illustrations for Paradise Lost appeared in Heavy Metal Magazine, talks about Satan as Anti-hero, a necessary being in God’s Universe! Bienvenido Bones Banez plays his wild THE SATANIC RHAPSODY on piano! http://carterkaplan.blogspot.com/2016/12/john-dugdale-bradley-of-miltons-cottage.html?m=1

Luncheon Tickets $50 each, WAH SALON MEMBERS $20 🇺🇲🇬🇧🇺🇲🇺🇲🇬🇧🇺🇲Magnificent New York Art World Historical Contexts from “Williamsburg Art & Historical Center” 🇺🇸💥👌https://www.goodreads.com/book/show/27235948-the-wah-center-at-the-yuko-nii-foundation

http://wahcenter.wixsite.com/wah-center-books

Check out the online Yuko Nii Collection Milton Collection overview here: https://issuu.com/lindall/docs/paradise_lost_collection_yuko_nii_foundation_trial And https://sites.google.com/site/yukoniifoundation/home/about-yuko-nii

MILTON’S COTTAGE FOR A DAY AT THE WAH! https://www.facebook.com/notes/bienvenido-bones-ba%C3%B1ez-jr/celebrating-the-350th-anniversary-of-the-publication-of-john-miltons-paradisr-lo/10154410265318776

What do Superman, Malcolm X, George Lucas, and a Heavy Metal Rock Band all have in common with John Milton??? Find out at this VERY SPECIAL EVENT! The beginning of a world-wide year long celebration of the 350th Anniversary of the publishing of PARADISE LOST. https://www.wahcenter.net/2016/12/miltons-cottage-for-a-day-at-the-wah/?utm_campaign=shareaholic

John Dugdale Bradley, Trustee of Milton’s Cottage Trust, Buckinghamshire England, and their business director Kelly O’Reilly have been invited to speak at the WAH Center at 135 Broadway Brooklyn, New York on January 9th. Please come to our art center for the luncheon on Monday. https://www.grandparadiselost.com/milton-s-cottage-fundraiser http://gypsyscholarship.blogspot.com/2017/01/bienvenido-bones-banez-with-his-art-on.html?m=1

Some of the Yuko Nii Foundation’s Milton collection will be on display on January 9th for John’s visit, and, after a tour of the building, a light luncheon will be served in the grand reception hall at 12:30. https://www.miltonscottage.org/miltons-cottage-about/

11 A.M. Tour of the building
12 P.M. Talk by John Dugdale Bradley
12:30 P.M. Luncheon
1:30 P.M. Other Speakers TBA
2 P.M. Terrance Lindall, whose illustrations for Paradise Lost appeared in Heavy Metal Magazine, talks about Satan as Anti-hero, a necessary being in God’s Universe! Bienvenido Bones Banez plays his wild THE SATANIC RHAPSODY on piano!👎 https://youtu.be/UhlGWkms2UM And https://m.youtube.com/watch?v=GW1u23QMEKU&feature=share

donations on Paypal: donatewah@gmail.com

Check out the online Yuko Nii Collection Milton Collection overview here: YouTube👇🇺🇸.   🇺🇸 https://youtu.be/r5Efsa774O4 🇬🇧. https://youtu.be/GW1u23QMEKU 🇺🇸. https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/Bienvenido-Bones-Ba%C3%B1ez-s-Gift-to-John-Dugdale-Bradley-Trustee-of-MILTON-S-COTTAGE-TRUST-John-Miltons-Paradise-Lost?ch=1
🇬🇧 https://bookhaven.stanford.edu/tag/john-dugdale-bradley/

🇺🇸”TERRANCE LINDALL RETROSPECTIVE” Author: Terrance Lindall, & Reviewed by Philip Somozo

💥🗽Welcome Bones 666 Art World of the Paradise Lost’s Kingdom Surrealmageddon Visual Poetry 🇺🇸👁️👌

The Foremost of the Book Title: THE TERRANCE LINDALL RETROSPECTIVE
Author: Terrance Lindall
Reviewed by: Phillip Somozo

The Terrance Lindall Retrospective is a difficult book to appreciate if you are not a visionary artist, a philosopher, or a fiend.
As its title suggests, it is a quasi-autobiographical account of a man known as the contemporary world’s foremost illustrator of the greatest English epic poem, Paradise Lost by John Milton. Harmless as it sounds, it subverts modern-day Humanism. This is a book for people that are nobody’s fool.
I did not want to write a review of the book. But reading one page led me to another, and another, until I finished all 253 pages. The reason for the progression is the author’s versatility because truly versatile people are rare and intriguing to my intellect.
By the turn of the new millennium, scientific studies pushed back the parameters of versatility as they agree that man not only has two intelligences—IQ and EQ—but a dozen. Some say it is two dozen. In effect, should a person be able to develop these potentialities altogether, s/he could become superhuman, even godlike (consider Lucifer)!
Terrance Lindall, already 74 years of age as of this writing (2018), has demonstrated in his life the multiplicity of intelligences a human possesses. A perusal of the Lindall Retro’s contents will show how diverse he has been in his life’s conduct—a soldier, mortuary personnel, financial manager, art and antiques collector and dealer, comic book illustrator, writer, high-fashion model, curator, museum founder, biggest surreal events organizer… and who knows what else. I do not think he was dishonest and self-serving in writing the retrospective.
All the above-mentioned life episodes, inconspicuously or openly, were mere tributaries to the one passion that burned his being: illustrating Paradise Lost. Thus, my review method was to connect points I believe to be significant to Paradise Lost, to come up with a story veiled by Lindall’s economy of narrative text but hinted at by clues and implications. Since I live on the other side of the globe, what is available to me, through internet, is only the e-copy of The Lindall Retrospective. For accuracy of references, I can only hope its paging is the same as that of the hard copy.

An intelligent person is not innocent like Adam and Eve in the Garden. Firstly, he knows what he wants in life, then, acts shrewdly to attain it. Shrewdness becomes necessary due to challenges that are normal metaphysical fixtures of society, as it is with gravity over nature.
Speaking of intelligence, ninety-nine percent of the Earth’s seven billion human population, individually and collectively, at some point or another, cease to attain progressive intellectual enlightenment but convert into puppets of the Establishment. They do what they are told to do without question and thinking. Worse, they serve as nuts and rivets of exploitative societal structures and institutions. Knowledge may be the fruit of Eden’s Forbidden Tree but cognitive dissonance (coined by Earon Davis) is its indigestive symptom.
Not Lindall, to a greater degree than many successful people. If MRI can examine the nooks and corners of his psyche, behind the enjoyment he savors while performing diverse tasks in his career, is his mind’s Eye, bulging, enraptured, staring at Paradise Lost (PL)—a one-pointedness signifying Terrance Lindall is John Milton’s chosen one to illuminate PL with lucidity appropriate for the postmodern period. For this, Humanism’s versatile subversive had no way of escaping the devil, to their mutual benefit and pleasure.

FROM AFTON WILDERNESS to MINNEAPOLIS
Like the first man Adam, Lindall explored and frolicked, in the wild paradisiacal swamp during his childhood in Afton, Minnesota, always searching for strange adventure. Like summer, boyhood came and went. As he grew up and attended high school and college in Minneapolis, separation from this wilderness “devastated” him.
In college, he experienced strange, albeit pleasurable, sensations with unseen presence of a “powerful being” seducing him with “great power” if he yields. These sensations ended with pain and “blackouts”. Because he resisted the sensations, it vanished. He never mentioned the blackouts again in his retrospection.
Instead, he was enamored next by a beautiful young lady artist (p. 64). Driving her around town in a hearse, literally, was not enough to gratify Lindall’s attraction for the woman. I guess the woman is too smart to allow herself to be touched when all her friends were watching wherever the hearse goes.
Never the less, the lady artist turns out to be Lindall’s Eve. In no time, he followed her to the city that never sleeps: New York. There, Fate ushered Lindall to a sanctum in his psyche where the Madonna of Monsters—one of his lesser known paintings—was waiting manifestation through his canvas and paint palette.

NEW YORK, LINDALL, and FAME
The Madonna of Monsters is crowded by the ghastly perversions that Humanism’s progeny had become. Gently stroking the Serpent of Guile and Lies (symbolizing Religion) her other hand lovingly presses the shoulder of Hunger whose face expresses satisfaction as he reaches up for her hip. The picture is theatrically arranged and could well be a monsters family portrait. Other family members present are Knowledge, Ignorance, Fear, Capitalism, Science, and Medicine, among others—all ghastly and dreadful. They were overlooked by God symbolized by the Sun above, while the devil’s minions hover over (p. 184-197).
Lindall’s caption states the Madonna is Hope—a false one as she is described as futile, suggesting it is because of the hope for better life conditions and/or eternal life that people get exploited by religion, government, and big business. Consistent to Lindall’s claim of hope’s futility, the United Nations, for its goals, shifts theme from economic progress to mere sustainability.
Lindall’s lurid rendition of the Madonna of Monsters on canvas is a milestone that speaks much of his psychological evolution from Minnesota to New York. His own fall from childhood paradise has opened an empty space in his life that needed to be filled. No doubt he must have encountered John Milton and Paradise Lost, academically and more, in high school and college in Minnesota.
It is common belief since time immemorial that a dead man’s ghost is awakened when the living talk about the departed. Is it a question how great personalities long gone supposedly attain immortality? There is more to understand about spirit as indestructible energy. I dare say it was Milton’s ghost or spirit that in Minessota attempted to possess Lindall, giving him very subjective pleasurable sensations and promising him great power should he yield.
Lindall’s resistance to the strange sensations resulted to the earlier-mentioned blackouts, probably forcing Milton’s ghost to make other arrangements to achieve intention. Since then Lindall’s path to success cleared. If it was not Milton, it must had been the devil, itself, tempting Lindall. Either or, even both.
In New York, he gained dexterity over his hands, the brush, and the color palette with which he manifested atypical visions on canvas. Although he did not elaborate on his formal art training, it is obvious his painting compositions are influenced by Hieronymus Bosch. But Lindall ventured further by twisting humor with horror, and vise-versa, or he blended them so well for his unique, now recognizable, marque of surrealism.
Horrifyingly humorous, comically bizarre, he became a sensation in NY’s contemporary art scene and sought after by award-winning horror and futuristic writers (copies of Heavy Metal Magazine reached my hands even as I lived a young recluse in a tropical Southeast Asian countryside from the mid-70s to early 80s). The devastation caused by leaving the wilderness of his boyhood is now being replaced by another form of excitement.
In the retrospective, I am surprised, Lindall’s artstyle was not described by critics as humorous. Descriptions such as visionary, fantasy, narrative, and surrealist in several versions were correct. But none of those who made the definitions saw the humor aspect (p. 6 and 123). For that they missed a very important interpretive element.
The ugly perverted images (described by the New York Art World Magazine as DNA gone berserk) populating his canvases certainly are ghastly. But seeing through the vomit-inducing and fear-inspiring scenarios, one can discern humor flowing through the artist’s vein. That to me is highly significant to interpretation as I shall later elaborate.
The fame he gained allowed him to purchase luxury cars (Mercedes Benz) and real estates (p. 86), could be factor why he abhorred mortgage. If my speculation is true, one can tie it up with his socio-political-economic disillusionment (p. 110-136 and all over). Understandably, his academic education of Paradise Lost levelled up to involve self-reflection and dialog.

PARADISE LOST FOREMOST CONTEMPORARY ILLUSTRATOR
We get to know a person by learning about what he does, speaks, and thinks (paints or writes).
Lindall’s magna cum laude from Hunter College, on Philosophy and English with minors on Psychology and Physical Anthropology, is testament he did not personally reject social conformity but to demean it from within. Shrewdly he made use of the social qualifications he had built, speaking his mind freely even if it offended others, mostly, people in position I referred to earlier as establishment puppets and nuts and rivets for oppressive societal structures (p. 51-52 A Few of Many Controversies).
That he had organized history’s biggest-ever surreal events (Brave Destiny and Milton’s 400th Birth Anniversary Celebration, p. 76 and 29) and the recognition he gained as the contemporary world’s foremost illustrator of Paradise Lost (p. 5 and 30) are so far the veritable proofs the great power offered to him is now in his hands.
By writing the essay The Post-Art World (p. 114-116) he risks becoming everyone’s enemy and, like the Hasidic professor, Kapitalisimo, getting shot to death (p. 118-119). Lindall admits he is not so much avante-garde. In art medium and technique true, but in thought he is avante garde. When he openly described himself as hermeneutic artist (p. 123), he neutralized the would-be assassin (if there were any). The self-contradictory, absolute, Western value of postmodern cultural relativism he verbally denigrated saved him without losing his elitist niche in contemporary art history in New York, and beyond.
More than an artist he is a philosopher. A visionary harbinger of the bad news that art and philosophy are dead, which historically is precursor to civilization collapse. His arguments, unacceptable to many, are sound and well-grounded.
Cognitive dissonance, says social critic Earon Davis, makes a person or group of people perpetuate a system if they profit from it, even if they violate the law or go against ethical standards. It is what is happening now to the world at large.
Lindall’s ubiquitous employ of eye images in his compositions expresses his overriding and calculating propensity to observe objective reality. His philosophical romance with lofty metanarrative Paradise Lost heightened his observation and deepened interpretation of society vis-à-vis PL. Quietly it is the only thing that matters to him.
All his other social commitments are subservient and subsequently dovetailed to Paradise Lost. Some of his employers sensed and expressed irritation over it. But how could they divert him from a lifelong passion? Unknowingly they dealt with an artist-philosopher giant that was born at this period of history to fulfil a mission.
The bottomline of the human problem is greed—for money, power, fame—a petty predicament to the sensible. Man was created in God’s image but was contaminated by Lucifer’s avariciousness. Because it has been man’s operational mode for three thousand years it became a joke. The Blob (p. 132) is alive, self-replicating all over the globe, gobbling everything, victimizing everyone.
Lindall is one who takes this state-of-affairs seriously, but wisely takes a creative detour from exasperation to humor, lest one’s emotional existence suffers the most and you miss the joy of planetary ride. He did an exceptionally right thing by treating a girlfriend to a hearse joyride. Making the best out of a bad bargain, so it is said. Some cracks opted doing a 9/11 or mass shooting.
Is his life mission to overthrow humanism? Not so. His love for the classics—art and literature—speaks of fine and high standard. There is a zen saying “We don’t throw the baby away with the bathwater.” Education, personal growth, societal development, subsist with historical context. There is wisdom from the past that if preserved can prevent Humanism’s scorpion from stinging itself to death. This wisdom runs through the gamut of history and expresses itself through various mediums—persons that are interconnected by an evolving line of thought, forming as it were a growing and complexifying ecosystem.

BIENVENIDO BONES BAÑEZ AND THE FELIX CULPA
Modern history is a continuing fall of civilization that could crash with various parts disintegrating, disconnected, dysfunctional, and annihilated. It had happened before. It is happening again despite the advancement of societal operating systems. Warnings are drowning in political din.
So, quo vadis, homo s. sapiens? At the height of his hermeneutic examination of Paradise Lost and having aborted (post)modern humanism through art and philosophical arguments, this question lingered in Lindall’s mind. Fascination with the devil peaked with a feeling of gratitude. Could this be the most dreadful product of Lindall’s hell-illuminated mind?
Unintentionally, Lindall’s gratefulness was precipitated by a clue from fellow hermeneutic surrealist artist Bienvenido Bones Bañez’s statement that “Satan gives color to the world.” In a public lecture Lindall admitted to have been inspired by Bones’s pronouncement.
In the Garden of Eden, there is no internet, no social media, no cellphones. Everything is in perfect order and harmony. Human population was only two—one male, the other female. Every day, they smiled knowingly at each other and continue on with their blissful innocence. They ate only fruits. No Barbeque nor McDonald’s.
They walked nude on foot and talked to the plants and animals. No intellectual conversations. You and I were not there because there was no chance. Before the Fall, our original father, Adam, and mother, Eve, did not know about sex. Can you spend eternity in such place as the Garden of Eden? If you can’t even be vegan in this world, don’t be hypocritical by answering Yes.
If you honestly answer NO, I don’t want to spend eternity in the Garden of Eden for all the things I’ve been habituated to and would surely miss, then, you ought to be grateful to Satan too. There lies the connotation of Bones’s pronouncement Satan gives color to the world! It was because of the devil’s seduction that the first man and woman fell from God’s perfect grace and landed in this world of opposites: love and hate, pleasure and pain, right and wrong, fame and shame, peace and war.
Adam and Eve’s fall was the birth of Humanism, Lindall elaborates. They were now on their own to create meaning out of this world where one life is food to another.

SATAN’S PECULIAR GRACES
The karmic spell the devil cast over the world jolted man to the reality of having to survive inside a lion’s den, so to speak (Prophet Daniel did, literally). Interestingly, man experienced inspiration at his successes over challenges and became adept at the arts and letters, creating beautiful figures and pictures and writing stories of his life exploits in relation to the universe around him. Man’s fall placed him in a position to aspire something better. From a philosophical perspective, man is a beneficiary of the devil’s peculiar graces, a felix culpa (fortunate fall) Lindall explains.
Certainly, Satan has an important role to play in the drama of God’s creation, without which purpose would not be achieved as Christ would not have been crucified and resurrected without the betrayal by Judas. The irony with man is he gives in to and enjoys Satan’s seductions but makes the devil the ugliest, most fearful, and vilest of all creatures. Lindall’s portrayal as monsters out of Humanism’s labors and of men as caught in horrible but humorous scenario is justified.
Further, Lindall declares that if Christians must celebrate Christmas, their expression of gratitude to the Saviour should include Satan. This one is hard to digest for mediocre minds that has been boxed in for millennia by a cultural practice that in the first place was inherited from pagans.
Satan, always, is projected by the church as someone to be feared and despised. Thus, programming humankind with binary thinking. The choice is either God or the devil, either/or. Through time, the binary choice transformed into my belief system or yours? Humankind understandably fell for the devil, otherwise, society and the world would not be in such mess. Yet human subconsciousness, despite all the technological and systems development, stagnate in the Dark Ages.
The advantage of appreciating Lindall’s gratitude for Satan’s peculiar graces is that those who understand would be able to transcend the binary program thinking and level up one’s understanding of God’s all-pervasive order of love: Ordo Amoris. It is a huge step up should you develop compassion for Judas, being mandated with a difficult task to perform, and understand deeper the role of the devil. Love your enemy, a Christian dictum that feels like stone to be eaten (The Stone Eater p. 152). Once that is achieved, fear dissipates.
Lindall loves the classics but dismayed by what has become of humanism particularly in the postmodern period. While he recognizes the postmodernist reaction to flagrant art commodification as valid, he rejects the treatment of cultural relativism with absolute value. Contradiction in terms, that’s what it is. Instead, he croons for the “elitists” in the arts—the very few who has “the judgment to know what is worthwhile in human achievement,” his own words.
Despite all his subversive pronouncements about humanism, Lindall still holds faith in the human, saying a new and greater Man (and woman) will emerge from Art’s ashes. But before that, an event or two is yet to happen. All things considered, the end of Lindall’s philosophical argumentation is the door he opened but had not fully entered. A sign hangs at the door it says Ordo Amoris.
= End =

sdr

🗽The Satanic Verses of Bienvenido Bones Banez, & Terrance Lindall Gold Illuminated Paradise Lost Elephant Folio 🇺🇸, Williamsburg Art & Historical Center, Brooklyn, New York Art World Historical Contexts

Lovely Cabinet Biblioteca

THE MILTON CABINET BIBLIOTECA

Artist and curator Terrance Lindall tells of a recent acquisition of a lovely Cabinet Biblioteca for the WAH Center‘s Milton Collection:

We finally got the right cabinet for part of the Milton Collection, donated by a major antiques dealer in Manhattan.

You see, there are generous benefactors, saints living among us. Lindall identifies what’s on display:

Top row left to right: 1) SATANIC VERSES of BIENVENIDO BONES BANEZ. 2) The LINDALL GOLD ILLUMINATED PARADISE LOST ELEPHANT FOLIO, 3) The Traveling Paradise Lost Elephant Folio.
Bottom Row Center: 17th C. Paradise Lost, Regency Traveling Desk with Milton Portrait Miniature, various silver.

Click onto the image, the better to see it, grow large your eyes before . . . then click again, and see just how to magnify it more!

Horace Jeffery Hodges 

The Largest Birthday Ever Created To Celebrate John Milton’s 400th Birthday 2008 In Williamsburg Art & Historical Center, Brooklyn, New York, United States of America🇺🇸🗽

Video☝️on the John Milton’s 400th Birthday 2008 Tribute to Dr Robert J. Wickenheiser 🇺🇸🗽

✨🇺🇸WELCOME BONES 666 ART WORLD PARADISE LOST KINGDOMS✨🌟! 🌈THROWBACK 2008 IT’S A NEW YORK ART WORLD HISTORICAL CONTEXT 🗽🇺🇸👌
THE LARGEST BIRTHDAY PARTY EVER CREATED TO CELEBRATE JOHN MILTON’S 400th BIRTHDAY IN 2008. Also an exhibit of art. This was covered in the New York Times in a major article by Charles McGrath. It had the J.C. Hopkins Big Band. It had performances throughout the French Second Empire National Register Building. ALL PRODUCED BY TERRANCE LINDALL, RENOWNED MILTON ILLUSTRATOR IN THE WORLD! https://www.nytimes.com/2008/09/26/books/26milt.html https://alchetron.com/Terrance-Lindall

WILLIAMSBURG ART & HISTORICAL CENTER
“CELEBRATING JOHN MILTON’S 400th BIRTHDAY” https://archive.org/details/yumpu-output-1/mode/1up
THE UNRIVALED ARTS FESTIVAL HONORING MILTON’S BIRTHDAY AND PARADISE LOST,
the GREATEST POEM in the ENGLISH LANGUAGE.
Bridging classic literature and contemporary fine art,
performing arts and poetry reading.
September 27th — November 2nd, 2008
Opening Reception: THE GRAND PARADISE LOST COSTUME BALL
Saturday, September 27th, 8pm to midnite
ABOUT THE SHOW
Couched amid historical artifacts and contemporary art celebrating PARADISE LOST, the greatest poem in the English language. Perhaps the largest birthday party for Milton in the world, with poets, artists and composers. We will be documenting this extravaganza on video to produce a documentary for this historical event that we believe will be seen for centuries to come. Milton’s centennial birthday will not come again for another 100 years. Be part of it! If you attend the gala, you will probably be in this video!

WHAT PEOPLE ARE SAYING
“The exhibit and programs promise to be a diverse collection of multiple perspectives and strategies that should engage the audience you hope to reach.” From a letter to Terrance Lindall from Wendy Woon, the Edward John Noble Foundation Deputy Director for Education of the Museum of Modern Art, New York

JOHN MILTON
John Milton was born in 1608. In 1667, the world received from him the book that would influence English thought and language nearly as much as the King James Version of the bible and the plays of Shakespeare. Let us then celebrate both the birth of John Milton who used the English language for supreme art, as well as celebrate the evolving English language itself throughout the world, which has become the world’s foremost international language. As a young man, John Milton wrote a friend: “Do you ask what I am meditating? By the help of Heaven, an immortality of fame.” Not many can actually achieve such a goal, but Milton did. Next to William Shakespeare, he is regarded by many as the greatest English poet and the author of the language’s finest epic poem, Paradise Lost. While Milton wrote Paradise Lost, he was blind, embittered by his heroic political/religious battles, and hampered by insufficient finances. Few images in the history of literature are more poignant that of the blind Puritan dictating day after day his great epic, Paradise Lost, the theme of which is announced in the opening lines:

Of man’s disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought death into the world, and all our woe,
With loss of Eden.

He rose at four or five each morning, listened to a chapter from the Hebrew Bible, ate breakfast, and then wrote until noon. After an hour walk and another hour playing the organ or viola, he worked until night. Then he would have a supper of “olives or some light thing,” a pipe, and a glass of water.

A MESSAGE FROM THE SHOW DIRECTOR:
“The impact of Milton, especially his Paradise Lost, has enduring influence in the lives of not only the academic world, but among those of us in the arts and the general public who can FEEL the powerful resonance of his words and ideas. The unabridged original is the magical touchstone, the undiminished constellation in the Western psyche that has illuminated our culture for the foreseeable future, as has Shakespeare and the Bible.

“There are many worldwide events from Oxford & Cambridge to the New York Public Library. However, we know of none quite like ours that asks professional artists, composers and poets to respond to the greatest poem of all time.

“America is a country of immigrants who hail from all corners of the globe. We come together through our common use of the English language. Every culture and ethnicity has contributed in their turn to the wealth of words and phrases in the English language. The English language no longer belongs to that island nation that once was greatest empire the world has ever seen, but to all of us. As the Greeks gave us philosophy, so the British have given us the gift of the ever-evolving English language. As part of our exhibit, in homage to the British peoples and their gift to us, we will include interesting artifacts of British heritage from the Yuko Nii Foundation collection.”

TERRANCE LINDALL
SHOW DIRECTOR

A MESSAGE FROM THE FOUNDER & ARTISTIC DIRECTOR OF THE WAH CENTER:
“The Williamsburg Art & Historical Center (WAH Center) was founded upon the ‘Bridge Concept,’ which envisions a multifaceted, multicultural art center whose mission is to coalesce the diverse artistic communities, and create a bridge between local, national and international artists, emerging as well as established artists of all disciplines.

“It takes three to for the art to be realized – a dynamic symbiotic trinity composed of the artists, the art promoter or space provider, and the art appreciator. The WAH Center is pleased to be the promoter and space provider, bridging the artists with the audience in this visually exciting and scholarly production, ‘Paradise Lost.’

“While literary, academic and religious circles throughout the world are celebrating John Milton’s 400th birthday this year, we at the WAH center are taking great thought and literature of the past along with historic artifacts from the time of John Milton and bridging them to the present day of artists, writers, poets, composers & performers. It is a unique and inspiring happening in this historical New York City landmark building.”

YUKO NII
Founder & Artistic Director
Williamsburg Art & Historical Center
https://alchetron.com/Yuko-Nii
ABOUT THE SHOW’S DIRECTOR
Terrance Lindall is an American artist who was born in Minneapolis, Minnesota, USA, in 1944. Lindall attended the University of Minnesota and graduated magna cum laude from Hunter College in New York City in 1970, with a double major in Philosophy and English and a double minor in Psychology and Physical Anthropology. He was in the Doctor of Philosophy program in philosophy at New York University from 1970 to 1973. He is listed in Marquis Who’s Who in America 2006. Information about this artist is also on file in the Smithsonian Institution Library Collection. His illustrations for John Milton’s Paradise Lost are perhaps today the best-known illustrations for this epic outside of those by William Blake and Gustave Dore, and are part of this exhibit. His art is on the cover of Random House’s 2008 “Essential Milton.”

WHAT MILTON SCHOLARS ARE SAYING
“Appropriately for his background in art and philosophy, Lindall seems especially interested in using art to express ideas, which makes his work particularly intriguing for Milton scholars, for he has painted a number of works depicting scenes in Paradise Lost” —Horace Jeffery Hodges, Assistant Professor in Kyung Hee University’s Dept. of English Language and Literature

“Lindall’s image (on the cover of Random House’s 2008 Essential Milton) is, of course, the star. It seems to me at once unmistakably modern and yet just as unmistakably archaic: exactly the doubleness I was hoping for on our cover.” —William Kerrigan of Random House, 2007

“Radical artist and nonconformist Terrance Lindall has channeled Milton’s spirit into a modern context, in a provocative series of illustrations to Paradise Lost. His visual celebration of Milton reveals his remarkable affinity for the radical English poet, and his ability to create a fitting tribute to Milton’s enduring influence in the arts.” —Professor Karen Karbiener, New York University, 2007

“Terrance Lindall’s fanciful illustrations are bound to arouse response & provoke thought in the may persons interested in Paradise Lost & its subjects & in surreal illustration generally” — Professor Thomas Clayton, University of Minnesota Department of English

Essential Milton cover
Lindall’s art for Paradise Lost appears on the 2008 cover of Complete Poetry and Essential Prose of John Milton, Random House 2008. Edited by William Kerrigan, John Rumrich and Stephen M. Fallon Format: Hardcover, 1392 pages ISBN: 978-0-679-64253-4 (0-679-64253-6) THIS EDITION IS CALLED “THE DEFINITIVE MILTON OF OUR TIME” (NOW IN IT’S SECOND PRINTING)

Holt Rinehart & Winston is using another Lindall Paradise Lost image in a 2009 high school textbook, which will have a first run of 370,000. Title: Elements of Literature, Sixth Course ISBN No.: 9780030368820

Oxford’s major exhibit “CITIZEN MILTON” at the Bodleian Library, Oxford has one of Lindall’s paintings on their web-site for their exhibit honoring Milton’s 400th birthday, on the page Exhumations and Destinies: ‘For Books are not absolutely Dead Things’

Buy the DVD movie of Terrance reciting Paradise Lost. Send check for $20 plus $2 shipping to WAH Center, 135 Broadway, Brooklyn, NY 11211

Milton’s Paradise Lost Robert J. Wickenheiser

THANKS TO:

Milton’s Angels, Volunteers
Tiffany Yanetta
Eric Nelson
Jacqueline Safian
Maryanna McConnell
David Smith

Sponsored in part by:
New York Art World Magazine

Special Thanks to:
Brooklyn Borough President Marty Markowitz,
New York City Council Member Diana Reyna,
The New York City Landmark Conservancy

Printable PDF Flier

Fantastic costume party
Opening with the

THE GRAND PARADISE LOST COSTUME BALL
Saturday, September 27th
8pm to midnite
“As sinfully delicious as ‘Man’s first disobedience’ and the most fabulous extravaganza since Adam & Eve had to cover their nakedness!”

Performance by
HUMAN KINETICS MOVEMENT ARTS
with Yana Schnitzler and Group TBA Recently performing at the Metropolitan Museum. The cutting edge of interactive dance. “…mesmering…” —Richard Termine, photographer, New York Times

Plus the JC Hopkins Biggish Swing Band, Olek fashion models performing throughout the three floors of exhibits. Also; Adam & Eve video art, birthday salutations, good food and drink, more.

Tickets $40.
To order by email: let us know how many tickets you want and we will send you a Paypal invoice.
Or send a check to:
WAH Center, 135 Broadway, Brooklyn NY 11211 https://trvid.com/w/terrance+lindall?page=2
You will receive a confirmation of your order and the tickets will be sent two weeks prior to the ball.

SEPTEMBER EVENTS
September 28th, 2 PM
Suggested admission $5
Noted Brooklyn poet S. David recites his tribute to John Milton and takes you on a poet’s tour of the art in the show

OCTOBER EVENTS
Peter Dizozza https://alchetron.com/Peter-Dizozza
The reopened WAH Theatre in the third floor Grand Ballroom of the Williamsburg Art and Historical Center presents:

Paradise Found!
Four Performances,
Friday and Saturday at 8PM
October 3rd and 4th,10th, 11th
Premiere stagings of scripts inspired by Paradise Lost by members of The Brooklyn Playwrights Collective:

Sugar-Coated Sin by Alaina Hammond
Lost in Paradise Lost by Maria Micheles
Paradise Found by Peter Dizozza

With Kaitlin Bailey, Alaina Hammond, Mike Allen Hill, John Andrew Morrison and Ken Richards

https://miltonrevealed.berkeley.edu/videos/john-miltons-paradise-lost-gold-illuminated-scroll

October 17 and 24th, 8 PM, admission $15

Testament of the Poet
An intimate concert of 17th century music by the ensemble Courante
Directed by Arthur Kirmss

Courante musicians Arthur Kirmss, Lisa Kelly and Heather Arzberger in 17th century costume, on harp, guitar, and recorders, performing European vocal and instrumental music through early Baroque, celebrating Milton’s life.

HISTORCAL EXHIBITS
missing image file
Book Label of Madam Pomfret

17th century handwritten Torah on vellumTHE BOOK OF GENESIS from a 17th century handwritten Torah on vellum (23 feet long).

SPECIAL BOOK & MANUSCRIPT DISPLAYS:

CHARLES LAMB’S copy of first illustrated 1691 edition of Paradise Lost.

LADY POMFRET’S copy of the first illustrated edition (c. 1688) of Paradise Lost. She was a noble 18th century British woman of great learning, and the Lady of the Bedchamber of Queen Caroline.

THE BOOK OF GENESIS, a 17th century handwritten Torah on vellum (23 feet long)
Fine, well preserved hand written Moroccan Torah fragment, the complete book of Genesis (the 1st book out of the 5 books of Moses). Approximately 300 to 400 years old and very well preserved, its either deer or goat skin.

Ceramic portrait of Miltonc. 1791 This handsome Derby portrait model is of John Milton (1756-1769; issued as D12 (probably adapted from a maquette from the studio of Scheemakers or possibly provided by John Cheere, reissued as E46, and between 1770-1796 issued as model number 297 from a plaster by M. Rysbrack. The Poet is portrayed in Van Dyck dress, leaning against a pedestal decorated in relief with a scene from Paradise Lost.

Historical woodcut initial showing Adam & Eve from the Luther Bible 1561
Artist Virgil Solis, Nuremburg

Joan Petrini, engraver, Adam, Eve and the Serpent, after Raphael, engravings done in 1790 to honor Pope Pius VI

BRITISH MEMORABILIA
Lavish coat of Queen Elizabeth II’s herald ,with gold and silver thread and extensive embroidery

Royal artifacts from the reigns of Queen Victoria and King Edward VIII (Duke of Windsor).

CONTEMPORARY ARTISTS IN THIS SHOW
Antanas Adomaitas
Stephen Auslender
Carrie Ann Baade
Donna Balma
Bienvenido Bones Banez, jr.
Robert S. Beal
Alan F. Beck
Jeff Berman
Orin Buck
Rich Buckler
Ivan Calderone
Joe Catuccio
Carolyn Chaperon
Gail Baxter Cohen
Suzanne Dahlquist
George deMoura
Matthew E. Derezinski
Gary Duehr
Jaesun Duggan
Val Dyshlov
Eric Edelman
Camilla Fallon
Ailene Fields
Jesse Forgione
Troy C. Frantz
Aimee Hertog
Tom Hooper
Sarah Horvat
Amanda Husberg
Mildred Kaye
Ray Kinlock
Arthur Kirmss
Frank Krasicki
Kris Kuksi
Randy J. Lagana
Estelle Levy
Terrance Lindall
Drew Maillard
Greg Maillard
Ben Marxen
Bertram Matysik
Gerd Matysik
Gertrud Matysik
Adam Miller
Rodica Miller
Clive Milton
Ella Morton
Walter Lynn Mosley
Eric Reuben Nelson
Yuko Nii
Leah Oates
Olek
David Orr
Linda Paleias
Lennie Peterson
Carol Quint
Max Razdow
Luis Rojas
Michael Knud Ross
Tim Slowinski
Gary Spradling (in memorium)
Phyllis Stapler
Sandra Taggart
Mayumi Takagi
Matthew Turov
Marcela Varona
Benjamin A. Vierling
Sharyne E. Walker
Jon Neal Wallace
Bryan Kent Ward
Haejin Yoon
FEATURED ARTISTS
KRIS KUKSI- one of the most highly regarded artists in the contemporary surreal/visionary movement. His work is in the collection of Chris Weitz, Director of the new movie, The Golden Compass, based upon Philip Pullman’s book and grounded in John Milton’s Paradise Lost. https://en.wikipedia.org/wiki/Kris_Kuksi
RICHARD “Rich” BUCKLER – is an American comic book artist best known for his work on Marvel Comics’ The Fantastic Four in the mid-1970’s. He will be producing a portrait of John Milton for the 21st century. The unveiling will be at the Costume Ball! https://en.wikipedia.org/wiki/Rich_Buckler
BIENVENIDO BONES BAÑEZ, JR – “All of his work is based on his ‘666 World View. He paints as if he is plugged into a wall socket and the energy that pours forth through his brain and fingertips to the canvas comes out in pulses of scintillating colors.” —Terrance Lindall. https://m.youtube.com/playlist?list=UUTSbDUDh6pSnjpzXl1xMwQQ https://artgallery.qcc.cuny.edu/exhibits/visionaries/ https://art.fandom.com/wiki/Surrealmageddon

OLEK – This vibrant Polish beauty debuted her career at the WAH Center in 2003 at the Surrealist Fashion Show. She is one of the most fascinating artists in the world, madly crocheting her way into art history. https://en.wikipedia.org/wiki/Olek_(artist) https://www.wahcenter.net/events-and-exhibitions-archive/…… Bones Bones Bien William Blake Bones And video of Terrance Lindall Retrospective👇 https://archive.org/details/vid-20230301-133314 And ACROSTIC PARADISE LOST by Terrance Lindall with special featured Robert S. Beal and Bienvenido Bones Bañez, Jr.🇺🇸🗽 https://archive.org/details/acrostic-paradise-lost-final-2-reduced-page-.pdf-1/mode/1up

🇺🇸”SYNOPSIS AND ILLUSTRATIONS IN FOLIO EDITION by Terrance Lindall of Paradise Lost by JOHN MILTON COMMENTARY BY ROBERT J. WICKENHEISER, Ph.D. ”🇺🇸👁️🗽

Paradise Lost Collectors Weekend
And Antiquarian Books and Art Exhibit
April 14 & 15, 2012
PLUS, The Annual WCIAL Dinner

http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28
We thanks God! Its blessing for us!

From:”SYNOPSIS AND ILLUSTRATIONS IN FOLIO EDITION by Terrance Lindall of Paradise Lost by JOHN MILTON COMMENTARY BY ROBERT J. WICKENHEISER, Ph. D. ”Paradise Lost Elephant Folio”
According to Dr.Robert J. Wickenheiser: Terrance Lindall’s embellishment of my Commentary at the head of his elephant folio illustrating with hand illumination in 24 k gold Milton’s great epic, Paradise Lost.

The illustrated borders in the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also sometimes tell stories or make commentary about what is illustrated in the featured central painting. The borders likewise pay tribute to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on Lindall’s ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr., discovered Lindall’s repertoire during the world renowned “Brave Destiny” exhibit in 2003, an exhibit to which Bienvenido had been invited to display one of his works. Thereafter, a friendship and mutual admiration between the two great artists grew, to the benefit of each.

Bienvenido communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original “affinity,” and so in the elephant folio plate, “Pandemonium,” which is a tribute to art, architecture, construction, sculpture, painting, and the like, he especially honors the Filipino surrealist artist by placing Bienvenido’s name on the artist’s palette at the very top of the border, the palette in flaming colors.
 https://wahcenter.wixsite.com/wah-center-books/about-terrance-lindall?fbclid=IwAR2GeQ6Kjl1y1SMN59m4kTKXm4z3429lBVePnuewRQFGT8_F8GGai3C8eTA
🇺🇸.  https://paradiselost.fandom.com/wiki/Bienvenido_Bones_Banez_Jr

🇺🇸 Robert J. Wickenheiser & Terrance Lindall The John Milton Projects 2009-2015 by Terrance Lindall🇺🇸🗽 Photo Cover Book: Bienvenido Bones Bañez Jr., Robert J Wickenheiser, and Terrance Lindall. In selected emails with Terrance Lindall on collecting, art and other topics.

JOHN MILTON’S PROJECT for the World of Art Documentary! Bob understood and he replied: On Mar 11,2013, at 9:28 AM, Robert J. Wickenheiser wrote: Subject: Re: The GREATEST living visionary artist in the world… and maybe of all time. Cc: Bien Banez {bienbanez@yahoo.com) Dear Brother Terrance, I agree entirely everything you say and believe strongly with you and Yuko that this great work belong in your collection at WAH. I made my comment without realizing quite what I was saying and because I admire Bien’s work so very much. Please, therefore, Bien, if I may direct my request to you as “cc” here, don’t interrupt continuing to exhibit your awesome work at the WAH Center and also making it part of the Bienvenido Bones Banez collection of the WAH Center. This remarkable piece of art, like all your remarkable work, belong together in the Bien Banez collection at the WAH Center. If you can manage to find time to produce one or two pieces for my Milton Collection and for the 2015 exhibit being held in conjunction with that collection at the University of South Carolina, I would be most grateful–eternally so!! The suggestion Terrance makes are very good ones, and If you could produce one or two of these in your own great style for my collection and for the exhibit I would be more appreciative than I could possibly say, even if you can only produce one great work for my collection your would enhance the collection immensely in the manner that your earlier three great work already do. Of course, these earlier work of yours will be exhibited and, as I have told you on many occasions, mean a great deal to my collection and to me. So follow Terrance’s lead here and know that I am in complete concurrence with him, as I know you are. I very much look forward to seeing both of you again sometime soon. Meanwhile, I’ll put aside working on my next book and go to the hospital for my next operation on the bottom part of the spine — apparently, as my neurosurgeon says, as extensive as a early operation. but more painful — something I have had enough of and can do without. My warmest regards to you both along with my very highest esteem and admiration. Bob Here’s the link 👎 https://issuu.com/lindall/docs/robert_wickenheiser___terrance_lind 🇺🇸. https://commons.m.wikimedia.org/wiki/File:The_Greatest_Living_Visionary_Artist_In_The_World_%26_possibility_of_all_time.jpg And 🇺🇸. https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-quora-com-profile-Bienvenido-Bones-Ba%C3%B1ez-Jr-JOHN-MILTONS-PROJECT-for-the-World-of-Art-Documentary-Bob-unders?ch=15&oid=81918820&share=7d3a1c9c&srid=OsnH&target_type=post 🇺🇸👁️And https://john-miltons-surrealmageddon.fandom.com/wiki/Category:John_Milton%27s_Surrealmageddon_Wiki

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