Tag: Satan Brings Color to the world
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🇺🇸Awesome Visionaries in the New York art world power! Only First World Country New York Art World Historical Contextual and Prophetic! The legacy of Sir John Milton Projects Surrealmageddon Visual Poetry!
OUR GREAT PHILOSOPHERS-SURREALIST IS SIR TERRANCE LINDALL” With BONES REVELATION, and JOHN MILTON SURREALMAGEDDON MACHINE! WE ARE PROUD TO HAVE OUR GREAT PHILOSOPHER, VISIONARY, JOHN MILTON’S BOOK EXPOUNDER, SURREALIST VISIONARY ADVOCATOR AND WIKIPEDIA PROMOTER in NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL🇺🇸🗽And MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR❤️🙏🇺🇸 https://youtu.be/M659gN27lc0?si=6U-tv1nVrSJeoXkkhttps://alchetron.com/Terrance-Lindall Terrance Lindall’s Paradise Lost, 🇺🇸 Terrance Lindall, Once upon a time and I was so happy with searching my favorite artist, before I visited the Williamsburg Art & Historical Center. First of all I was won the Freeman Fellowship in Vermont Studio Center 2002, and I meet the VSC president his name Sir Jonathan Greg is the founder of the Vermont Studio Center Fellowship-( https://en.wikipedia.org/wiki/Vermont_Studio_Center ,) and my first one man show at Red Mill Gallery in VSC, Johnson, Vermont, and I got a message from VSC to introduce me to Alex Grey, and some my VSC fellowship are talking about my painting in similar ways to Alex Grey and that is the time to get another blessing for going to New York City, and the President of the Vermont Studio Center is Jonathan Greg suggests me to visit the Alex Grey in One Man Show, Manhattan, New York City, that was throwback 2002 December, and that is my excitement for going to New York City, and my first landed on the world famous New York Art World on December 20, 2002, and I stay at NY Hotel and I call the taxi and time to visit to our world famous artist Alex Grey and I meet him in person and he answered me for “Good for you Bien Bones to meet you” and Alex said “You and Me we are same psyche visionary” and that’s my first heard for he encouraged me to do it for more painting, but I took a photo with him and paintings by Alex Grey-( https://en.wikipedia.org/wiki/Alex_Grey). After 2 days stayed in New York and I decided to going to Chicago to visit my sister in that was December 22, 2002 for another tour in Chicago Museum, and I stayed more than 4 months in Chicago and I participated in paintings art exhibits in Chicago with my 8 paintings for art festival of the “Around the Coyote Winter Arts Festival 2003, Chicago”, Illinois, and while I was strolling in art haven in Chicago and there’s a lot of people and galleries until I found the art magazine and I read the art news about the prestigious invitation for coming show about the Brave Destiny 2003-( https://www.wahcenter.net/exhibits/2003/surreal/BD_artists.html & https://www.wahcenter.net/exhibits/2003/surreal/ ) and that was my first apply for being participate on the world famous Surrealists and Visionary in Williamsburg Art & Historical Center and that’s why I am excited to be included the famous Brave Destiny, and after Chicago and I move to California for visit my first cousin Earl Bones and I got a email and letter from Williamsburg Art & Historical Center and the good news is I am qualified for be part of the Brave Destiny 2003. Meanwhile, I have a time going to New York 2005, and I have a plan to visit the Williamsburg Art & Historical Center, and I found the Marcy Avenue at Brooklyn, and I walked in the street going to WAH Center and that place was weird and no people around here but it like the war zone area and very silent and cold days in Marcy street in Brooklyn and until I get inside the WAH Center and my first saw in WAH Center is Sir Terrance Lindall greeting to me and say Welcome to my world and I introduce myself and I am the one who painted the “My Warlock Dream 666” and Sir Terrance smiled at me and he introduced a new way of art world, and he invited me going to upstairs and Terrance Lindall show me the most important treasures in the art world collection and he was very proud to Master Yuko Nii visionary-( https://alchetron.com/Yuko-Nii ) and Terrance told me that Williamsburg Art & Historical Center one of the world’s greatest art collections and that’s why I am excited to be included the famous Brave Destiny 2003 and be part of the John Milton’s Legacy. And the year of 2006, October, I got a blessed day with the help by Williamsburg Art & Historical Center and my first time in life as a One Man Show at WAH SALON individual exhibitions were hosted at Amarin Café, 617 Manhattan Ave., Greenpoint, Brooklyn, New York. And after years ago and I was another One Man Show 2008 at Amarin Cafe, by WAH Salon members. And another important thing in the Celebrating John Milton’s 400th Birthday
The unrivaled arts festival honoring Milton’s birthday and Paradise Lost, the greatest poem in the English language. Bridging classic literature and contemporary fine art,
performing arts and poetry reading.
September 27th — November 2nd, 2008 and click this link for more messages👇 https://www.facebook.com/100085608697157/posts/318834544313500/?app=fbl 🇺🇸& https://www.slideshare.net/BBaez1/celebrating-john-miltons-400th-birthday-the-unrivaled-arts-festival-honoring-miltons-birthday-and-paradise-lost-the-greatest-poem-in-the-english-language-satan-brings-color-to-the-world-paradise-lost-surreal-blasphemous-visual-poetry 👁️. https://www.wahcenter.net/events-and-exhibitions-archive/ 🇺🇸,And after years gone and another One Man Show at WILLIAMSBURG ART & HISTORICAL CENTER invites you to a One Person Show by a member of the WAH SALON ART CLUB Bienvenido Bones Banez jr.
Nov. 14, 2010 – Jan. 9, 2011. And after January 2011, I have another One Man Show Dec. 11, 2011 – Feb. 5, 2012. Between 2009 and 2014 several drawings and paintings were acquired for the Robert J. Wickenheiser John Milton collection at the University of South Carolina.👇🇺🇸 https://archive.org/details/img-20230215-141628 🇺🇸And I meet the world famous Prof Carter Kaplan-( https://www.encyclopedia.com/arts/educational-magazines/kaplan-carter-1960 ) in WAH Center with Sir Terrance Lindall introduce me to Prof Carter Kaplan and we gather to get a good hot coffee with Inspiring conversations on the Emanations Books and truly inspired from the New York Art World Intellectual in the International Authors-( http://internationalauthors.info/books.html ). 💥👁️And Foremost icon on the “EMANTONS ZEN” joins KENT SPECIAL COLLECTIONS❤️🙏
Our Prof Carter Kaplan have received notification that EMANATIONS ZEN is now catalogued with KENT STATE UNIVERSITY SPECIAL COLLECTIONS, joining the COMPLETE SET OF the ANTHOLOGY available there.
KIND💞THANKS to all at KENT LIBRARIES –Professor Cara Gilganbach, Head, SPECIAL COLLECTIONS & ARCHIVES; and Professor Kate Medicus, SPECIAL COLLECTIONS LIBRARIAN, CATALOGING & METADATA LEAD –and Mack Hassler, INTERNATIONAL AUTHORS EDITORIAL BOARD MEMBER and PROFESSOR of ENGLISH, EMERITUS. 🇺🇸 💞❤️🙏👁️👌 https://carterkaplan.blogspot.com/2023/12/emantons-zen-joins-kent-special.html?fbclid=IwAR31Wdm-6goeXN4w6mpeFh2EatrExEaSc3Dv-xzCd9KC9g4fDEuLHXV0qoY&m=1 🇺🇸💞KENT STATE UNIVERSITY & UNIVERSITIES LIBRARY, -(In First World Country in the United States America). 🇺🇸https://kentlink.kent.edu/record=b6071020~S1 ) In 2017 a portrait of John Milton was added to the Milton’s Cottage collection, and Bienvenido Bones Bañez was named to the editorial board of Emmanations, a print anthology of poetry, fiction and essay published by International Authors. “Thomas Cooper Society Newsletter- Winter 2013” by University Libraries–University of South Carolina. And another blessed again to be a part of the Society Art of Imagination-( http://www.artofimagination.org/Pages/Banez.html ) 🇺🇸👁️( http://artofimagination.org/portfolio/bones-banez-jr/ ) and special exhibition of the Visionaries 2012 with Robert Venosa, HR Giger, Prof Ernst Fuchs, Breck Outland, Brigid Marlin, Alex Grey, Otto Rapp, Sandra Stanton, Miguel Tio, Olga Spiegel, KD Matheson, Eike Erzmoneit, Pedro De Kastro, Cynthia Lund Torroll, Tanya Miller, France Garrido, Peter Gric, Janelle Mckain, Martina Hoffmann, Heidi Taillefer, Carroll Spicuzza, Carrie Ann Baade, Scott Jason, Isaac Abrams, Erik Heyninck, De Es Schwertberger, John Seabury, Mario Martinez (Aka MARS-1), William Otto, Yarek Godfrey, Artur Golacki, Kim M Evans, Graszka Paulska, Steven Peabody, Michel De Saint Ouen, Shlomo Felberbaum, Madeline Von Forester, Sibylle Ruppert, at Queensborough Community College-( https://qptv.org/content/visionaries-art-fantastic ) is the “City University of New York-( https://artgallery.qcc.cuny.edu/exhibits/visionaries/ .) ( https://www.dnainfo.com/new-york/20120703/bayside/alien-artist-hr-gigers-work-be-featured-queens-exhibit/ ) “In the year of 2011 and Sir Terrance Lindall wrote the Wikipedia Article for Me as “Bienvenido “Bones” Banez” and I was happy to see the Google search: https://ipfs.io/ipfs/QmXoypizjW3WknFiJnKLwHCnL72vedxjQkDDP1mXWo6uco/wiki/Bienvenido_%22Bones%22_Banez%2C_Jr..html ) and I found it on the beautiful day of the year 2011, because Sir Terrance Lindall love my paintings and my weirdo grunge poetry is dystopian but before Wikipedia Article write by Terrance Lindall and I have a website is “Welcome Bones 666 Art World” I made that was 2003 at Chicago, Illinois, and after years ago and my first time to participated in the John Milton’s 400th Birthday 2008 at Williamsburg Art & Historical Center, Brooklyn, New York Art World! And here’s the world of Terrance Lindall as a Encyclopedic and mentioned my name for Paradise Lost Elephant Folio👇 https://studylib.net/doc/26258097/654851680-universal-mind-s-paradise-lost-of-terrance-lind… And that years I was just inspired by Sir Terrance Lindall and Dr Robert J Wickenheiser lecturing in Williamsburg Circle of International Arts, and I was special artist in the Miltonian Legacy with our world famous Dr Robert J. Wickenheiser with Sir Terrance Lindall. And Sir Terrance Lindall introduce me to Dr Robert J. Wickenheiser and I never realized that I am part of the Elephant folio Paradise Lost by Terrance Lindall and Dr Robert J Wickenheiser Commentary in the Paradise Lost Elephant Folio, and my word inspiration is part of the world historical context in saying:”Satan Brings Color To The World”. And throwback 2014 Terrance Lindall read the Satanic Verses Bones Banez after I played the grand piano-( https://carterkaplan.blogspot.com/2023/12/surreal-vocalist-pianist-bienvenido.html?m=1&fbclid=IwAR3MJ0aNw20rQzZ7zRMBq7QJpKD5TFdQP9tkDZmOYWKZn9K2A7nR-Ru8GvA -)of Satanic Rhapsody in my spontaneous composition, and that was my first special featured from the greatest legacy in John Milton’s Paradise Lost with Terrance Lindall with Dr Robert J Wickenheiser. 👇( https://wahcenter.wixsite.com/wah-center-books/about-terrance-lindall ) and I was in great jubilation with our world famous Miltonian New York with Dr Robert J Wickenheiser and Sir Terrance Lindall, after years and Sir Terrance Lindall write about Wikipedia Article for Dr Robert J Wickenheiser, and Sir Terrance Lindall using the photo of three of us are “Robert J Wickenheiser, at Center, Bienvenido Bones Bañez, at left and Sir Terrance Lindall at right”-( https://peoplepill.com/i/robert-j-wickenheiser ) 🇺🇸-( https://es.abcdef.wiki/wiki/Robert_J.Wickenheiser ) 🌹And I introduced my spontaneous piano as a surreal sound of music and did you know only Terrance Lindall give the title as a-(Satanic Rhapsody) of my piano composition for another part of the Satanic Verses of John Milton Project. And Me as Bienvenido Bones Bañez and Terrance Lindall have my greatest experience in Two Man Show with the world famous Philosopher, Museum Founder and Surrealist is Master Terrance Lindall, and Collaboration for the John Milton’s Legacy in Williamsburg Art & Historical Center, New York Art World. And Satanic Verses Bones Banez Collaboration with Terrance Lindall because I believe only Master promoter in Wikipedia Article and John Milton Projects advocator and John Milton propaganda machine is Master Terrance Lindall can create the promoting content in the John Milton’s Legacy of historical context in New York Art World, to magnifying the grandeur of the World John Milton’s Paradise Lost Into Colorful Historical Contexts, and that is the power and reason for being creating the Wikipedia Article for Robert J Wickenheiser, Bienvenido Bones Bañez, Amanda Husberg, and Dario Rivarossa. But I believe that is the power from Master in the Art World Authority that is Master Terrance Lindall have to be a part of art world authorities in Wikipedia Article and possibilities for Brittanica Encyclopedia. https://alchetron.com/Robert-J-Wickenheiser ( https://www.academia.edu/44738926/Acrostic_Paradise_Lost_by_Terrance_Lindall and Terrance Lindall’s Paradise Lost https://www.academia.edu/…/Acrostic_Paradise_Lost_by… )👁️ https://issuu.com/bienvenidobonesbanezjr./docs/008353044_1 🇺🇸And the greatest New York Achievement Art World to be part of the ”Robert J. Wickenheiser donated more than 120 volumes of Milton, Bunyan and Miltonian and twenty-five works by contemporary Artists illustrating Milton Paradise Lost. The artists represented include Terrance Lindall, Robert S. Beal, Bienvenido Bones Banez, Alan Beck, Troy Frantz, and Agnieszka Szyfter.” written in the: https://scholarcommons.sc.edu/tcl_news/17/ https://sc.edu/search… THOMAS COOPER SOCIETY NEWSLETTER – WINTER 2013 (University Libraries- University of South Carolina). And Special Discussion of Satan Peculiar Grace 👇 https://archive.org/details/pdfslide.net-satans-peculiar-grace-1 🇺🇸 And we are very inspired by Master Terrance Lindall to make greatest announcement for John Milton Legacy and more propaganda machine for uplifting years and more powerful than ever, then I was featured in the Acrostic Paradise Lost by Terrance Lindall 👇 https://studylib.net/doc/26042282/acrostic-paradise-lost-final-2-reduced-page-.pdf–5- and another blessing and I thanks from Prof Gerhard Habarta in German Edition of the Lexikon Surreal 1 and 2 as a Surreal Encyclopedia and the new book 2021 KUNSTHERZ author by Prof Gerhard Habarta. But the year 2017 my Wikipedia Article about Me was blocked because I am the one who retouch the category and after twice attempt to rewrite the Wikipedia block and banned because of the “Conflicts of Interest” with working with Terrance Lindall in Williamsburg Art & Historical Center, https://en.wikipedia.org/wiki/Bienvenido_%22Bones%22_Banez_Jr. and that is reason why my Wikipedia Article was banned, but I thanks from Sir Terrance Lindall who wrote the Wikipedia Article 2011 until 2017 is still part of the New York Art World experiences. But it’s my fault because I didn’t ask permission to Sir Terrance Lindall, and Terrance Lindall told me that Wikipedia more about Anglo people and Terrance Lindall told me this is discrimination from Wikipedia policy and I told him I understand because I read the Wikipedia issue more on Anglo-American than third world countries and majority is english white people in the world power. And I understand that point from Terrance Lindall is true helping me with the writing of Wikipedia Article despite I am Autistic Survivors Surrealist, but despite that happened to me, well it’s considered part of the world historical context of Terrance Lindall and Dr Robert J Wickenheiser. The most important thing is we have a hard cover books in Robert J Wickenheiser & Terrance Lindall The John Milton Projects 2009-2015 by Terrance Lindall with photo cover with Terrance Lindall, Robert J Wickenheiser and Bienvenido Bones Bañez, and Acrostic Paradise Lost by Terrance Lindall with my painting and photo, and I my name was included in the Paradise Lost Elephant Folio by Terrance Lindall with Dr Robert J Wickenheiser Commentary on the historical context in the University of South Carolina Library of John Milton book 👇 https://www.liquisearch.com/terrance_lindall/the_paradise_lost_elephant_folio?fbclid=IwAR13DqAKQvBconYwQbiFW-WkJqgkOG-g6PPVfz__P-WeVHb9rL_yljUO65w .) and also the German Edition by Prof Gerhard Habarta in Lexikon Surreal 1 and 2, Visionary Art Magazine 2012 by Gerhard Habarta and KunstHerz is the world notable biography in German Edition but only Filipino American Surrealist in listed in the KunstHerz 2021-👇 https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false) And that’s the most important thing despite Bienvenido Bones Bañez banned from the Wikipedia Article. Because my principle was “Surreal Acidity Truthful” and true Revelation of the World Paradise Lost Kingdom 666. And after years ago and I was debating in Wikimedia articles throwback 2022 and I was obsessed with promoting John Milton Surrealmageddon Visual Poetry and artwork by Terrance Lindall, but I miss the fact that I reset the Wikimedia watchers and then our Wikimedia suddenly blocked me and affected the photos of Robert J Wickenheiser with Terrance Lindall and Bienvenido Bones Bañez, and almost blocked my Wikimedia because more on personal promotions about my artworks and books and another “Conflict of Interest”,. and I emailed Sir Terrance Lindall… I am sorry for another block our Wikimedia and that’s why you do not see anything about WAH Center because my big responsibility and everything is my fault… That is a lesson from my fault and weakness as a Survivors Autistic Surrealist very voracious in narcissistic visual screaming in the Techno War of Propaganda machine… After all it’s a work of Idiot Savant Autistic Survivors Surrealist and our beautiful memories from our autistic narcissistic I am and maybe sociopath are always part of the Universe! 🙏. https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o ✨💥 https://en.everybodywiki.com/Topic:Xwpjoknvjd1fxp03 https://studylib.net/search/?q=Bienvenido+Bones+Banez+jr&fbclid=IwAR2NsRxeOdHeghlHlKtvcpfRJ0LcB3S9xK9aT-yNyr7a-Pn700C_GAqEUs8 💥 https://online.pubhtml5.com/jltd/fore/’WE ARE PROUD TO HAVE OUR GREATS PHILOSOPHER, VISIONARY, JOHN MILTON’S BOOK EXPOUNDER, SURREALIST ADVOCATOR, WIKIPEDIA PROMOTER IN NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL and he is the best architect visionary in the art world of John Milton Projects in New York Art World! And I want to know why important thing, and Master Terrance Lindall is the one who helped me to build up my career in art world and without him maybe I had “No Name” in Wikipedia New York Article in featured in the first world country New York Art World that has been dated in 2011 until 2017, despite Wikipedia banned the name of Bienvenido “Bones” Bañez, but the important thing is already done within Six Years Propaganda machine from John Milton Projects by our architect visionary is Master Terrance Lindall in New York Art projects. And our World Famous Miltonian Philosophers, Visionary Artist Sir Terrance Lindall is one of the MUSEUM FOUNDER IN THE ART WORLD 🇺🇸https://www.amazon.es/Museum-founders-Augustus-Guggenheim-Rockefeller/dp/1155565851 🇺🇸https://www.sapnaonline.com/books/museum-founders-augustus-pitt-rivers-source-wikipedia-1155565851-9781155565859/ It’s a wild wild wildest New York Artists. And some my artists friends asked me why Terrance Lindall help you and build up with the majestic clan in John Milton’s Legacy? And I answered my friend request and because the power of my paintings speak loud and my grunge poetry in vulgarity is truth like a stingy pain from their eyes and ears to our audiences. And that is why our first world country Master Terrance Lindall love my paintings and Dystopian Poetry as grunge styles, and I performed in piano with my freaking spontaneously and surreal sounds like thunder distorted notes, and that makes sense to me as trance aura and I don’t know how it goes to well, but important follow your heart and mind if someone possess… After Terrance Lindall, Yuko Nii, Peter Dizzoza, Orin Buck, Sam was surprised my piano performance in WAH Center, Brooklyn, New York. And after several weeks and Terrance Lindall decided to give the title of my musical sound into the “Satanic Rhapsody” and I accept the title for my spontaneous composition in piano. And every time have an occasion for Art exhibition and performing arts, and I always participate in every annual art exhibition in WAH Center New York. But some people say that I am from third world country-( https://peoplepill.com/i/bienvenido-bones-banez-jr )and mostly Anglo-American white people are easily into the Wikipedia articles and they control their categories to separate them from first world country famous and that’s why they’re more propaganda than a measurement in our individual talents. But the irony from Wikipedia has been promoted porn star is a considered Notability or “Notable” despite fleshy stars? ( https://en.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido_%22Bones%22_Banez_Jr. ) ( https://en.wikipedia.org/wiki/Special:WhatLinksHere/User_talk:Bienvenido_Bones_Banez,Jr. ) ( https://en.m.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido%22Bones%22_Banez_Jr.?fbclid=IwAR0uo2zuruT-oqeW4MADFrQ6UYKpoBJNj9nSZ041rB2cc3qbp6DwrpsdkGA ) Well, it’s a part of the Satanic Notability and famous according from Wikipedia as Wickedpedia Inspirations from criminal untouchable superstar and Notability pervert stars. They want portray they are superior races and some like eugenics systems despite imperfection DNA in the human mortal creatures desires. 🇺🇸. https://wahcenter.net/events/2014/satanicverses/Biens_Journey_WAH_Salon.doc 🇺🇸👁️. https://online.pubhtml5.com/jltd/uxwl/’ 🇺🇸🎨 🗽 http://colorsofpain.info/8.html?fbclid=IwAR1nWvQzMKMjWynOwvwA-Os8AvzebgH7A62xGke-bbYfpRoaWYnQRziUU But will tell you the consequences magical enchanted from the Human Mortal Creatures Dreamers for let us build our names in according from Nimrod the Great build the world tallest tower in the world power is the Tower of Babel and they are totally original in making names around the world for being gods and goddesses, Inspired from the TREE OF KNOWLEDGE. Natural beings a part of the Satan Brings Color To The World Famous Names- Matthew 4 :9. / First John 5:19. / Ephesians 6:12. 🇺🇸 https://art.fandom.com/wiki/Surrealmageddon 👁️ And someone who suggested us that will be part of the Wikipedia Article for the Notability or Notable from the Human Mortal Creatures Geniuses and Welcome Bones 666 Art World Blasphemous Desires from the Tree of Knowledge turned into Surreal Blasphemous Desires!!!! But according from the book of “The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success” by Kevin Dutton points to be part of the Wikipedia Article into the Wickedpedia Encyclopedia in “Satan Brings Color To The World Famous” from our lower edge our human mortal creatures desires. 👁️. https://www.slideshare.net/BBaez1/surrealist-meaning-of-wikipedia-turned-into-the-subliminal-wickedpedia-desires-from-human-imperfection-dna-666-deoxyribonucleicsatanicacid-into-delusional-god-complex-from-human-mortal-creatures-narcissistic-despite-the-future-for-cemeteries-world 🇺🇸👁️. https://duckduckgo.com/?q=The+Wisdom+of+Psychopath+by+Kevin+Dutton&t=h_&ia=web 👁️. https://www.ebay.com/itm/404627552366?fbclid=IwAR0VpB4AlbKGDyTuHJPrdx_AFyT2ue9Mnwu4ERQY5m9GQg-R2EidjByO_X8 🇺🇸. 🇺🇸. Meanwhile in recent months Our New York World Famous Philosophers, Surrealist, Visionary artist Sir Terrance Lindall 🇺🇸🌟and foremost icon on the John Milton’s Legacy, and Thanks from Master PhD Is Dr Robert J. Wickenheiser commentary on the Terrance Lindall Folio for John Milton’s Paradise Lost Into Colorful Satan Brings Color To The World!👇 https://archive.org/details/img-20230215-141628
And We proudly present to you and our universal Master Terrance Lindall for his magnificent achievements and Dr Robert J Wickenheiser and Master Yuko Nii. And here’s the link for the World of Terrance Lindall👇 🇺🇲👁️Museum of Modern Art & The Metropolitan Museum
https://snaccooperative.org/view/51555704#resources❤️🔥🇺🇲Virtual International Authority:
https://viaf.org/viaf/63032373/🇺🇲🌍World Identities:
https://id.oclc.org/worldcat/entity/E39PBJgmK8cQTGJ66HBp4Y3PcP.html🇺🇲🌍❤️🔥Library of Congress:
https://id.loc.gov/authorities/names/n86109912.html🌎❤️🔥🇺🇲National Library of New Zealand:
https://researchworks.oclc.org/archivegrid/?p=1&q=Lindall,+Terrance+R.❤️🔥🇺🇲One of the most influential persons in academia according to “InfluenceRanking”❤️🔥🙏 https://academicinfluence.com/
Analysis by machine-learning technology developed with funding from the Defense Advanced Research Projects Agency (DARPA).
Take note 👇
“NOT MANY established scholars and artists are listed on these sites. But I think being there establishes a presence for the future.” https://www.wahcenter.net/events-and-exhibitions-archive/ 🇺🇲👁️❤️🔥. https://johnmiltoninouterspace.wordpress.com/author/tlindall/?fbclid=IwAR2d2JhHMsWjdYVD2BAIQHh9YI1Q63tplrEn1sIS-zL4MzEM-galMzAO0Mg🇺🇸👁️ https://johnmilton51.wordpress.com/2023/08/16/%F0%9F%87%BA%F0%9F%87%B2one-of-historys-foremost-philosopher-provocateur-artist-is-master-terrance-lindall-the-new-art-world-surrealmageddon-visual-poetry%F0%9F%92%A5/?fbclid=IwAR194tci0OOPEE_pa3YboOkJRJqbgzdT_F0-nSEER_7kaqQrCfjD1RGuXjY 🇺🇲👁️. 🙏. Here’s the Conservapedia Differs from Wikipedia 👇 https://www.conservapedia.com/Conservapedia:How_Conservapedia_Differs_from_Wikipedia 💥 https://www.google.com/search?sca_esv=592749244&sxsrf=AM9HkKl1-yYa1m1G_OiTLSMgi9IrsfkX-g:1703142461578&q=bienvenido+bones+banez+jr&tbm=bks&source=lnms&prmd=ivsnbmtz&sa=X&ved=2ahUKEwjWhLKL_J-DAxV68DgGHQ6EDQ0Q0pQJegQICxAB&biw=360&bih=683&dpr=2 🗽 https://m.famousfix.com/list/surrealist-artists 🇬🇧 https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o 💥 https://en.everybodywiki.com/Bienvenido_Bones_Banez,_Jr.?fbclid=IwAR2Cz2ZgDRIQtINBKVPz82QeR-EtuLTzehhphyzwLQpqpWOmP9Y7EWK5XjI#google_vignette
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🇺🇸JOHN MILTON’S THE ART of UNIVERSAL, INTELLECTUAL, & INTERPRETATION into the PHILOSOPHICAL SURREAL BLASPHEMOUS DESIRES from the PARADISE LOST with INSPIRATIONAL APOSTASY THROUGH THE TREE of KNOWLEDGE turned into the WORLD OF TERRANCE LINDALL PARADISE LOST SCROLL📜💥
And here’s the written👇
👁️💥GYPSY SCHOLAR
Brainstorming about history, politics, literature, religion, and other topics from a ‘gypsy’ scholar on a wagon hitched to a star.Saturday, December 19, 2009 PARADISE LOST SCROLL📜
(Detail with ‘Br. Wickenheiser’)
Terrance LindallThe contemporary artist of pop-surrealism Terrance Lindall, after a too long, nearly 20-year break as a curator, has returned to his first love, producing art, with the unveiling of his recent Paradise Lost Scroll, an artwork 14 inches high and over 4 feet long. Mr. Lindall has recently sent me an email announcing the artwork’s release and giving permission to blog about it. I’ll let the details be provided by the press release from the Yuko Nii Foundation at the Williamsburg Art & Historical Center:
Terrance Lindall in his year long celebration of John Milton’s 400th birthday, which started on December 8, 2008, has just completed as of December 8, 2009, what is considered by the few who have seen it already to be the most unusual painting for Milton’s Paradise Lost ever done. It is in the form of a scroll that reads from right to left like a Torah.The scroll is (see below) is now in the Milton collection at the Yuko Nii Foundation. It contains one of Lindall’s “complete” versions of PL. It is 14 inches high with 24 K (23.75) gold illuminated miniature inset paintings plus many other cartouches of the Bodleian Library, the Visionary Foal, Milton dictating, Nemo’s submarine, etc.
The scroll begins with the great omniscient eye of God in the upper right hand corner. In the iris of the eye reads “THE WORD.” Below the eye is the Tree of Life, roots extending upwards with a bird of paradise perched atop. The Tree of Life becomes a vine that twines across the bottom of the scroll. The upper portion of the scroll contains the miniature paintings depicting scenes from Milton’s epic. The bottom part is the text that is only to be read as captions, not complete Miltonic quotes.
The opening panel shows an angel wrestling with a snake over the Garden of Eden and piercing the serpent with his sword. The angel and serpent are in the form of a cloud and the sword piercing the serpent delivers gold lighting bolts . . . portending the tragedy that is to come.
At the bottom in the next panel Milton is dictating Paradise Lost to his daughter, giving birth to the serpent with a burst of flame from his forehead like Athena from the head of Zeus or Sin from the head of Satan. A bottle is pouring forth a stream water that symbolizes the purity of God’s Spirit or God’s “Historical Will.” It flows throughout the panels beneath the Pillars of the Universe. The water also represents Milton’s reputation which starts off small and by the 19th century becomes an ocean in which we see Captain Nemo’s 19th Century submarine Nautilus. Nemo is somewhat like Satan, rebelling against what he perceives as the injustice of a greater power.
There is a mysterious winged creature riding the Visionary Foal at the bottom of the panels. The Visionary Foal is an aspect of the omniscient God. At the end of the scroll we see who the mystery rider is: it is none other than Satan himself who has been performing God’s work. He has been redeemed because God has used him to seduce Adam and Eve so God could actualize his Divine Grace and Mercy by having His alter ego, His Son, sacrifice Himself and take the sins of Adam & Eve back upon himself. God’s mercy is not perfect if it is not actualized, and Satan has helped actualize (perfect) it by rebellion and seduction thus initiating God’s perfect mercy. But God’s Mercy being infinite, God has also redeemed Satan who leans back upon the Heavenly Foal in the next to last panel. Satan is back to Satan’s former self, no longer ruined. A rainbow, the promise of God, over Cavalry Hill confirms the redemption or promise of His Perfect Mercy.
The last panel is a library with a Benedictine monk named Wickenheiser holding a book. Wickenheiser is the Universal Librarian, maintaining the records of Man’s great thoughts and works recorded in books, especially those of John Milton. The vaulted ceiling of the library becomes a stairway composed of books leading up to the second coming of Christ surrounded by Apostles and the learned men Davinci, Plato, Socrates, Newton and others. Knowledge, forbidden by God to Adam & Eve as a test of their obedience to Goodness, has been vindicated and redeemed for and through Man by God’s Grace. Note that another bottle of water on Wickenheiser’s library table pours the spirit of God’s Will and Milton’s reputation back into the scroll the opposite way from the bottle at Milton’s feet. It represents the fact that by Wickenheiser’s building of the great Milton collection Wickenheiser has sustained, preserved and reestablished Milton’s reputation until the end of time.
In the upper left hand corner of the scroll, the great eye of God has closed! “I am the Alpha and Omega, I am the Beginning and the End,” so sayeth the Lord, “I am the Almighty.” Thus, as God opens the universe with His Great Eternal Eye and THE WORD, He also closes His Great Eternal Eye at the end of time, and nothing more is perceived about our universe!
About Lindall’s philosophy: he adheres to the precept “esse est percipi” (per George Bishop Berkeley). There is no proof that anything exists outside of perception or idea. Even today, physicists have come to the conclusion that the subbasement to the “material universe” is composed of “events.” Events are things perceived. As Leibnitz, the inventor of the infinitesimal calculus, explains, “we are all aspects (thoughts) of the mind of God.” Thus the great eye of God in my art and the large eye of the Visionary Foal represent Perceptions in the Mind of God. All is Perception; all is God. There is much more to Lindall’s philosophy, but that explains a point in his scroll. For further reading on Lindall’s philosophy: [see here].
The Yuko Nii Foundation is working with Dr. Robert J. Wickenheiser to produce full-scale facsimiles of this scroll. The facsimiles will come with options for the collector:
1) Signed by Terrance Lindall with a signed letter from Robert Wickenheiser explaining the work and authenticating the facsimile. Bound in leather with gold tooling and die (from the Schunke collection) stamped (gold) with the coat of arms of Katherine of Aragon. The painting will have a silk protective covering. Facsimile will be on paper or vellum, per choice of collector. This is a very high-end limited edition and can be ordered through Robert Wickenheiser or directly from the Yuko Nii Foundation. These are produced one at a time and only a very limited number will be done.
2) Various levels of printed reproduction and various bindings or no binding.
As is perfectly fitting for an interpretation of the ‘unorthodox’ Milton, Lindall’s painting depicts an ‘unorthodox’ felix culpa Christianity — a God whose mercy extends even to Satan himself for the role that this arch-fallen angel played in the divine economy of salvation! Although this soteriological possibility is largely foreign to Western Christendom, Eastern Orthodoxy has a tradition of prayers to God for the redemption of Satan himself . . . though whether Lindall was following this tradition or the consequences of his own thinking, I know not.By integrating Dr. Wickenheiser into the painting, Lindall harkens back to a high Renaissance practice of including the artwork’s patron into the work of art itself, but Lindall does so in a humorous manner by representing Wickenheiser in the garb of a Benedictine monk, as seen in the panel above.
For a viewing of the entire scroll, albeit panel by panel, go to the You Tube site for a nearly 10-minute presentation to the accompaniment of Frédéric Chopin’s Fantaisie-Impromptu in C-Sharp Minor.
Horace Jeffery Hodges at 5:26 AM
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2 comments:Horace Jeffery Hodges3:18 PM
Sorry, Mizar, or pseudonymous ‘troll’, but I can’t allow that on my blog, which I try to keep family friendly.Jeffery Hodges
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Horace Jeffery Hodges9:07 PM
Oh, for the benefit of other, curious readers, I was referring to a comment that I deleted as inappropriate for minors — such as my own children — to read.Jeffery Hodges
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- WILLIAMSBURG ART & HISTORICAL CENTER: Dr. Robert J. Wickenheiser’s Commentary for the Elephant Folio From Williamsburg Arts & Historical Center: Dr. Robert J. Wickenheiser’s Commentary for the Elephant Folio http://en.wikipedia.org/wiki/Robert_J._Wickenheiser The Robert J. Wickenheiser Collection of the seventeenth-century English poet John Milton (1608-1674) brought to the Thomas Cooper Library of the University of South Carolina its first major seventeenth-century research collection, to join the earlier acquisition of major collections from subsequent periods. It was acquired for Thomas Cooper Library in 2006 with leading support from William L. Richter and The William L. Richter Family Foundation. The Wickenheiser Collection, built up over a thirty-five year period, has more than 6,000 volumes. It includes more than sixty first and other seventeenth-century editions of Milton’s own writings, and significant holdings also of 17th century Miltoniana. Its special focus on illustrated editions make it perhaps the most comprehensive collection ever of Milton ILLUSTRATION. Synopsis and Illustrations in SYNOPSIS and ILLUSTRATIONS IN FOLIO EDITION by Terrance Lindall of Paradise Lost by John Milton COMMENTARY by Robert J. Wickenheiser, Ph. D. Without a doubt, Terrance Lindall is the foremost illustrator of Paradise Lost in our age, comparable to other great illustrators through the ages, and someone who has achieved a place of high stature for all time. Throughout almost four centuries of illustrating Milton’s Paradise Lost, no one has devoted his or her life, artistic talents and skills and the keenness of the illustrator’s eye more fully and few as completely as Terrance Lindall has done in bringing to life Milton’s great epic. He has also devoted his brilliant mind to studying Milton, his philosophy, and his theology in order to know as fully as possible the great poet to whom he has devoted his adult life and to whose great epic he has devoted the keenness of his artistic eye in order to bring that great epic alive in new ways in a new age and for newer ages still to come. From virtually the outset Milton has been appreciated as the poet of poets. It was John Dryden who said it first and best about Milton shortly after Milton died in 1674: Three Poets in three distant Ages born –– Greece, Italy and England did adorn. The First in loftiness of thought Surpass’d; The Next in Majesty: in both the Last. The force of Nature could no further goe; To make a Third she joyn’d the Former two. Milton’s use of unrhymed iambic pentameter verse in a manner never used before raises the lofty goals of his epic to a level never before achieved in the English language. Moreover, the poet who said at age 10 that he intended to write an epic which will do for England what Homer had done for Greece and Virgil for Rome, accomplished masterfully the goal he set himself and more than has ever been achieved before or since. This is by no means to say that there are no great poets who have achieved high goals after Milton, and in doing so have joined Milton and even rivaled him. But Milton is the giant who stands at the door to English poetry urging all who would enter to master their art, to write with the highest respect for language and a passionate recognition of what language is capable of achieving. In Milton’s Paradise Lost we see, too, that in great poetry there is always great passion, clarity of voice in support of the purpose at hand, and at its best, with the prophetic and the visionary joined to compel the reader to rise to new heights in what is read and seen through the poet-prophet. Milton’s Paradise Lost challenges everyone to achieve goals beyond any they might have dreamed possible before, and to take from his own great epic, goals which help define all that is worthy of sustaining while providing English poetry with what it did not yet have. To declare at age 10 that he would become the greatest English poet is one thing, and a quite spectacular thing at that, but to go on then and fulfill this goal shows not only the great vision Milton had as a poet, but also his tremendous confidence in becoming that great poet. Milton sings with the voice of the visionary poet and so he becomes the poet for those who see in him clarity of voice and of vision; poets like William Blake who, in the early 19th century thought he was Milton (stretching the point a bit as Blake was wont to do) and who therefore relied very much on Milton and even wrote a poem entitled “Milton” designed and hand-colored as with other of Blake’s great works. While Blake openly admired Milton, William Wordsworth, a few decades later, was calling out for Milton in an age that had need of him, proclaiming: “Milton! Thou should’st be living at this hour.” As the visionary poet Milton was, he had acute interest in such monumental issues as the relationship between God and man, free will and its vital importance to all of mankind along with the responsibility that goes with it, the relationship between man and woman, divorce and the need for acceptance of it, definition of “monarchy” along with important issues related thereto, and a great deal more. Milton defined many issues at a time when England was engaged in a Civil War precisely because of those very significant issues, issues which Milton helped not only to define but also to defend.His life spared after the Civil War and his reputation as a poet and writer of important treaties reasserted, Milton retired to the country, to Chalfont St. Chiles, where he dedicated himself to completing Paradise Lost, and ultimately, Paradise Regain’d and Samson Agonistes. What a profound loss it would have been had Milton not been allowed to write his greatest poetical works! Yet how did the poet write his monumental works, especially given the loss of his eyesight while writing significant treatises both before and during the Civil War? Here we have the blind poet dictating to an amanuensis (his daughters, as many preferred to believe for a long time, but in reality his nephew), whole passages defining important relationships and memorable scenes which are themselves of epic proportion: the creation of man in Adam and of woman in Eve; Eve seeing herself in the pond for the first time and likewise our seeing Eve at the same time she sees herself; Adam seeing Eve for the first time; the moving depiction of the “bower of bliss” and then of the creation; the war in heaven; the depiction of Satan and hell, with Satan rallying his troops in passages that take poetry to new heights; the temptation of Eve and then Adam, in equally powerful scenes, and the departure of Adam and Eve from Eden. Surely Milton deserves not only our gratitude for the prose treatises he wrote, but also for the poetry, much of it written under the most dire of circumstances (some thought he might be put to death for his part in the Civil War and his service to Cromwell, and also more specifically because of his treatise in defense of “beheading a King”). Here is a poet to be reckoned with: for standing up in defense of eternal values, something Milton not only did himself, but something he expected his readers to do as well; and then to appreciate his poems, his epic verse and organ voice, his epic vision, and his bringing to life, despite (or perhaps because of) his blindness, something so unique that Dryden and others long after him have recognized in Milton the genius that “Surpass’d” Homer and Virgil before him. As Milton left his supreme poetic gifts for mankind to appreciate in reading his great works during the centuries following him, so, too, he used his blindness to bring to life visions befitting the dynamic scope and epic dimensions of his great epic; visions undertaken in the first, and still one of the greatest illustrated editions ofParadise Lost published not long after Milton died, in a folio format in 1688. Medina’s illustrations, primarily, are those which appear in the 1688 folio edition of Paradise Lost, but aside from the significance of what his stature brought to this publishing venture, the 1688 folio remains a highly sought after book today because it is England’s first grand publication and therefore holds its own place for the first time with books printed on the Continent where books had long been praised for their publishing distinction and artistic design and success. Through the centuries John Milton’s Paradise Lost has continued to inspire artists, which tells us much about Milton and about his great epic, a poem which readily lends itself to the eye of the artist, and in this, affords all of us a visual perspective, a visual capturing of the poet’s vision, which words alone can seldom achieve. Commentary and criticism certainly have their place, but seldom does the written word adequately capture the poet’s vision or replace the illustration or illustrations of the artist’s view of a poem and his capturing that view on a canvas. The aspirations of each, however, critic and artist/illustrator, need not be pitted against one another; indeed should not. Rather, they should be welcomed for the manner in which each complements a view or views of a poem thereby bringing together two significant disciplines: that of the writer/poet together with that of the artist/illustrator. Poets who aspire to lofty goals lend themselves most readily to being illustrated, providing us with the opportunity of looking at how a poem or group of poems is seen by the eye of an artist. Instead of learning about the themes and poetry of a given age or period as seen only through the eyes of writers and critics, we are privileged to have the views of the artist to help us see and appreciate the poetic vision of the poet, sometimes in great variation from one period to the next or as viewed by one generation to the next. Obviously, given the monumental issues in Paradise Lost as well as Milton’s portrayal of them, it should be no surprise to say that Paradise Lost may well be the most illustrated of poems and epics. I intend no controversy by saying this, but wish simply to call attention to how epic scenes have been brought to life for viewers by master artists capable of depicting grand visions within grand poems; by artists capable of capturing with visionary view what words alone can never do. The painter/illustrator, in capturing moments which might otherwise have been given less recognition than they deserve, provides a vital service in bringing to life scenes or moments, images or views depicted in poetic form by the poet, thereby enabling the viewer to appreciate all the more what the poet has achieved and how he has achieved it. Lindall has himself said about Milton’s epic: “With Paradise Lost, the written word in its greatest form, Milton was able to evoke. . .immense space and project spectacular landscapes of both heaven and hell, and create also the monumentally tragic character of Satan, courageous yet debased, blinded by jealousy and ambition, heroic nonetheless. The blind poet brings powerful visionary life to one of the world’s greatest stories, id est, the Western legend of man’s creation and fall, a story encompassing philosophical concepts of free will, good and evil, justice and mercy, all presented with the greatest artistry to which the written word can aspire.” Lindall also believes “that insight into Milton and the aesthetic and intellectual pleasures of Paradise Lost can elevate every individual’s experience in education, thought, and human endeavor. . .through the inspiration of the written word.” It is this cherished belief, which has compelled Lindall to want to bring Paradise Lost alive to others, to urge all to see in Milton, as he does, the power of the word and image, and to want to illustrate Milton’s epic for others to see in relation to the eternal truths and values captured by Milton and conveyed in his great epic poem. Lindall has synopsized the story of Paradise Lost with genuine care in order to bring Milton’s great epic alive to young and old. His synopsis is poetic in its own beauty, with each word carefully chosen to be true to Milton while maintaining integrity with his great epic and the rendering of it into a readily understandable format. Lindall’s synopsis maintains the spirit of Milton’s epic while revealing the genius of the poet in telling “Of Man’s first disobedience and the fruit / Of that forbidden tree, whose mortal taste / Brought death into the world and all our woe, / With loss of Eden, till one grater Man / Restore us and regain the blissful seat, / Sing heav/nly Muse. . .” Terrance Lindall has spent decades perfecting his painting skill and illustrating technique in order to capture all that is best and visionary about Milton, providing illustrations of Milton’s great epic, early on, e.g., along with his synopsis in a fold-out brochure in order to bring Milton’s epic alive to students in schools. Lindall’s first edition of his synopsized version of Paradise Lost along with his illustrations (1983) were designed to encourage young readers to look into the brilliance and eloquence of Milton’s visionary poetic landscape and his great organ voice. More recently he has gone beyond illustrating Paradise Lost by capturing the essence of Milton’s epic and its meaning down through the centuries and beyond in a “Gold Illuminated Paradise Lost Scroll” (size with border 17” x 50”), with nine panels to be read from right to left, as with Hebrew; the Scroll is Lindall’s “tribute to his love [of] and sincere gratitude for Milton’s great contribution to humanity.” He finished the “Gold IlluminatedParadise Lost Scroll” in 2010. He has also brought Milton’s epic alive in a very large “Altar Piece,” called “The Paradise Lost Altar Piece” (oil on wood), consisting of two large panels, each 24” x 40”. When opened, the panels might be seen as pages from an illuminated manuscript of the Renaissance. One panel shows the gates to the “Garden of Eden.” The second panel shows the “Gates to Hell.” In both panels, pages from the epic poem Paradise Lost lie revealed in the foreground at the center of the illustration. “The Paradise Lost Altar Piece” was completed in 2009. Lindall’s passion for Milton and his desire to bring the poet and his great epic alive to modern readers reveal themselves over nearly four decades. During this same period, from the late 1970s to 2012, Lindall’s “love ofParadise Lost” and his “sincere gratitude for Milton’s great contribution to humanity” grew enormously. To get a sense of this as well as of Lindall’s broader artistic background and its influence on his illustrations of Paradise Lost, there is his large cover illustration of the comic book Creepy (now considered a classic – both the comic book and Lindall’s “creepy” cover illustration of “Visions Of Hell (6/79).” Likewise his cover toCreepy (#116, May 1980), entitled “The End of Man” (again, the comic book and Lindall’s cover illustration now considered classic). About this same time some of Lindall’s earliest illustrations for Paradise Lost in the late 1970s appeared in comic book form, Heavy Metal Magazine (1980). Appearance in Heavy Metal enabled Lindall’s illustrations to reach a very large audience. That issue in 1980 of Heavy Metal Magazine became an acquisition proudly reported by the Bodleian Library in 2010 (with one of Lindall’s paintings, Visianry Foal, appearing at the top of the acquisitions page), alongside such other acquisition listings at the same time as Philip Neve’s A Narrative of the Disinterment of Milton’s Coffin. . .Wednesday, 4th of August, 1790 (1790) and Philip Pullman’s His Dark Materials trilogy (1995-2000), a rewriting of PL by “a modern master,” among others. The oil painting by Lindall from the Nii Foundation collection was used by the Oxford University major exhibit “Citizen Milton” at the Bodleian Library in its celebration of the 400th anniversary of Milton’s birth in 2008, thereby recognizing Lindall’s contribution to the continuing Miltonian artistic legacy. Joseph Wittreich, esteemed Milton scholar and friend of both Lindall and me, has kindly given a copy of the1980 issue of Heavy Metal Magazine to the Huntington Library. My own collection has several copies along with the other acquisitions listed above by the Bodleian Library in 2010. Shortly after the appearance of a portion of Terrance Lindall’s illustrations of Paradise Lost in Heavy Metal Magazine (1980), there appeared in 1983 his synopsis of Paradise Lost along with his illustrations of Milton’s epic, privately published together in a small book (5 ½” x 8 ¼”) in a limited number of copies, entitled: John Milton’s Paradise Lost synopsized and with illustrations by Terrance Lindall. The color print illustrations, inspiration now taking real form and mature character, were tipped in across from the printed synopsis of the illustrated lines of Milton being illustrated. The whole was a wonderful success and Lindall’s reputation as an artist and as someone committed to illustrating Milton’s great epic were growing in stature, while his illustrations were gaining recognition for the artistic achievement they represented. The surrealist provocateur was moving in a direction that suited his own goals as an artist and a scholar, an illustrator of Paradise Lost and someone even more strongly committed to continuing his illustrating of the poet’s great epic. The World Wide Web has long since given access to Lindall’s paintings by millions, making Lindall’s illustrations among the best known of Paradise Lost. Lindall’s attention to Milton’s epic and to details in the epic, ever from the eye of the dedicated and committed artist/illustrator, grew beyond his early attention to detail. From a small-size private publication with tipped-in cards measuring 3 ½” x 4 ¼” or sometimes 4 ½”, Lindall moved to a quarto-sized publication in 2009, again done in a very limited number of copies (this time 20) and with each illustration measuring 5 ¾” x 7 5/8” and signed and dated by the artist. The quarto edition has been followed by his massive and richly triumphant elephant folio illustrating Paradise Lost (No. 1 completed in 2011 and No. 2 in 2012), the remarkable edition we celebrate here. All concepts that were growing in meaning and stature during the nearly forty years before now were drawing themselves into place for this ultimate expression of Lindall’s interpretation of Paradise Lost in this one final work, his Elephant Folio. Like his other works before him, this large edition is also being done in a very limited number of copies (10), all by hand, a vast expansion in size and scope over his quarto edition, with 64 pages, each page measuring 13” x 19”, illustrations mostly measuring 9” x 12”, title page measuring 11” x 11”. The binding of each folio is intended to be leather bound by the renowned binder Herb Weitz, hand tooled & gilt-decorated, unique, and each personally dedicated to the owner. The covers will be identified by different motifs, such as the “The Archangel Michael Folio” or “The Lucifer Folio,” etc. Each copy will have one original conceptual drawing at the front. I use “being done” in describing both instances, the quarto and the folio editions, because both editions have been (and will continue to be) “done” by hand, with loving care, and with each illustration printed on the highest quality paper stock available anywhere and signed and dated by the artist. Both the quarto and the folio editions have been, and will be, done as “originals, as signed prints,” and in the case of the Elephant Folio, as prints with original paintings surrounding them. In itself, the quarto edition is superb, truly one of a kind, and distinctive now and for years to come. “TheParadise Lost Elephant Folio,” however, is amazing and goes far beyond the quarto edition in untold ways; it is the culmination of Terrance Lindall’s life’s devotion to Milton, to Paradise Lost, and to all that Milton represents and his great epic means. Because of Lindall’s supreme dedication and artistic achievements, Milton will live in yet another new age, brought to life in refreshingly new ways, made “relevant” in remarkably profound ways. Because of Terrance Lindall, great new numbers of readers will be attracted to Milton and his profound epic than would otherwise, most assuredly, have been the case. “The Paradise Lost Elephant Folio,” in particular, is a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page color 1000 dpi prints with 23.75 carat gold leaf edging on Crane archival paper. Each illustration is signed by Terrance Lindall, some pages with hand-painted illustrated or decorated borders andlarge, carefully embellished head- or tail-piece illustrations, others with historiated initials with 23.75 carat gold leaf embellishments. All add to the depth and meaning of a given illustration of Lindall’s synopsized Paradise Lost (1983) appearing across from an illustration. For the Elephant Folio, Terrance Lindall is also providing a final painting, The Celestial Orbit, as a frontispiece. It is Lindall’s “ultimate statement” as an artist’s interpretation of Milton’s great epic. This painting will only be produced as a print for the Elephant Folio and will not be reproduced for collectors as a signed print in any other format. And while Lindall may now think that he has finished his work with Milton, he hasn’t, because Milton lives within Lindall in a special way, as surely as Lindall remains dedicated to bringing Milton alive to new generations in fresh and vibrant new ways, doing the same for countless generations in centuries to come. In his folio edition and the illustrations in it, Terrance Lindall shows the influence by certain great master illustrators of Paradise Lost through the centuries before him, especially with the inclusion of richly illustrated margins for each color illustration, the margins colored in 23.75 carat gilt and consisting of brightly colored details drawn from the epic in order to advance the meaning of the given illustration. Moreover, again in the tradition of certain great master illustrators of Milton‘s Paradise Lost through the centuries, historiated initials, in imitation of the initial letter in an illuminated manuscript, each in rich gilt and bright colors, are used as the first initial of a section and decorated with designs representing scenes from the text, in order to heighten the intensity of the cumulatively related details in each component part: illustration, border, and historiated initial. The illustrated borders in the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also sometimes tell stories or make commentary about what is illustrated in the featured central painting. The borders likewise pay tribute to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on Lindall’s ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr., discovered Lindall’s repertoire during the world renowned “Brave Destiny” exhibit in 2003, an exhibit to which Bienvenido had been invited to display one of his works. Thereafter, a friendship and mutual admiration between the two great artists grew, to the benefit of each. Bienvenido communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original “affinity,” and so in the elephant folio plate, “Pandemonium,” which is a tribute to art, architecture, construction, sculpture, painting, and the like, he especially honors the Filipino surrealist artist by placing Bienvenido’s name on the artist’s palette at the very top of the border, the palette in flaming colors. Like the great illustrators of Milton‘s Paradise Lost before him, Lindall uses many and various techniques and styles to bring Milton’s great epic alive. As with Medina, e.g., in the first illustrated edition of Paradise Lost in 1688, Lindall has mastered how to use the synopsized scenic effect to focus our attention on an important moment in the epic while capturing all around it other significant moments or scenes in the epic related to that important central one.As with the illustrators James Thornhill and Louis Chéron in the 1720 edition by Jacob Tonson and edited by Thomas Tickell, Terrance Lindall draws upon the use by Thornihill and Chéron of the historiated or illustrated initial along with their use of head- and tail-piece illustrations or vignettes – this latter translated to the marginal illustrations or vignettes in Lindall, all to underscore the main theme of the central illustration of a given Book. As the manner of illustration has changed dramatically in the 18th century from that of the 1688 illustrated edition, so too has the manner of the great contemporary artist changed in his illustrations of Paradise Lost from those in the several centuries before him. On through other 18th-century greats, Francis Hayman, whose illustrations seem almost marvelous embellishments for the first variorum edition of Paradise Lost in 1749, which focuses attention primarily on the copious notes of that great edition, although Hayman’s illustrations became the most repeated illustrations in reduced form in editions of Paradise Lost for the next 40 or more decades, through to Francis Burney at the end of the century, in whose illustrations can be seen most powerfully the influence of the classics upon artistic interpretation of significant moments, scenes or figures, as with Satan appearing as an Achilles figure in Book I as he rallies his troops. At the end of the 18th century, too, artists like Henry Richter began to shed the trappings of the 18th century in his 1794 illustrations of Milton’s great epic, and his illustrations give a look that bodes seriously of things to come. With John Martin, Terrance Lindall has much in common: Martin presents his illustrations of Paradise Lost in various sizes, from his rare folio parts, to his even rarer elephant folio, to his large quarto and also his octavo editions, both in two versions, with “proof plates” and without, including sale of individual illustration plates along the way, between 1825 (when the parts began to be distributed) on through to the quarto and octavo editions, published in 1826. But not only did Martin and Lindall share a sense of entrepreneurship in passing along their perceptions of key moments and scenes in Paradise Lost, but they shared a sense of searching for a new style in bringing Milton to life anew: Martin via the mezzotint, and Lindall as surrealist provocateur; Martin with a brilliant effect of black and white in each of his illustrations, Lindall with the use of brilliant colors which bring vibrancy and life to his illustrations. Each in his own way moved Milton and the understanding of Milton light years ahead from where they were in their time. So, too, William Blake, whose perception of poignant and meaningful moments in Paradise Lost is not only uncanny, but unique, and not because he felt a kinship with Milton that no one else has ever emphasized having (he believed that he was Milton and even wrote a poem entitled Milton, designed and hand-colored as with other of Blake’s great works), but because he brought to life, as did Martin his near-contemporary, Milton’s epic in a new way for many generations to follow. Certain artists, like Blake, worked painstakingly to make each illustration an original or as close to what the artist intended as possible; Lindall has been like that as well. Gustave Doré, later in the century, followed in the footsteps of Martin and brought Milton’s epic alive for every generation after him, as did Blake; the two being among the most popular and most known of 19th century artists and illustrators of Paradise Lost. Doré and Blake so dominated the scene that most illustrated editions ofParadise Lost or of Milton’s poems make use of their illustrations in one way or another. Only later, when moving into the 20th century, did Martin become something of the same icon, with his illustrations of Paradise Lost used more regularly and more and more often with editions of Paradise Lost or of Milton’s poems. Along that great continuum of highly regarded and well-known artists who have illustrated Paradise Lost, belongs the remarkable Terrance Lindall, taking second place to no one in his love and knowledge of, or devotion to Milton, or in his capacity to bring alive in remarkably vibrant new ways and in a new age, the poet for all ages, whose epic stands next to and even above that of Homer and Vergil. His illustrations incorporate “the artist’s [Lindall’s] concepts. . .the best since Blake and Doré” (Nancy Charlton), with, in my view, John Martin hovering strongly in the background, especially in certain of Lindall’s illustrations where space and dimension allow the conjuring up of landscapes, colors, sensations, and artistic visions without confining them. If nothing else, although there is more, so very much more, Martin and Doré, along with Lindall now, show us that the use of space helps to accomplish all of the above and more, seen in the brilliant colors and breadth of vision in Lindall and in Blake before him. “Eerie, magical, dreamlike, devastating, jarring. . .Lindall’s illustrative style is magnificent!,” declared Julie Simmons, Heavy Metal Editor in Chief, 1980.”Lindall’s striking and unique visionary fantasy art is breaking new ground in the field, ” exclaimed David Hartwell, Pocket Books Senior Editor, 1980. “Lindall’s use of color & detail to achieve effect, his dramatic compositions, but most of all his totally unique vision make him a new wave artist to be reckoned with,” according to Louise Jones (now Louise Simonson), Warren Communications Senior Editor, 1980. Such early rave reviews continue today, as Lindall continues to assert his stature as illustrator and singular visionary illustrator of Milton’s Paradise Lost. “My reward for the purchase of a Lindall masterwork has been a cover that draws raves. It is a very valuable addition to my collection of fine art,” claims Stuart David Schiff, winner of the Hugo Award, twice winner of the World Fantasy Award, editor of the acclaimed Whispers anthologies. Lindall’s art is also in the collections of both Stephen Schwartz, the famous lyricist for Broadway and films and winner of three Academy Awards, and Michael Karp, whose music is perhaps the most performed on television.Mark Daniel Cohen, critic for Review Magazine and NY Arts Magazine, states that “Clearly avoiding the view that Pop imagery is inherently a sign of trauma, Terry Lindall employs the cartoon elements of style with a charming and often unnerving directness and simplicity, frequently aimed at causing a trauma all his own. This is particularly the case with his illustrations of Milton’s Paradise Lost, with which he reaches a hyper-intensified and nearly hysterical verve.””I love these! There is a wonderful Bosch-meets-Blake quality combined with something wholly modern. . .,” Professor Michael E. Bryson, Associate Professor of English, California State University, Northridge, proclaimed recently in open admiration of Lindall’s illustrations.In using one of Lindall’s paintings from the Nii Foundation collection for the major exhibit “Citizen Milton” at the Bodleian Library, honoring Milton’s 400th birthday in 2008, Oxford University recognized Lindall’
Brocade cover Paradise Lost in Elephant Folio / Terrance Lindall
”War in Heaven” Terrance Lindall / Paradise Lost for Elephant Folio
”Satan Ruined” Terrance Lindall / Paradise Lost for Elephant Folio
”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776
From Master @[100000984860664:2048:Terrance Lindall]: This is the Enamoured page form the Wickenheiser Elephant Folio. God gave the gift of creation and invention to Lucifer. That is the gift of godhood. Only gods can create ex nihilo. Upon the birth of the Son in Heaven, Lucifer looked inward and opened this gift of creation from God and discovered to his joy SIN! May you open your own presents with such joy on this Christmas day!! But may your greatest gift be the fruit of the motto of our great benefactor Yuko Nii, “PEACE, HARMONY AND UNITY.” Terrance
Bienvenido Bones Banez/ Yuko Nii & Terrance Lindall
☝️Satan Inspiring the World, Artwork by Bienvenido Bones Bañez Jr. / Permanent Collection Yuko Nii Foundation at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸🎨🗽
☝️🇺🇸”My Warlock Dream 666″, / Artwork by Bienvenido Bones Bañez Jr. / Permanent Collection Yuko Nii Foundation at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America.
- WILLIAMSBURG ART & HISTORICAL CENTER: Dr. Robert J. Wickenheiser’s Commentary for the Elephant Folio From Williamsburg Arts & Historical Center: Dr. Robert J. Wickenheiser’s Commentary for the Elephant Folio http://en.wikipedia.org/wiki/Robert_J._Wickenheiser The Robert J. Wickenheiser Collection of the seventeenth-century English poet John Milton (1608-1674) brought to the Thomas Cooper Library of the University of South Carolina its first major seventeenth-century research collection, to join the earlier acquisition of major collections from subsequent periods. It was acquired for Thomas Cooper Library in 2006 with leading support from William L. Richter and The William L. Richter Family Foundation. The Wickenheiser Collection, built up over a thirty-five year period, has more than 6,000 volumes. It includes more than sixty first and other seventeenth-century editions of Milton’s own writings, and significant holdings also of 17th century Miltoniana. Its special focus on illustrated editions make it perhaps the most comprehensive collection ever of Milton ILLUSTRATION. Synopsis and Illustrations in SYNOPSIS and ILLUSTRATIONS IN FOLIO EDITION by Terrance Lindall of Paradise Lost by John Milton COMMENTARY by Robert J. Wickenheiser, Ph. D. Without a doubt, Terrance Lindall is the foremost illustrator of Paradise Lost in our age, comparable to other great illustrators through the ages, and someone who has achieved a place of high stature for all time. Throughout almost four centuries of illustrating Milton’s Paradise Lost, no one has devoted his or her life, artistic talents and skills and the keenness of the illustrator’s eye more fully and few as completely as Terrance Lindall has done in bringing to life Milton’s great epic. He has also devoted his brilliant mind to studying Milton, his philosophy, and his theology in order to know as fully as possible the great poet to whom he has devoted his adult life and to whose great epic he has devoted the keenness of his artistic eye in order to bring that great epic alive in new ways in a new age and for newer ages still to come. From virtually the outset Milton has been appreciated as the poet of poets. It was John Dryden who said it first and best about Milton shortly after Milton died in 1674: Three Poets in three distant Ages born –– Greece, Italy and England did adorn. The First in loftiness of thought Surpass’d; The Next in Majesty: in both the Last. The force of Nature could no further goe; To make a Third she joyn’d the Former two. Milton’s use of unrhymed iambic pentameter verse in a manner never used before raises the lofty goals of his epic to a level never before achieved in the English language. Moreover, the poet who said at age 10 that he intended to write an epic which will do for England what Homer had done for Greece and Virgil for Rome, accomplished masterfully the goal he set himself and more than has ever been achieved before or since. This is by no means to say that there are no great poets who have achieved high goals after Milton, and in doing so have joined Milton and even rivaled him. But Milton is the giant who stands at the door to English poetry urging all who would enter to master their art, to write with the highest respect for language and a passionate recognition of what language is capable of achieving. In Milton’s Paradise Lost we see, too, that in great poetry there is always great passion, clarity of voice in support of the purpose at hand, and at its best, with the prophetic and the visionary joined to compel the reader to rise to new heights in what is read and seen through the poet-prophet. Milton’s Paradise Lost challenges everyone to achieve goals beyond any they might have dreamed possible before, and to take from his own great epic, goals which help define all that is worthy of sustaining while providing English poetry with what it did not yet have. To declare at age 10 that he would become the greatest English poet is one thing, and a quite spectacular thing at that, but to go on then and fulfill this goal shows not only the great vision Milton had as a poet, but also his tremendous confidence in becoming that great poet. Milton sings with the voice of the visionary poet and so he becomes the poet for those who see in him clarity of voice and of vision; poets like William Blake who, in the early 19th century thought he was Milton (stretching the point a bit as Blake was wont to do) and who therefore relied very much on Milton and even wrote a poem entitled “Milton” designed and hand-colored as with other of Blake’s great works. While Blake openly admired Milton, William Wordsworth, a few decades later, was calling out for Milton in an age that had need of him, proclaiming: “Milton! Thou should’st be living at this hour.” As the visionary poet Milton was, he had acute interest in such monumental issues as the relationship between God and man, free will and its vital importance to all of mankind along with the responsibility that goes with it, the relationship between man and woman, divorce and the need for acceptance of it, definition of “monarchy” along with important issues related thereto, and a great deal more. Milton defined many issues at a time when England was engaged in a Civil War precisely because of those very significant issues, issues which Milton helped not only to define but also to defend.His life spared after the Civil War and his reputation as a poet and writer of important treaties reasserted, Milton retired to the country, to Chalfont St. Chiles, where he dedicated himself to completing Paradise Lost, and ultimately, Paradise Regain’d and Samson Agonistes. What a profound loss it would have been had Milton not been allowed to write his greatest poetical works! Yet how did the poet write his monumental works, especially given the loss of his eyesight while writing significant treatises both before and during the Civil War? Here we have the blind poet dictating to an amanuensis (his daughters, as many preferred to believe for a long time, but in reality his nephew), whole passages defining important relationships and memorable scenes which are themselves of epic proportion: the creation of man in Adam and of woman in Eve; Eve seeing herself in the pond for the first time and likewise our seeing Eve at the same time she sees herself; Adam seeing Eve for the first time; the moving depiction of the “bower of bliss” and then of the creation; the war in heaven; the depiction of Satan and hell, with Satan rallying his troops in passages that take poetry to new heights; the temptation of Eve and then Adam, in equally powerful scenes, and the departure of Adam and Eve from Eden. Surely Milton deserves not only our gratitude for the prose treatises he wrote, but also for the poetry, much of it written under the most dire of circumstances (some thought he might be put to death for his part in the Civil War and his service to Cromwell, and also more specifically because of his treatise in defense of “beheading a King”). Here is a poet to be reckoned with: for standing up in defense of eternal values, something Milton not only did himself, but something he expected his readers to do as well; and then to appreciate his poems, his epic verse and organ voice, his epic vision, and his bringing to life, despite (or perhaps because of) his blindness, something so unique that Dryden and others long after him have recognized in Milton the genius that “Surpass’d” Homer and Virgil before him. As Milton left his supreme poetic gifts for mankind to appreciate in reading his great works during the centuries following him, so, too, he used his blindness to bring to life visions befitting the dynamic scope and epic dimensions of his great epic; visions undertaken in the first, and still one of the greatest illustrated editions ofParadise Lost published not long after Milton died, in a folio format in 1688. Medina’s illustrations, primarily, are those which appear in the 1688 folio edition of Paradise Lost, but aside from the significance of what his stature brought to this publishing venture, the 1688 folio remains a highly sought after book today because it is England’s first grand publication and therefore holds its own place for the first time with books printed on the Continent where books had long been praised for their publishing distinction and artistic design and success. Through the centuries John Milton’s Paradise Lost has continued to inspire artists, which tells us much about Milton and about his great epic, a poem which readily lends itself to the eye of the artist, and in this, affords all of us a visual perspective, a visual capturing of the poet’s vision, which words alone can seldom achieve. Commentary and criticism certainly have their place, but seldom does the written word adequately capture the poet’s vision or replace the illustration or illustrations of the artist’s view of a poem and his capturing that view on a canvas. The aspirations of each, however, critic and artist/illustrator, need not be pitted against one another; indeed should not. Rather, they should be welcomed for the manner in which each complements a view or views of a poem thereby bringing together two significant disciplines: that of the writer/poet together with that of the artist/illustrator. Poets who aspire to lofty goals lend themselves most readily to being illustrated, providing us with the opportunity of looking at how a poem or group of poems is seen by the eye of an artist. Instead of learning about the themes and poetry of a given age or period as seen only through the eyes of writers and critics, we are privileged to have the views of the artist to help us see and appreciate the poetic vision of the poet, sometimes in great variation from one period to the next or as viewed by one generation to the next. Obviously, given the monumental issues in Paradise Lost as well as Milton’s portrayal of them, it should be no surprise to say that Paradise Lost may well be the most illustrated of poems and epics. I intend no controversy by saying this, but wish simply to call attention to how epic scenes have been brought to life for viewers by master artists capable of depicting grand visions within grand poems; by artists capable of capturing with visionary view what words alone can never do. The painter/illustrator, in capturing moments which might otherwise have been given less recognition than they deserve, provides a vital service in bringing to life scenes or moments, images or views depicted in poetic form by the poet, thereby enabling the viewer to appreciate all the more what the poet has achieved and how he has achieved it. Lindall has himself said about Milton’s epic: “With Paradise Lost, the written word in its greatest form, Milton was able to evoke. . .immense space and project spectacular landscapes of both heaven and hell, and create also the monumentally tragic character of Satan, courageous yet debased, blinded by jealousy and ambition, heroic nonetheless. The blind poet brings powerful visionary life to one of the world’s greatest stories, id est, the Western legend of man’s creation and fall, a story encompassing philosophical concepts of free will, good and evil, justice and mercy, all presented with the greatest artistry to which the written word can aspire.” Lindall also believes “that insight into Milton and the aesthetic and intellectual pleasures of Paradise Lost can elevate every individual’s experience in education, thought, and human endeavor. . .through the inspiration of the written word.” It is this cherished belief, which has compelled Lindall to want to bring Paradise Lost alive to others, to urge all to see in Milton, as he does, the power of the word and image, and to want to illustrate Milton’s epic for others to see in relation to the eternal truths and values captured by Milton and conveyed in his great epic poem. Lindall has synopsized the story of Paradise Lost with genuine care in order to bring Milton’s great epic alive to young and old. His synopsis is poetic in its own beauty, with each word carefully chosen to be true to Milton while maintaining integrity with his great epic and the rendering of it into a readily understandable format. Lindall’s synopsis maintains the spirit of Milton’s epic while revealing the genius of the poet in telling “Of Man’s first disobedience and the fruit / Of that forbidden tree, whose mortal taste / Brought death into the world and all our woe, / With loss of Eden, till one grater Man / Restore us and regain the blissful seat, / Sing heav/nly Muse. . .” Terrance Lindall has spent decades perfecting his painting skill and illustrating technique in order to capture all that is best and visionary about Milton, providing illustrations of Milton’s great epic, early on, e.g., along with his synopsis in a fold-out brochure in order to bring Milton’s epic alive to students in schools. Lindall’s first edition of his synopsized version of Paradise Lost along with his illustrations (1983) were designed to encourage young readers to look into the brilliance and eloquence of Milton’s visionary poetic landscape and his great organ voice. More recently he has gone beyond illustrating Paradise Lost by capturing the essence of Milton’s epic and its meaning down through the centuries and beyond in a “Gold Illuminated Paradise Lost Scroll” (size with border 17” x 50”), with nine panels to be read from right to left, as with Hebrew; the Scroll is Lindall’s “tribute to his love [of] and sincere gratitude for Milton’s great contribution to humanity.” He finished the “Gold IlluminatedParadise Lost Scroll” in 2010. He has also brought Milton’s epic alive in a very large “Altar Piece,” called “The Paradise Lost Altar Piece” (oil on wood), consisting of two large panels, each 24” x 40”. When opened, the panels might be seen as pages from an illuminated manuscript of the Renaissance. One panel shows the gates to the “Garden of Eden.” The second panel shows the “Gates to Hell.” In both panels, pages from the epic poem Paradise Lost lie revealed in the foreground at the center of the illustration. “The Paradise Lost Altar Piece” was completed in 2009. Lindall’s passion for Milton and his desire to bring the poet and his great epic alive to modern readers reveal themselves over nearly four decades. During this same period, from the late 1970s to 2012, Lindall’s “love ofParadise Lost” and his “sincere gratitude for Milton’s great contribution to humanity” grew enormously. To get a sense of this as well as of Lindall’s broader artistic background and its influence on his illustrations of Paradise Lost, there is his large cover illustration of the comic book Creepy (now considered a classic – both the comic book and Lindall’s “creepy” cover illustration of “Visions Of Hell (6/79).” Likewise his cover toCreepy (#116, May 1980), entitled “The End of Man” (again, the comic book and Lindall’s cover illustration now considered classic). About this same time some of Lindall’s earliest illustrations for Paradise Lost in the late 1970s appeared in comic book form, Heavy Metal Magazine (1980). Appearance in Heavy Metal enabled Lindall’s illustrations to reach a very large audience. That issue in 1980 of Heavy Metal Magazine became an acquisition proudly reported by the Bodleian Library in 2010 (with one of Lindall’s paintings, Visianry Foal, appearing at the top of the acquisitions page), alongside such other acquisition listings at the same time as Philip Neve’s A Narrative of the Disinterment of Milton’s Coffin. . .Wednesday, 4th of August, 1790 (1790) and Philip Pullman’s His Dark Materials trilogy (1995-2000), a rewriting of PL by “a modern master,” among others. The oil painting by Lindall from the Nii Foundation collection was used by the Oxford University major exhibit “Citizen Milton” at the Bodleian Library in its celebration of the 400th anniversary of Milton’s birth in 2008, thereby recognizing Lindall’s contribution to the continuing Miltonian artistic legacy. Joseph Wittreich, esteemed Milton scholar and friend of both Lindall and me, has kindly given a copy of the1980 issue of Heavy Metal Magazine to the Huntington Library. My own collection has several copies along with the other acquisitions listed above by the Bodleian Library in 2010. Shortly after the appearance of a portion of Terrance Lindall’s illustrations of Paradise Lost in Heavy Metal Magazine (1980), there appeared in 1983 his synopsis of Paradise Lost along with his illustrations of Milton’s epic, privately published together in a small book (5 ½” x 8 ¼”) in a limited number of copies, entitled: John Milton’s Paradise Lost synopsized and with illustrations by Terrance Lindall. The color print illustrations, inspiration now taking real form and mature character, were tipped in across from the printed synopsis of the illustrated lines of Milton being illustrated. The whole was a wonderful success and Lindall’s reputation as an artist and as someone committed to illustrating Milton’s great epic were growing in stature, while his illustrations were gaining recognition for the artistic achievement they represented. The surrealist provocateur was moving in a direction that suited his own goals as an artist and a scholar, an illustrator of Paradise Lost and someone even more strongly committed to continuing his illustrating of the poet’s great epic. The World Wide Web has long since given access to Lindall’s paintings by millions, making Lindall’s illustrations among the best known of Paradise Lost. Lindall’s attention to Milton’s epic and to details in the epic, ever from the eye of the dedicated and committed artist/illustrator, grew beyond his early attention to detail. From a small-size private publication with tipped-in cards measuring 3 ½” x 4 ¼” or sometimes 4 ½”, Lindall moved to a quarto-sized publication in 2009, again done in a very limited number of copies (this time 20) and with each illustration measuring 5 ¾” x 7 5/8” and signed and dated by the artist. The quarto edition has been followed by his massive and richly triumphant elephant folio illustrating Paradise Lost (No. 1 completed in 2011 and No. 2 in 2012), the remarkable edition we celebrate here. All concepts that were growing in meaning and stature during the nearly forty years before now were drawing themselves into place for this ultimate expression of Lindall’s interpretation of Paradise Lost in this one final work, his Elephant Folio. Like his other works before him, this large edition is also being done in a very limited number of copies (10), all by hand, a vast expansion in size and scope over his quarto edition, with 64 pages, each page measuring 13” x 19”, illustrations mostly measuring 9” x 12”, title page measuring 11” x 11”. The binding of each folio is intended to be leather bound by the renowned binder Herb Weitz, hand tooled & gilt-decorated, unique, and each personally dedicated to the owner. The covers will be identified by different motifs, such as the “The Archangel Michael Folio” or “The Lucifer Folio,” etc. Each copy will have one original conceptual drawing at the front. I use “being done” in describing both instances, the quarto and the folio editions, because both editions have been (and will continue to be) “done” by hand, with loving care, and with each illustration printed on the highest quality paper stock available anywhere and signed and dated by the artist. Both the quarto and the folio editions have been, and will be, done as “originals, as signed prints,” and in the case of the Elephant Folio, as prints with original paintings surrounding them. In itself, the quarto edition is superb, truly one of a kind, and distinctive now and for years to come. “TheParadise Lost Elephant Folio,” however, is amazing and goes far beyond the quarto edition in untold ways; it is the culmination of Terrance Lindall’s life’s devotion to Milton, to Paradise Lost, and to all that Milton represents and his great epic means. Because of Lindall’s supreme dedication and artistic achievements, Milton will live in yet another new age, brought to life in refreshingly new ways, made “relevant” in remarkably profound ways. Because of Terrance Lindall, great new numbers of readers will be attracted to Milton and his profound epic than would otherwise, most assuredly, have been the case. “The Paradise Lost Elephant Folio,” in particular, is a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page color 1000 dpi prints with 23.75 carat gold leaf edging on Crane archival paper. Each illustration is signed by Terrance Lindall, some pages with hand-painted illustrated or decorated borders andlarge, carefully embellished head- or tail-piece illustrations, others with historiated initials with 23.75 carat gold leaf embellishments. All add to the depth and meaning of a given illustration of Lindall’s synopsized Paradise Lost (1983) appearing across from an illustration. For the Elephant Folio, Terrance Lindall is also providing a final painting, The Celestial Orbit, as a frontispiece. It is Lindall’s “ultimate statement” as an artist’s interpretation of Milton’s great epic. This painting will only be produced as a print for the Elephant Folio and will not be reproduced for collectors as a signed print in any other format. And while Lindall may now think that he has finished his work with Milton, he hasn’t, because Milton lives within Lindall in a special way, as surely as Lindall remains dedicated to bringing Milton alive to new generations in fresh and vibrant new ways, doing the same for countless generations in centuries to come. In his folio edition and the illustrations in it, Terrance Lindall shows the influence by certain great master illustrators of Paradise Lost through the centuries before him, especially with the inclusion of richly illustrated margins for each color illustration, the margins colored in 23.75 carat gilt and consisting of brightly colored details drawn from the epic in order to advance the meaning of the given illustration. Moreover, again in the tradition of certain great master illustrators of Milton‘s Paradise Lost through the centuries, historiated initials, in imitation of the initial letter in an illuminated manuscript, each in rich gilt and bright colors, are used as the first initial of a section and decorated with designs representing scenes from the text, in order to heighten the intensity of the cumulatively related details in each component part: illustration, border, and historiated initial. The illustrated borders in the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also sometimes tell stories or make commentary about what is illustrated in the featured central painting. The borders likewise pay tribute to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on Lindall’s ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr., discovered Lindall’s repertoire during the world renowned “Brave Destiny” exhibit in 2003, an exhibit to which Bienvenido had been invited to display one of his works. Thereafter, a friendship and mutual admiration between the two great artists grew, to the benefit of each. Bienvenido communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original “affinity,” and so in the elephant folio plate, “Pandemonium,” which is a tribute to art, architecture, construction, sculpture, painting, and the like, he especially honors the Filipino surrealist artist by placing Bienvenido’s name on the artist’s palette at the very top of the border, the palette in flaming colors. Like the great illustrators of Milton‘s Paradise Lost before him, Lindall uses many and various techniques and styles to bring Milton’s great epic alive. As with Medina, e.g., in the first illustrated edition of Paradise Lost in 1688, Lindall has mastered how to use the synopsized scenic effect to focus our attention on an important moment in the epic while capturing all around it other significant moments or scenes in the epic related to that important central one.As with the illustrators James Thornhill and Louis Chéron in the 1720 edition by Jacob Tonson and edited by Thomas Tickell, Terrance Lindall draws upon the use by Thornihill and Chéron of the historiated or illustrated initial along with their use of head- and tail-piece illustrations or vignettes – this latter translated to the marginal illustrations or vignettes in Lindall, all to underscore the main theme of the central illustration of a given Book. As the manner of illustration has changed dramatically in the 18th century from that of the 1688 illustrated edition, so too has the manner of the great contemporary artist changed in his illustrations of Paradise Lost from those in the several centuries before him. On through other 18th-century greats, Francis Hayman, whose illustrations seem almost marvelous embellishments for the first variorum edition of Paradise Lost in 1749, which focuses attention primarily on the copious notes of that great edition, although Hayman’s illustrations became the most repeated illustrations in reduced form in editions of Paradise Lost for the next 40 or more decades, through to Francis Burney at the end of the century, in whose illustrations can be seen most powerfully the influence of the classics upon artistic interpretation of significant moments, scenes or figures, as with Satan appearing as an Achilles figure in Book I as he rallies his troops. At the end of the 18th century, too, artists like Henry Richter began to shed the trappings of the 18th century in his 1794 illustrations of Milton’s great epic, and his illustrations give a look that bodes seriously of things to come. With John Martin, Terrance Lindall has much in common: Martin presents his illustrations of Paradise Lost in various sizes, from his rare folio parts, to his even rarer elephant folio, to his large quarto and also his octavo editions, both in two versions, with “proof plates” and without, including sale of individual illustration plates along the way, between 1825 (when the parts began to be distributed) on through to the quarto and octavo editions, published in 1826. But not only did Martin and Lindall share a sense of entrepreneurship in passing along their perceptions of key moments and scenes in Paradise Lost, but they shared a sense of searching for a new style in bringing Milton to life anew: Martin via the mezzotint, and Lindall as surrealist provocateur; Martin with a brilliant effect of black and white in each of his illustrations, Lindall with the use of brilliant colors which bring vibrancy and life to his illustrations. Each in his own way moved Milton and the understanding of Milton light years ahead from where they were in their time. So, too, William Blake, whose perception of poignant and meaningful moments in Paradise Lost is not only uncanny, but unique, and not because he felt a kinship with Milton that no one else has ever emphasized having (he believed that he was Milton and even wrote a poem entitled Milton, designed and hand-colored as with other of Blake’s great works), but because he brought to life, as did Martin his near-contemporary, Milton’s epic in a new way for many generations to follow. Certain artists, like Blake, worked painstakingly to make each illustration an original or as close to what the artist intended as possible; Lindall has been like that as well. Gustave Doré, later in the century, followed in the footsteps of Martin and brought Milton’s epic alive for every generation after him, as did Blake; the two being among the most popular and most known of 19th century artists and illustrators of Paradise Lost. Doré and Blake so dominated the scene that most illustrated editions ofParadise Lost or of Milton’s poems make use of their illustrations in one way or another. Only later, when moving into the 20th century, did Martin become something of the same icon, with his illustrations of Paradise Lost used more regularly and more and more often with editions of Paradise Lost or of Milton’s poems. Along that great continuum of highly regarded and well-known artists who have illustrated Paradise Lost, belongs the remarkable Terrance Lindall, taking second place to no one in his love and knowledge of, or devotion to Milton, or in his capacity to bring alive in remarkably vibrant new ways and in a new age, the poet for all ages, whose epic stands next to and even above that of Homer and Vergil. His illustrations incorporate “the artist’s [Lindall’s] concepts. . .the best since Blake and Doré” (Nancy Charlton), with, in my view, John Martin hovering strongly in the background, especially in certain of Lindall’s illustrations where space and dimension allow the conjuring up of landscapes, colors, sensations, and artistic visions without confining them. If nothing else, although there is more, so very much more, Martin and Doré, along with Lindall now, show us that the use of space helps to accomplish all of the above and more, seen in the brilliant colors and breadth of vision in Lindall and in Blake before him. “Eerie, magical, dreamlike, devastating, jarring. . .Lindall’s illustrative style is magnificent!,” declared Julie Simmons, Heavy Metal Editor in Chief, 1980.”Lindall’s striking and unique visionary fantasy art is breaking new ground in the field, ” exclaimed David Hartwell, Pocket Books Senior Editor, 1980. “Lindall’s use of color & detail to achieve effect, his dramatic compositions, but most of all his totally unique vision make him a new wave artist to be reckoned with,” according to Louise Jones (now Louise Simonson), Warren Communications Senior Editor, 1980. Such early rave reviews continue today, as Lindall continues to assert his stature as illustrator and singular visionary illustrator of Milton’s Paradise Lost. “My reward for the purchase of a Lindall masterwork has been a cover that draws raves. It is a very valuable addition to my collection of fine art,” claims Stuart David Schiff, winner of the Hugo Award, twice winner of the World Fantasy Award, editor of the acclaimed Whispers anthologies. Lindall’s art is also in the collections of both Stephen Schwartz, the famous lyricist for Broadway and films and winner of three Academy Awards, and Michael Karp, whose music is perhaps the most performed on television.Mark Daniel Cohen, critic for Review Magazine and NY Arts Magazine, states that “Clearly avoiding the view that Pop imagery is inherently a sign of trauma, Terry Lindall employs the cartoon elements of style with a charming and often unnerving directness and simplicity, frequently aimed at causing a trauma all his own. This is particularly the case with his illustrations of Milton’s Paradise Lost, with which he reaches a hyper-intensified and nearly hysterical verve.””I love these! There is a wonderful Bosch-meets-Blake quality combined with something wholly modern. . .,” Professor Michael E. Bryson, Associate Professor of English, California State University, Northridge, proclaimed recently in open admiration of Lindall’s illustrations.In using one of Lindall’s paintings from the Nii Foundation collection for the major exhibit “Citizen Milton” at the Bodleian Library, honoring Milton’s 400th birthday in 2008, Oxford University recognized Lindall’
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💥P A N D E M O N I U M” From Terrance Lindall ” P A N D E M O N I U M” In this plate we come fully to recognize the remarkable elements of Satan’s character. He creates world ex nihilo, like God Himself! Other archangels do not do this! He invents Sin and engenders Death!In the bottom border panel Satan sings to the opening bars of Monteverdi’s Orpheus (in Hades) Act 2 in creating Pandemonium. The opening song begins ”She sleepeth, but she will waken.” Satan’s city sleep as potential in his teeming mind, his vision of a grand new world, but Satan is awakening Her by his act of creation, making Her actual. She (Pandemonium) rises ”…like an exultation to the sound od dulcet symphonies and voices sweet, built like a temple.”This plate celebrates the arts as found in the building of city or new civilization, as Satan is doing here. This plate is a tribute to architecture, sculpture, painting, etc. Note that the Seraphim ……….. in the upper corner have paintbrushes in one hand and flames in the other. They are painting with fire. Fire, the tools of Satan in hell, is the creative force of the universe. From the first explosion of the big bang it has been worlds created out of magnificent expanding fire. God wrote the Ten Commandments with His finger in fire.You may notice by now that every plate celebrates some heroic or creative act of Satan and of his tragedy in trying to achieve the impossible, id est, exclusive love of God and the next step of ambition… supremacy over God. That is the story of Paradise Lost. Now Man too, through pursuit of knowledge attempts to master the universe, as Satan would master heaven.One of my artist friends, Bienvenido ”Bones” Banez. Jr. discovered my philosophy of surrealism and my interest in Paradise Lost and recognized an absolute parallel in our thinking. One of his many remarkable ideas is that ”Satan gives color to the world,” Indeed, what a dreary world if everything were nice, sweet, and beautiful. We would soon go bonkers. Man struggles and finds meaning in the struggles. He writes operas and stories about the struggles of love, treachery and war and paints pictures of it. Do we not find Satan’s struggle in Paradise Lost more colorful than anything in Paradise Regained. Yes, Satan excites our imagination… he causes many of our struggles and on so doing gives color to the world!I have specially honored Bienvenido in this plate by writing his name on the artists palette at the very top, the palette of flaming colors. Below: Another Highly important plate from my Elephant Folio that speak’s Satan’s creative genius and honors the arts (especially Bienvenido ”Bones” Banez, Jr.) From Terrance Lindall
”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776 We thanks to our Master Nation Terrance Lindall and I am humble myself and honored to be includes in the ”Elephant Folio for Paradise Lost” its a World History!!! YES!!! Satan gives colors to the World!!! Imagine! about Satan beauty and his physical structure full precious stone with colors! ”This is what the Sovereign Lord YHWH has said: ” You are sealing up a pattern, full of wisdom and perfect in beauty. In Eden, the garden of God, you proved to be. Every precious stone was your covering, ruby, topaz, and jasper; chrys’o-lite, onyx, and jade; sapphire, turquoise and emerald; and of gold was the workmanship of your settings and your sockets in you. In the day of your being created they were made ready.You anointed cherub that is covering, and I have set you. On the holy mountain of God you proved to be. In the midst of fiery stones you walked about.You were faultless in your ways from the day of your being created until unrighteousness was found in you. Your heart became haughty because of your beauty. You brought your wisdom to ruin on account of your beaming splendor.-According to Ezekiel 28:12-15,17. They’r founded the great inpiration to the 666-Humanism and 666 art world-colorful sinner!!! Some International Artists,World Business, World Religions, and World Wide Politics; they are inspired in visionary drawing, digital art, poetry writing, music, dance, painting, sculpture, fashion, architecture, and from the Deep Things of Satan through 666 wisdom into Enlightenment! about ”the beauty & handsomeness of Satan’s fallen Angels” despite his intentional rebellion or revolution! its a part of 666-Revelation Colors and Sublime{Before-Armageddon). Satan is Superstar in 666 Art World! he give colors to the world! Again Satan the Devil took him(Jesus Christ) along to an unusually high mountain, and showed him-(Jesus Christ) ALL THE KINGDOM {Varieties Politicals Leaders) OF THE WORLD AND THEIR GLORY!!! and he(Satan) said to him-(Jesus Christ) ”ALL THESE THINGS I WILL GIVE YOU FALL DOWN AND DO AN ACT OF WORSHIP TO ME-(Satan) – Matthew 4:8 & 9 / visit this: www.facebook.com/note.php?note_id=10150200699313776www.sites.google.com/site/terrancelindallsparadiselost/home/elephant-folio-paradise-lost Why 666 Art World-Wickedness permitted? Satan the Devil challenged loyalty of creatures to God.- Job 1:11,12 The 666-Art-World are fantastic colors! whose who loves the World!!! = 1-John 2:15-16;& 2Timothy 3:2-5; Our Almighty God{YHWH) permitted these Colorful-Sinner & Ruler of 666 World…Therefore Satan’s Bless his seed of the Serpent!{SATAN the DEVIL BLESS! 666-WORLD POLITICS, 666 WORLD RELIGIONS & 666 WORLD BUSINESS- they are International 666 Worldly Desire) According to: 2Co 4:4; 1Jo 5:19; Joh 12:31; Mat 4:8,9 666-Surrealmageddon Art World: 1) The Visionary-666 Art World its a premonition of the Great Tribulation in 21 Century ”666 Prophecy” through out the World; And our inspiration into creativity empowerment that lead us to 666 Art Unlimited Power of Dimension; 2)And the highest art form is ”Prophecy” in a Worldly-Blasphemous System and the ”son of destruction” they incite and challenge the God’s word and there will be coming Armageddon or maybe ”the end of the world-666?”. Source of inspiration from Revelation 16:14,& 16 – The United Nations gathered to Armageddon!!! The anger of the wrath of God{YHWH) the Almighty and using Son and angels.2Th1:6-9; 2Ki.19:35 & Re19:11-16But the majority these men: World-666-Intellectual Inspired and the Great Philosophers from the Deep Things of Satan they want to challenged from every God’s word{Bible) if they are really exist… but the question are: why we are here? can we control the time & unforeseen occurrence??? the question about: calamities?, sickness?, death?, wicked system?, injustice?, war?, greed, and ”every day 6,000 people killed by HIV/AIDS and another 8,200 are infected”-{from:Fast Facts: The Faces of Poverty) Its up to us if we have faith! or believed this ”Prophecy” and who we are?…can we challenged loyalty to God? ”ITS A PART OF THE BEAUTIFUL AND SUBLIME!!!” Bienvenido Bones Banez, Jr.666 Surrealmageddon & 666 Art World DomainWAH Center/Museum in New York Art World”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776”PANDEMONIUM” BY MASTER TERRANCE LINDALL. “Terrance Lindall thought the idea to be an insightful and original “affinity” and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist’s palette of colors in the border.–http://en.wikipedia.org/wiki/Terrance_Lindall#The_Paradise_Lost_Elephant_Folio Bienvenido “Bones” Banez, Jr. https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ Bienvenido Bones Banez, Jr. (born 1962 in Davao City, Philippines) – is a visionary painter. https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv – Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Artist Palette “From: Terrance Lindall “This is a highly important plate, called ‘Pandemonium,’ from my elephant folio, that speaks to Satan’s creative genius and honors the arts. I have especially honored Bienvenido ‘Bones’ Banez Jr. by writing his name on the artists palette at the very top, the palette of flaming colors. https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall -http://www.worldheritage.org/articles/Terrance_Lindall 👁️👁️👁️😎😎💥👁️👁️👁️👁️👁️👁️👁️ “PARADISE LOST COLLECTORS WEEKEND And ANTIQUARIAN BOOKS and ART EXHIBIT” April 14 & 15, 2012 PLUS, “THE ANNUAL WCIAL DINNER” Bienvenido Bones Bañez Jr. / Dr. Robert J. Wickenheiser / & Terrance Lindall According to Dr.Robert J. Wickenheiser: Bienvenido Bones Banez and Terrance Lindall admire the wonderful elephant folio featuring Terrance Lindall’s remarkable illustrations for Paradise Lost along with his splendid synopsis of Milton’s great epic. This copy is now in my personal Milton collection at home and will one day become a centerpiece in my Milton collection bearing my name at the University of South Carolina. There is will also be unique unto itself, since it only one of two such folio editions Lindall did, providing marvelous historiated, initial letters, and additional illustrations all by hand and in 24 k gold, with one copy being in the Yuko Nii collection at the Williamsburg Art and Historical Center in Brooklyn, NY, and the other being my copy; each is very different from the other and of course I am prone to say that mine is especially compelling, truly genius in the illustrations and the illumination of the folio. I know that as well as being a centerpiece to my Milton collection, it will also serve as one of the major illustrated “editions” of Paradise Lost through the ages, ranking with the 1688 first illustrated edition, Blake, Martin, and Doré, as well as at the head of a growing collection of contemporary artists illustrating Paradise Lost which I have been fortunate to collect in a very special way of late through the support and efforts of my close friend Terrance Lindall and other new artists friends like Bienvenido Bones Banez, pictured here, several pieces of whose art adorn my Milton collection, and Robert Beal, whose unique art also stands at the center of my growing collection of contemporary artists who have illustrated Milton’s great epic. https://youtu.be/_8jPL9_hQ58 http://carterkaplan.blogspot.com/2018/07/robert-j-wickenheiser-terrance-lindall.html?m=1 http://en.wikipedia.org/wiki/Robert_J._Wickenheiser a🇺🇸 🇺🇸🌈Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit April 14 & 15, 2012 PLUS, The Annual WCIAL Dinner According to Dr.Robert J. Wickenheiser – ”Bienvenido Bones agrees with Terrance Lindall, as do I, who declares that the elephant folio with Lindall’s illustrations and and hand illuminations, decorations, and embellishments is the greatest illustrated edition of Paradise Lost. This elephant folio edition is one of only two copies – this one done for the Robert J. Wickenheiser Milton Collection at the University of South Carolina, the other done for the Yuko Nii Foundation and WAH Center in Brooklyn; further, that Terrance Lindall is one of the world’s greatest visionary, surrealist illustrators and philosopher. The elephant folios are printed and embellished books, while Terrance, looking into the future, foresees the future impact of Milton on the world and declares that Milton will be seen as the foremost icon of freedom among his many other virtues. https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-surrealist-of-poet-of-our-time http://www.2qk.net/surrealist-artists.html 👌https://www.slideshare.net/bienvenidobonesbanez1/paradox-of-creativeby-bienvenido-bones-banez-jr http://www.welcomebones666artworld.trilogistick.com/index.php?id=event&item=28 https://everipedia.org/wiki/Robert_J._Wickenheiser/ 😊 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-banez-jr-with-sir-john-milton-surrealmageddon https://www.yumpu.com/en/document/read/63854414/the-acrostic-paradise-lost-by-john-milton-and-terrance-lindall http://www.snipview.com/q/Surrealistartist 🇺🇸 https://www.slideshare.net/bienvenidobonesbanez1/bienvenido-bones-baez-jr-with-john-milton-surrealmageddon https://www.google.com/search?q=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&sxsrf=ALiCzsamR4Y-3NXiiFZ-2d13wMbWRP0NsQ%3A1669946251712&ei=i1uJY6rvKu3gseMPkue5gAw&oq=Robert+J+Wickenheiser+Terrance+Lindall+Bienvenido+Bones+Jr&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAM6BwgjELACECc6BAgeEAo6BAgjECdKBAhBGAFQqAxY-70CYIbIAmgBcAB4AYABpwGIAcUhkgEEMC4zMpgBAKABAcABAQ&sclient=mobile-gws-wiz-serp ”PANDEMONIUM the DEMON POSSESSION” 🌈REVELATION💥”Satan the Devil Is a father of Surreal-Blasphemous Desires for Untouchable Famous with Geniuses Superstar and Trillionaire Globalist!-Matthew 4:8, 9.” 💥Study this Demonology is REAL and here’s the video that Demons can possess every single chosen one that his guardian angels from Mesopotamia Era until the modern world Technocratic Wild Beast! ☝️First John 5:29. & Ephesians 6:12. 👁️👁️👿👁️👁️👌 DEMON POSSESSION The captive control and INFLUENCE of a PERSON by an INVISIBLE WICKED SPIRIT. In Bible times DEMONIZED PERSONS WERE AFFLICTED in VARIOUS WAYS: some were unable to speak, some were blind, SOME ACTED INSANE, and SOME POSSESSED SUPERHUMAN STRENGTH.-(Human Mortal Geniuses with Demon possessions from Satan Spirit’s guiding the chosen one.) All were woefully mistreated by these invisible bullies. (Mt 9:32; 12:22; 17:15; Mr 5:3-5; Lu 8:29; 9:42; 11:14; Ac 19:16) Men, women, and children were their victims. ((Mt 15:22; Mr 5:2. / and according from -Acts 16:16-: “Now it happened that as we were going to the place of prayer, a SERVANT GIRL with a SPIRIT, a DEMON OF DIVINATION, a met us. SHE SUPPLIED HER MASTERS WITH MUCH PROFIT💸💲💰BY FORTUNE-TELLING💵💰💲.)) SOMETIMES the AGONY WAS COMPOUNDED when MANY DEMONS GAINED💲💰💲POSSESSION💸💰💵 of a PERSON😎at the same time. (Lu 8:2, 30) When the Demon-(Genii is Genius loci*) was expelled, the person returned to a normal, sane state of mind. There is a difference between demon possession and ordinary physical sickness and disease, for Jesus cured both types of disorder-(Narcissistic).—Mt 8:16; 17:18; Mr 1:32, 34. / “*Genius loci”-👇 https://en.wikipedia.org/wiki/Genius_loci 🧠✨🎭https://en.wikipedia.org/wiki/Narcissistic_personality_disorder https://www.facebook.com/748073775/posts/10162461937128776/?mibextid=Nif5oz http://www.facebook.com/note.php?note_id=10150312023923776
Pandemonium by Master Terrance Lindall
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🇺🇸👁️💥”THE POST ART WORLD ” by Terrance Lindall🇺🇸 From our great Terrance Lindall:SURREALISM OF THE 21ST CENTURY > Essays on New International Surrealism of the 21st Century > THE POST ART WORLDThe Post Art World by Terrance Lindall According to Donald Kuspit “The radically contemporary (in art) can never be delimited to any single historical reading.” Quite right. And yet museums, heavily engaged in interpreting and historicizing contemporary postmodern art right up tot the moment with shows like “Greater New York 2005” at the New York Museum of Modern Art are doing something, which is by its nature is contradictory and absurd. It is, as Kuspit says, “a “premature attempt to weed out and devalue the overwhelming Many so that the happy Few or One and Only truly and abosoutely significant artists can be put on glorious display.” This is all because the museums are now in bed with the marketplace. The blame lies with the board of managers who have forgotten the mission of the museum and probably own contemporary art they want to historicize and wish to sanctify as highly desirable and of significant monetary value. The museum is naturally the repository of dead things, be they dinosaurs, ancient artifacts, or art of a time past. Their job is to preserve these things for current & future generations to study, and it is in part to celebrate the glory of the earth & the human condition. Museums are not contemporary art galleries. The job of the avante garde contemporary art gallery is to present new art which has not yet been fully interpreted or historicized. After the art is presented and tested in the field, in active human life, its impact on society is measured. If it has impact, that impact can be interpreted, historicized, laid to rest in a museum. Unfortunately, some museums of fine art think that they also represent the community of new ideas, but that is the delusion of those curators or museum directors who wish to think that they can recognize new ideas. Some can, but for the most part cannot. Which is why movements like Impressionism had such difficulty with the inert institutions of the late 19th century. And although museum curators and directors think, “today is different,” (that we live in an enlightened age) it probably is not the case. Most galleries in New York City are “post modernist.” This is a hodgepodge of art that covers many interesting but also many badly done things. “If it is badly done, the artist can theorize it that he is “protesting against the McDonaldization of the art world,” (a phrase that was used in a recent show in Williamsburg).Let us understand the problems of the museum. The museum curators, in order to acquire their positions are educated at colleges and universities and are taught by persons who espouse the credo of their own time. In today’s world the credo is that post modernism is the final and glorious summation of all art, there is nothing new on the horizon. The young student of art history or museum studies then graduates. If he got “A’s” and graduated summa cum laude it is because he was able to regurgitate what the professors taught and by supporting the current hype. They are then hired by the museums to perpetuate the status quo. You can bet that if there is anything new in the art world, it is neither found at the schools, discovered by the museum managers, nor supported by them. Most artists, especially the career oriented artists of today want to have their work in museums like the Museum of Modern Art, the Whitney or the Guggenheim, and so they paint in the style which is acceptable to the curators: Today it is postmodernism. But post modernism is dead (id est., there is nothing new here) and has not been for years. Unfortunately we are living with the corpse of post modernism in New York and the international art world at large. A few of these galleries have friends who are major museum curators and they all form a blockage of creative flow in the arts, wishing to perpetuate their own dominance of the commercial (includes museums) world. But these are imitators of imitators, the third generation and mostly third-rate galleries by quality standards. These gallery owners have friends who write reviews for the magazines, curate the museums. They are all part of a decadent world of dead art. Post modernism in its third generation spin offs stinks, because it is a walking corpse among. us. It looks alive and well…but it is a ZOMBIE. If there are avante garde artists, they have not been encouraged by the commercial mainstream that looks to the auction for its cues to what is “important.” It is simply a fact of the human condition that the Kudzu plant of craftless “in your face art” of the postmodern world with its easy production is becoming somewhat stale. Money does indeed prop it up. Huge investments have been made by museums supported by wealthy collectors in the last 40 years. And the auction game has created a gambling scenario reminding one of Los Vegas. In an age when mastery of technique seems disparaged and the only value a work of art seems to have is its price at auction, it is a wonder that there re any artists seriously concerned with art at all!The true avante garde, if there are any, are not artists who pander to a market, as Arthur Danto said in Artnews in April 1988, “defined by John Maynard Keynes…” in which, …”drawing must be slack, the application of paint desultory and tacky, and the choice of colors rebarbative.” For the artists not interested in art, as long as money, vanity and fear rule, and not taste, you’ve got it made! The subject of creativity in the art world is an interesting one, mostly because there is so little of it. Many would be artists growing up are influenced by the work of other artists, which makes sense. A creative artist is one who diverges from what he sees and ventures into “new ” territory. But how many artists really do this? It is far easier if one wants to be a successful artist, to imitate success. And imitating success is what we see in the fine art world of the great metropolis of New York City and the emerging art community of Williamsburg Brooklyn. Some of the galleries that have managed to be around for a while are followers of a postmodern tradition that had its first successes in the 60’s & 70’s. They are a good example of how to succeed: “Do not innovate, IMITATE!” Also, socialize and make friends of museum curators & art critics… the artists will stampede to your door. If one does that, the art does not have to be good, it will SELL by association with influence. But this credo is not about art, it is about having a successful commercial career. Art is something else, I think. Most of these artists & galleries, curators, art critics will fade away. If you are part of a popular mass, you can bet you are mediocre. Unless you are a towering artist or writer who stood apart from the rest, you will be relegated to being a minor artist at best, or even a “would be artist” doomed to oblivion. But that is fair & just, it is historical will in the development of future possibility. If you enjoy being trendy, great… it is indeed enjoyable…it is fun to be part of a mediocre mass. If you have great ideas, be prepared for some pain.The philosophers of our time suffer the same fate. We are in the Analytic and Post Analytic age of philosophy, which has reached a dead end. The only thing that they really agree upon in the Department of Philosophy up at Harvard is that they despise Heidegger, not on the basis of this thinking, but because he once belonged to the Nazi party, which he later disavowed.
Our World 666 Extinction! {1983-October to March1984 ) Creation by: @[748073775:2048:Bienvenido Bones Bañez Jr.] Acrylic on Canvas 6′ by 8′ Terrance Lindall, a proponent of hermeneutical surrealism, said after seeing Bien’s masterpiece, “This is one of the greatest paintings I have seen in my lifetime. I believe Bien ranks as one of the foremost surrealists living or dead and his achievements will stand alongside all great artists down through history.” https://sites.google.com/site/internationalsurrealism/home/new-international-surrealists-of-the-21st-century / Photo by @[1555686989:2048:Joel Geolamen]
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Sources: TERRANCE LINDALL’S PARADISE LOST: ABOUT DR. ROBERT J. WICKENHEISER
ABOUT DR. ROBERT J. WICKENHEISER –Robert J. Wickenheiser – Wikipedia
Dr. Wickenheiser, 19th president of St. Bonaventure, is remembered for various important advancements during his nine-year tenure. He worked successfully to solve the grave financial problems faced by the university when he took office and he is credited with leading the university out of financial exigency.
He also began an era of new construction designed to meet important needs, including most notably new apartments for students and a new art center and theater joined by a new state-of-the-art museum. The latter two facilities gained wide acclaim for the university’s commitment to the arts and for is advancement of new programs in art, music and dance.
All schools were encouraged to gain individual accreditation, and a new school of journalism was established drawing increased recognition for its focus and its programs of study as a department. Broadcast journalism was also incorporated into the new school building upon an already highly successful emphasis on written journalism in prior years.
Dr. Wickenheiser was a driving force leading the University into the 21st century. From the outset he supported the development of Clare College, the new core curriculum introduced by the faculty in 1998. Experts (National Endowment for Humanities) have called the curriculum “ground breaking” and referred to it as “a national model”. Dr. Wickenheiser also played a key role in revitalizing the Franciscan values of the university and expanding University Ministries. He was also influential in helping to establish the Franciscan Center for Social Concern.
Shortly before leaving office he secured a significant lead gift (the largest in the history of the university) from Mr. William L. Richter to construct a large center for students to recreate indoors; the leading grant to begin important renovation needs in the science center; and various other lead gifts to help define the goals of a major new capital campaign beginning in 2000.
From his early teaching days at Princeton University, Dr. Wickenheiser was a major collector of books and his Milton collection of over 6000 books by and about the great poet, scholar and philosopher John Milton is now at The Thomas Cooper Library at the University of South Carolina, where it bears the name of its collector. The collection was acquired for The Thomas Cooper Library in 2006 with leading support from William L. Richter and The William L. Richter Family Foundation. The Robert J. Wickenheiser Milton collection is looked upon as enabling the university to become an important center for Milton studies in years to come. One of the Gold Illuminated Elephant Folio’s of Terrance Lindall will be in the collection. – Robert J. Wickenheiser – Wikipedia Wikiwand – Robert J. Wickenheiser
From our Great WAH Center Art World!: Major Scholar, art collector, university president and former editor of the Princeton Review to Head Williamsburg Circle of International Arts and Letters at the WAH Center. He has graciously accepted the post of CHAIRMAN AND PRESIDENT. Meet Dr. Robert J. Wickenheiser during the:
Paradise Lost Collectors Weekend April 2012. Robert J. Wickenheiser – Wikipedia
From our great WAH Center Art World! : Major Scholar, art collector, university president and former editor of the Princeton Review to Head Williamsburg Circle of International Arts and Letters at the WAH Center. He has graciously accepted the post of CHAIRMAN AND PRESIDENT. Meet Dr. Robert J. Wickenheiser during the:
Paradise Lost Collectors Weekend April 2012 Robert J. Wickenheiser – Wikipedia
Brocade cover
Paradise Lost in Elephant Folio / Terrance Lindall
☝️”War in Heaven” Terrance Lindall / Paradise Lost for Elephant Folio
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Highbrow
Wednesday, September 25, 2013
Highbrow Action at the Brooklyn Book Festival
International Authors had a presence last Sunday at the Brooklyn Book Festival. The Williamsburg Art and Historical Center was our host for the event, and as things turned out we had the honor of representing the Center.
Originally, we were only going to present Emanations: Third Eye as part of the WAH Center display, but then a last minute email from Terrance Lindall informed us that something had come up, and he and his assistant from the WAH Center could not make the event. The table was all ours. Did we have other books to display? And could we represent WAH?
Well, of course!
The full range of International Authors books were presented before the public. I was joined by surrealist painter Bienvenido Banez, Jr. and Hudson Valley poet Kristine Shmenco, seen here along with yours truly in the following photographs.
I remain very grateful for the opportunity, and on behalf of International Authors I wish to extend my thanks to Terrance Lindall and Yuko Nii, who made the afternoon possible. Terrance and Yuko have been very kind to International Authors over the years, and it has been very enjoyable working with an organization that shares so much in common with our consortium. See, for example, this description of Yuko Nii’s “Bridge Concept,” as well as this description of just one of the many projects the WAH Center pursues through maintaining its collections and its philanthropic efforts.
Meanwhile, Bien, Kristine and I had a wonderful time talking to festival goers about our books. Also, we compared notes and developed a number if ideas about the book industry–about making books, promoting books and art, about the people who buy books and what they look for, and so on. We had such an enjoyable time that the day flashed by in a wink Following the photographs, I have posted links to several press stories. Enjoy.
Brooklyn Daily Eagle
NY1
New York Times
The New Yorker
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View web versionCarter KaplanCarter Kaplan is the author of The Invisible Tower Trilogy: Echoes, We Reign Secure, and The Sky-Shaped Sarcophagus. His first novel is Tally-Ho, Cornelius!Diogenes is an Aristophanic comedy. Editor of Emanations; IA edition of The Scarlet Letter with Afterword, “A” is for Antinomian: Theology and Politics in The Scarlet Letter; the anthology Fantasy Worlds. Co-translator and editor of Creation of the World by Torquato Tasso. Book on Wittgenstein and literary theory: Critical Synoptics. Articles on “Karel Čapek,” “Menippean Satire” and “Dystopian Literature” in The Encyclopedia of Literature and Politics. Articles on “Herman Melville” and “Michael Butterworth” in A Dictionary of the Avant-Gardes (which has an article about him). A chapter on William Blake and Michael Moorcock appears in New Boundaries in Political Science Fiction. Teaching includes Literature, Philosophy, and post-graduate Medical Research Writing in universities ranging across Montana, North Dakota, Ohio, West Virginia, Pennsylvania, New Jersey, New York City, and Scotland.
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THE SATANIC VERSES by Bienvenido Bones Bañez Jr. ,-2014
THE SATANIC VERSES-(Collaboration with Terrance Lindall)
BY BIENVENIDO BONES BANEZ, JRFrom the Author of The Satanic Verses of Bones Banez
“For YOU are the numbers by which the Beast rules. By the numbers of the mortgages you hold and must repay, By the numbers of the interest rate under which you groan. Hangs from the golden thread of
one great thing: That when a man owns, he wants more, aways more. And will borrow, for a dream, of future happiness. And then will slave until his dying day..to repay!”From THE SATANIC VERSES of BONES BAÑEZ
Dear Friends, Welcome to “THE WELCOME TRIBE!”
My parents named me Bienvenido, which means, “welcome.” I was born into this fulminating world as unaware as you that it is moving toward a destiny we cannot possibly desire. It has been ours to discover what that destiny is. Our parents and community educated us with cultural, religious and politico-social values that have sustained us. Yet great mysteries remained to us and most of us die from this life “unenlightened.”
What has been apparent is that although some of us prosper or “get along in life,” working and raising families, others have a more difficult time and a few have enriched themselves from the work of the many others far beyond the means by which they can enjoy that wealth. Why is this? What does it gain for those so enriched. Well there is a grander scheme to that!
In this time at the beginning of the 21st century we see that there are more billionaires and multi-billionaires that ever before, especially in America. Yes, in this America, so called “land of the free” where equality or at least equality of opportunity is supposed to be our creed and our right. For a short time after the Second World War, Americans and even we in other lands did enjoy prosperity for the working class. Now that has changed as if a contageous disease of avarice was brought back from Europe after our noble victory to preserve the promise that America embodied. It has all changed since then and the fact that now millions are unemployed or underemployed is not really reported in the figures that the government puts out since the government “interprets” and give us what we want to hear so as not to cause undue concern or even despair among us. Who is not counted? Those who have dropped out of the work force and are living in tents or in the street, many who have served in the army killing in other nations that have not even attacked us. Why?
In 2008 the voracious moneymen led by the Federal Reserve galloped too fast in their unswerving race to swallow us and enslave the population to money lending mortgage slavery and they tripped. Then our government, instead of bailing out the working class home owning population that was duped into mortgages they could not pay, bailed out the very criminals that caused the problem.
I am not advocating any action…except: get to know your neighbor. Welcome them. I want you to be part of the “Welcome tribe!” Warn them of the coming collapse that is imminent. Plan for taking care of one another. Some of you think that you will have a job no matter what. That is not the case. Some of you think government will help you. It will not. The men in government will help themselves and their families like they bailed out the moneymen in 2008. If you rise up and begin to protest, government will label you a terrorist and, persuaded by the moneymen, will create a crisis in another country and conscript you into service and YOU WILL GO TO FIGHT AND KILL your brothers in other lands because it is the only way you can get paid to feed yourself and your family.
In my Satanic Verses I want you to understand that whether you believe in God or not Satan is real…as a spiritual concept blossomed or blossoming in the hearts of some men to want to control or enslave others to enrich themselves. This desire to own and enslave in some men of unique abilities has manifested many times in the course of human civilization, but the astonishing rapid pace of it at this time is like the grisly face of a Tsunami to a man on the beach (perhaps you) that he is aware of but consciously refuses to acknowledge (((Plandemic 2020 until 2030 still Clinical Trial and Experimental from Covid Vaccine Mandatory but it’s too late..))) and …because it is TOO LATE!
The Satanic Verses of Bones Banez
“ONE OF THE GREATEST POEMS OF OUR TIMES describing the ensnarement of ‘The Golden Ring of Power.’” Terrance Lindall
The fantastic visionary art of Bones Banez, the greatest surrealist of the Philippines on view Fall 2014 with his Gold Elephant folio!
“For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence—on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations.”
—President John F. Kennedy (1917 – 1963)
Bookseller Lindall Books US (US) https://www.biblio.com/book/satanic-verses-bienvenido-bones-banez-jr/d/1041393014?fbclid=IwAR0xWdktNx-BlwOyZ8jNjBXoKIYQqxq92HN-rbLp8xPJdQ_l7VZxM1H5V-s
Illustrator Bienvenido Bones Banez
Format/Binding Glossy Color
Book Condition Used
Quantity Available 75
Edition 1st
Binding Paperback
Publisher Yuko Nii Foundation
Place of Publication Brooklyn
Date Published 2014 https://www.slideshare.net/slideshows/satan-gives-color-to-the-world-by-bienvenido-bones-baez-terrance-lindall-horace-jeffery-hodges-in-new-york-art-world/265737648
Keywords Bienvenido Bones Bañez https://www.biblio.com/book/satanic-verses-bienvenido-bones-banez-jr/d/1041393014?fbclid=IwAR0xWdktNx-BlwOyZ8jNjBXoKIYQqxq92HN-rbLp8xPJdQ_l7VZxM1H5V-s🇺🇸 ☠️ https://chroniclesdengen.com/who-is-the-most-famous-filipino-impressionist-artist/
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Video☝️on the John Milton’s 400th Birthday 2008 Tribute to Dr Robert J. Wickenheiser 🇺🇸🗽
✨🇺🇸WELCOME BONES 666 ART WORLD PARADISE LOST KINGDOMS✨🌟! 🌈THROWBACK 2008 IT’S A NEW YORK ART WORLD HISTORICAL CONTEXT 🗽🇺🇸👌
THE LARGEST BIRTHDAY PARTY EVER CREATED TO CELEBRATE JOHN MILTON’S 400th BIRTHDAY IN 2008. Also an exhibit of art. This was covered in the New York Times in a major article by Charles McGrath. It had the J.C. Hopkins Big Band. It had performances throughout the French Second Empire National Register Building. ALL PRODUCED BY TERRANCE LINDALL, RENOWNED MILTON ILLUSTRATOR IN THE WORLD! https://www.nytimes.com/2008/09/26/books/26milt.html https://alchetron.com/Terrance-LindallWILLIAMSBURG ART & HISTORICAL CENTER
“CELEBRATING JOHN MILTON’S 400th BIRTHDAY” https://archive.org/details/yumpu-output-1/mode/1up
THE UNRIVALED ARTS FESTIVAL HONORING MILTON’S BIRTHDAY AND PARADISE LOST,
the GREATEST POEM in the ENGLISH LANGUAGE.
Bridging classic literature and contemporary fine art,
performing arts and poetry reading.
September 27th — November 2nd, 2008
Opening Reception: THE GRAND PARADISE LOST COSTUME BALL
Saturday, September 27th, 8pm to midnite
ABOUT THE SHOW
Couched amid historical artifacts and contemporary art celebrating PARADISE LOST, the greatest poem in the English language. Perhaps the largest birthday party for Milton in the world, with poets, artists and composers. We will be documenting this extravaganza on video to produce a documentary for this historical event that we believe will be seen for centuries to come. Milton’s centennial birthday will not come again for another 100 years. Be part of it! If you attend the gala, you will probably be in this video!WHAT PEOPLE ARE SAYING
“The exhibit and programs promise to be a diverse collection of multiple perspectives and strategies that should engage the audience you hope to reach.” From a letter to Terrance Lindall from Wendy Woon, the Edward John Noble Foundation Deputy Director for Education of the Museum of Modern Art, New YorkJOHN MILTON
John Milton was born in 1608. In 1667, the world received from him the book that would influence English thought and language nearly as much as the King James Version of the bible and the plays of Shakespeare. Let us then celebrate both the birth of John Milton who used the English language for supreme art, as well as celebrate the evolving English language itself throughout the world, which has become the world’s foremost international language. As a young man, John Milton wrote a friend: “Do you ask what I am meditating? By the help of Heaven, an immortality of fame.” Not many can actually achieve such a goal, but Milton did. Next to William Shakespeare, he is regarded by many as the greatest English poet and the author of the language’s finest epic poem, Paradise Lost. While Milton wrote Paradise Lost, he was blind, embittered by his heroic political/religious battles, and hampered by insufficient finances. Few images in the history of literature are more poignant that of the blind Puritan dictating day after day his great epic, Paradise Lost, the theme of which is announced in the opening lines:Of man’s disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought death into the world, and all our woe,
With loss of Eden.He rose at four or five each morning, listened to a chapter from the Hebrew Bible, ate breakfast, and then wrote until noon. After an hour walk and another hour playing the organ or viola, he worked until night. Then he would have a supper of “olives or some light thing,” a pipe, and a glass of water.
A MESSAGE FROM THE SHOW DIRECTOR:
“The impact of Milton, especially his Paradise Lost, has enduring influence in the lives of not only the academic world, but among those of us in the arts and the general public who can FEEL the powerful resonance of his words and ideas. The unabridged original is the magical touchstone, the undiminished constellation in the Western psyche that has illuminated our culture for the foreseeable future, as has Shakespeare and the Bible.“There are many worldwide events from Oxford & Cambridge to the New York Public Library. However, we know of none quite like ours that asks professional artists, composers and poets to respond to the greatest poem of all time.
“America is a country of immigrants who hail from all corners of the globe. We come together through our common use of the English language. Every culture and ethnicity has contributed in their turn to the wealth of words and phrases in the English language. The English language no longer belongs to that island nation that once was greatest empire the world has ever seen, but to all of us. As the Greeks gave us philosophy, so the British have given us the gift of the ever-evolving English language. As part of our exhibit, in homage to the British peoples and their gift to us, we will include interesting artifacts of British heritage from the Yuko Nii Foundation collection.”
TERRANCE LINDALL
SHOW DIRECTORA MESSAGE FROM THE FOUNDER & ARTISTIC DIRECTOR OF THE WAH CENTER:
“The Williamsburg Art & Historical Center (WAH Center) was founded upon the ‘Bridge Concept,’ which envisions a multifaceted, multicultural art center whose mission is to coalesce the diverse artistic communities, and create a bridge between local, national and international artists, emerging as well as established artists of all disciplines.“It takes three to for the art to be realized – a dynamic symbiotic trinity composed of the artists, the art promoter or space provider, and the art appreciator. The WAH Center is pleased to be the promoter and space provider, bridging the artists with the audience in this visually exciting and scholarly production, ‘Paradise Lost.’
“While literary, academic and religious circles throughout the world are celebrating John Milton’s 400th birthday this year, we at the WAH center are taking great thought and literature of the past along with historic artifacts from the time of John Milton and bridging them to the present day of artists, writers, poets, composers & performers. It is a unique and inspiring happening in this historical New York City landmark building.”
YUKO NII
Founder & Artistic Director
Williamsburg Art & Historical Center
https://alchetron.com/Yuko-Nii
ABOUT THE SHOW’S DIRECTOR
Terrance Lindall is an American artist who was born in Minneapolis, Minnesota, USA, in 1944. Lindall attended the University of Minnesota and graduated magna cum laude from Hunter College in New York City in 1970, with a double major in Philosophy and English and a double minor in Psychology and Physical Anthropology. He was in the Doctor of Philosophy program in philosophy at New York University from 1970 to 1973. He is listed in Marquis Who’s Who in America 2006. Information about this artist is also on file in the Smithsonian Institution Library Collection. His illustrations for John Milton’s Paradise Lost are perhaps today the best-known illustrations for this epic outside of those by William Blake and Gustave Dore, and are part of this exhibit. His art is on the cover of Random House’s 2008 “Essential Milton.”WHAT MILTON SCHOLARS ARE SAYING
“Appropriately for his background in art and philosophy, Lindall seems especially interested in using art to express ideas, which makes his work particularly intriguing for Milton scholars, for he has painted a number of works depicting scenes in Paradise Lost” —Horace Jeffery Hodges, Assistant Professor in Kyung Hee University’s Dept. of English Language and Literature“Lindall’s image (on the cover of Random House’s 2008 Essential Milton) is, of course, the star. It seems to me at once unmistakably modern and yet just as unmistakably archaic: exactly the doubleness I was hoping for on our cover.” —William Kerrigan of Random House, 2007
“Radical artist and nonconformist Terrance Lindall has channeled Milton’s spirit into a modern context, in a provocative series of illustrations to Paradise Lost. His visual celebration of Milton reveals his remarkable affinity for the radical English poet, and his ability to create a fitting tribute to Milton’s enduring influence in the arts.” —Professor Karen Karbiener, New York University, 2007
“Terrance Lindall’s fanciful illustrations are bound to arouse response & provoke thought in the may persons interested in Paradise Lost & its subjects & in surreal illustration generally” — Professor Thomas Clayton, University of Minnesota Department of English
Essential Milton cover
Lindall’s art for Paradise Lost appears on the 2008 cover of Complete Poetry and Essential Prose of John Milton, Random House 2008. Edited by William Kerrigan, John Rumrich and Stephen M. Fallon Format: Hardcover, 1392 pages ISBN: 978-0-679-64253-4 (0-679-64253-6) THIS EDITION IS CALLED “THE DEFINITIVE MILTON OF OUR TIME” (NOW IN IT’S SECOND PRINTING)Holt Rinehart & Winston is using another Lindall Paradise Lost image in a 2009 high school textbook, which will have a first run of 370,000. Title: Elements of Literature, Sixth Course ISBN No.: 9780030368820
Oxford’s major exhibit “CITIZEN MILTON” at the Bodleian Library, Oxford has one of Lindall’s paintings on their web-site for their exhibit honoring Milton’s 400th birthday, on the page Exhumations and Destinies: ‘For Books are not absolutely Dead Things’
Buy the DVD movie of Terrance reciting Paradise Lost. Send check for $20 plus $2 shipping to WAH Center, 135 Broadway, Brooklyn, NY 11211
Milton’s Paradise Lost Robert J. Wickenheiser
THANKS TO:
Milton’s Angels, Volunteers
Tiffany Yanetta
Eric Nelson
Jacqueline Safian
Maryanna McConnell
David SmithSponsored in part by:
New York Art World MagazineSpecial Thanks to:
Brooklyn Borough President Marty Markowitz,
New York City Council Member Diana Reyna,
The New York City Landmark ConservancyPrintable PDF Flier
Fantastic costume party
Opening with theTHE GRAND PARADISE LOST COSTUME BALL
Saturday, September 27th
8pm to midnite
“As sinfully delicious as ‘Man’s first disobedience’ and the most fabulous extravaganza since Adam & Eve had to cover their nakedness!”Performance by
HUMAN KINETICS MOVEMENT ARTS
with Yana Schnitzler and Group TBA Recently performing at the Metropolitan Museum. The cutting edge of interactive dance. “…mesmering…” —Richard Termine, photographer, New York TimesPlus the JC Hopkins Biggish Swing Band, Olek fashion models performing throughout the three floors of exhibits. Also; Adam & Eve video art, birthday salutations, good food and drink, more.
Tickets $40.
To order by email: let us know how many tickets you want and we will send you a Paypal invoice.
Or send a check to:
WAH Center, 135 Broadway, Brooklyn NY 11211 https://trvid.com/w/terrance+lindall?page=2
You will receive a confirmation of your order and the tickets will be sent two weeks prior to the ball.SEPTEMBER EVENTS
September 28th, 2 PM
Suggested admission $5
Noted Brooklyn poet S. David recites his tribute to John Milton and takes you on a poet’s tour of the art in the showOCTOBER EVENTS
Peter Dizozza https://alchetron.com/Peter-Dizozza
The reopened WAH Theatre in the third floor Grand Ballroom of the Williamsburg Art and Historical Center presents:Paradise Found!
Four Performances,
Friday and Saturday at 8PM
October 3rd and 4th,10th, 11th
Premiere stagings of scripts inspired by Paradise Lost by members of The Brooklyn Playwrights Collective:Sugar-Coated Sin by Alaina Hammond
Lost in Paradise Lost by Maria Micheles
Paradise Found by Peter DizozzaWith Kaitlin Bailey, Alaina Hammond, Mike Allen Hill, John Andrew Morrison and Ken Richards
https://miltonrevealed.berkeley.edu/videos/john-miltons-paradise-lost-gold-illuminated-scroll
October 17 and 24th, 8 PM, admission $15
Testament of the Poet
An intimate concert of 17th century music by the ensemble Courante
Directed by Arthur KirmssCourante musicians Arthur Kirmss, Lisa Kelly and Heather Arzberger in 17th century costume, on harp, guitar, and recorders, performing European vocal and instrumental music through early Baroque, celebrating Milton’s life.
HISTORCAL EXHIBITS
missing image file
Book Label of Madam Pomfret17th century handwritten Torah on vellumTHE BOOK OF GENESIS from a 17th century handwritten Torah on vellum (23 feet long).
SPECIAL BOOK & MANUSCRIPT DISPLAYS:
CHARLES LAMB’S copy of first illustrated 1691 edition of Paradise Lost.
LADY POMFRET’S copy of the first illustrated edition (c. 1688) of Paradise Lost. She was a noble 18th century British woman of great learning, and the Lady of the Bedchamber of Queen Caroline.
THE BOOK OF GENESIS, a 17th century handwritten Torah on vellum (23 feet long)
Fine, well preserved hand written Moroccan Torah fragment, the complete book of Genesis (the 1st book out of the 5 books of Moses). Approximately 300 to 400 years old and very well preserved, its either deer or goat skin.Ceramic portrait of Miltonc. 1791 This handsome Derby portrait model is of John Milton (1756-1769; issued as D12 (probably adapted from a maquette from the studio of Scheemakers or possibly provided by John Cheere, reissued as E46, and between 1770-1796 issued as model number 297 from a plaster by M. Rysbrack. The Poet is portrayed in Van Dyck dress, leaning against a pedestal decorated in relief with a scene from Paradise Lost.
Historical woodcut initial showing Adam & Eve from the Luther Bible 1561
Artist Virgil Solis, NuremburgJoan Petrini, engraver, Adam, Eve and the Serpent, after Raphael, engravings done in 1790 to honor Pope Pius VI
BRITISH MEMORABILIA
Lavish coat of Queen Elizabeth II’s herald ,with gold and silver thread and extensive embroideryRoyal artifacts from the reigns of Queen Victoria and King Edward VIII (Duke of Windsor).
CONTEMPORARY ARTISTS IN THIS SHOW
Antanas Adomaitas
Stephen Auslender
Carrie Ann Baade
Donna Balma
Bienvenido Bones Banez, jr.
Robert S. Beal
Alan F. Beck
Jeff Berman
Orin Buck
Rich Buckler
Ivan Calderone
Joe Catuccio
Carolyn Chaperon
Gail Baxter Cohen
Suzanne Dahlquist
George deMoura
Matthew E. Derezinski
Gary Duehr
Jaesun Duggan
Val Dyshlov
Eric Edelman
Camilla Fallon
Ailene Fields
Jesse Forgione
Troy C. Frantz
Aimee Hertog
Tom Hooper
Sarah Horvat
Amanda Husberg
Mildred Kaye
Ray Kinlock
Arthur Kirmss
Frank Krasicki
Kris Kuksi
Randy J. Lagana
Estelle Levy
Terrance Lindall
Drew Maillard
Greg Maillard
Ben Marxen
Bertram Matysik
Gerd Matysik
Gertrud Matysik
Adam Miller
Rodica Miller
Clive Milton
Ella Morton
Walter Lynn Mosley
Eric Reuben Nelson
Yuko Nii
Leah Oates
Olek
David Orr
Linda Paleias
Lennie Peterson
Carol Quint
Max Razdow
Luis Rojas
Michael Knud Ross
Tim Slowinski
Gary Spradling (in memorium)
Phyllis Stapler
Sandra Taggart
Mayumi Takagi
Matthew Turov
Marcela Varona
Benjamin A. Vierling
Sharyne E. Walker
Jon Neal Wallace
Bryan Kent Ward
Haejin Yoon
FEATURED ARTISTS
KRIS KUKSI- one of the most highly regarded artists in the contemporary surreal/visionary movement. His work is in the collection of Chris Weitz, Director of the new movie, The Golden Compass, based upon Philip Pullman’s book and grounded in John Milton’s Paradise Lost. https://en.wikipedia.org/wiki/Kris_Kuksi
RICHARD “Rich” BUCKLER – is an American comic book artist best known for his work on Marvel Comics’ The Fantastic Four in the mid-1970’s. He will be producing a portrait of John Milton for the 21st century. The unveiling will be at the Costume Ball! https://en.wikipedia.org/wiki/Rich_Buckler
BIENVENIDO BONES BAÑEZ, JR – “All of his work is based on his ‘666 World View. He paints as if he is plugged into a wall socket and the energy that pours forth through his brain and fingertips to the canvas comes out in pulses of scintillating colors.” —Terrance Lindall. https://m.youtube.com/playlist?list=UUTSbDUDh6pSnjpzXl1xMwQQ https://artgallery.qcc.cuny.edu/exhibits/visionaries/ https://art.fandom.com/wiki/SurrealmageddonOLEK – This vibrant Polish beauty debuted her career at the WAH Center in 2003 at the Surrealist Fashion Show. She is one of the most fascinating artists in the world, madly crocheting her way into art history. https://en.wikipedia.org/wiki/Olek_(artist) https://www.wahcenter.net/events-and-exhibitions-archive/…… Bones Bones Bien William Blake Bones And video of Terrance Lindall Retrospective👇 https://archive.org/details/vid-20230301-133314 And ACROSTIC PARADISE LOST by Terrance Lindall with special featured Robert S. Beal and Bienvenido Bones Bañez, Jr.🇺🇸🗽 https://archive.org/details/acrostic-paradise-lost-final-2-reduced-page-.pdf-1/mode/1up
👁️John Milton's Wickedpedia-Surrealmageddon🌈Visual👁️Poetry🗽🇺🇸 