Bienvenido Bones Banez Jr. Immunonuclear Wikimedia Commons 2011 until 2017 Occurred in New York City by Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸🗽

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Immunonuclear

Joined 14 years ago

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Latest comment: 5 years ago by LX in topic Notification about possible deletion

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File:Quaker.jpg

dansk ∙ italiano ∙ sicilianu ∙ Deutsch ∙ català ∙ magyar ∙ čeština ∙ português do Brasil ∙ Esperanto ∙ español ∙ português ∙ English ∙ hrvatski ∙ français ∙ Nederlands ∙ Deutsch (Sie-Form)‎ ∙ norsk nynorsk ∙ polski ∙ galego ∙ íslenska ∙ slovenščina ∙ suomi ∙ svenska ∙ Türkçe ∙ Ελληνικά ∙ беларуская (тарашкевіца)‎ ∙ български ∙ македонски ∙ русский ∙ українська ∙ മലയാളം ∙ 日本語 ∙ 中文（简体）‎ ∙ 中文（繁體）‎ ∙ فارسی ∙ +/−

---

There seems to be a problem regarding the description and/or licensing of this particular file. It has been found that you’ve added in the image’s description only a Template that’s not a license and although it provides useful information about the image, it’s not a valid license. Could you please resolve this problem, adding the license in the image linked above? You can edit the description page and change the text. Uploading a new version of the file does not change the description of the file. This page may give you more hints on which license to choose. Thank you.

This message was added automatically by Nikbot, if you need some help about it, ask its master (Filnik) or go to the Commons:Help desk. —Filnik 20:21, 19 September 2010 (UTC)

Tip: Categorizing images

Latest comment: 12 years ago

Afrikaans ∙ العربية ∙ беларуская (тарашкевіца) ∙ বাংলা ∙ català ∙ čeština ∙ dansk ∙ Deutsch ∙ Deutsch (Sie-Form) ∙ Ελληνικά ∙ English ∙ Esperanto ∙ español ∙ فارسی ∙ suomi ∙ français ∙ galego ∙ עברית ∙ magyar ∙ íslenska ∙ italiano ∙ 日本語 ∙ ქართული ∙ 한국어 ∙ македонски ∙ മലയാളം ∙ norsk bokmål ∙ Plattdüütsch ∙ Nederlands ∙ norsk ∙ polski ∙ português ∙ português do Brasil ∙ română ∙ русский ∙ sicilianu ∙ slovenčina ∙ slovenščina ∙ српски / srpski ∙ svenska ∙ Türkçe ∙ українська ∙ Tiếng Việt ∙ 中文（简体）‎ ∙ 中文（繁體）‎ ∙ +/−

---

Hello, Immunonuclear!

Thanks a lot for contributing to the Wikimedia Commons! Here’s a tip to make your uploads more useful: Why not add some categories to describe them? This will help more people to find and use them.

Here’s how:

1) If you’re using the UploadWizard, you can add categories to each file when you describe it. Just click “more options” for the file and add the categories which make sense:

2) You can also pick the file from your list of uploads, edit the file description page, and manually add the category code at the end of the page.[[Category:Category name]]

For example, if you are uploading a diagram showing the orbits of comets, you add the following code:[[Category:Astronomical diagrams]][[Category:Comets]]

This will make the diagram show up in the categories “Astronomical diagrams” and “Comets“.

When picking categories, try to choose a specific category (“Astronomical diagrams”) over a generic one (“Illustrations”).Thanks again for your uploads! More information about categorization can be found in Commons:Categories, and don’t hesitate to leave a note on the help desk.

CategorizationBot (talk) 10:45, 20 September 2010 (UTC)Reply

• Image:Quaker003.jpg was uncategorized on 19 September 2010 CategorizationBot (talk) 10:45, 20 September 2010 (UTC)Reply
• Image:Bienvenido Bones Banez Jr. at the Williamsburg Art & Historical Center 2011.jpg was uncategorized on 15 October 2011 CategorizationBot (talk) 13:50, 16 October 2011 (UTC)Reply
• Image:Dario Rivarossa portrait.jpg was uncategorized on 8 November 2011 CategorizationBot (talk) 11:14, 9 November 2011 (UTC)Reply

File:Quaker008.jpg

dansk ∙ italiano ∙ sicilianu ∙ Deutsch ∙ català ∙ magyar ∙ čeština ∙ português do Brasil ∙ Esperanto ∙ español ∙ português ∙ English ∙ hrvatski ∙ français ∙ Nederlands ∙ Deutsch (Sie-Form)‎ ∙ norsk nynorsk ∙ polski ∙ galego ∙ íslenska ∙ slovenščina ∙ suomi ∙ svenska ∙ Türkçe ∙ Ελληνικά ∙ беларуская (тарашкевіца)‎ ∙ български ∙ македонски ∙ русский ∙ українська ∙ മലയാളം ∙ 日本語 ∙ 中文（简体）‎ ∙ 中文（繁體）‎ ∙ فارسی ∙ +/−

---

There seems to be a problem regarding the description and/or licensing of this particular file. It has been found that you’ve added in the image’s description only a Template that’s not a license and although it provides useful information about the image, it’s not a valid license. Could you please resolve this problem, adding the license in the image linked above? You can edit the description page and change the text. Uploading a new version of the file does not change the description of the file. This page may give you more hints on which license to choose. Thank you.

This message was added automatically by Nikbot, if you need some help about it, ask its master (Filnik) or go to the Commons:Help desk. —Filnik 16:20, 20 September 2010 (UTC)

Your account will be renamed

Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Immunonuclear. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Immunonuclear~commonswiki that only you will have. If you like it, you don’t have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours,
Keegan Peterzell
Community Liaison, Wikimedia Foundation

21:17, 17 March 2015 (UTC)

Notification about possible deletion

Latest comment: 5 years ago

Some contents have been listed at Commons:Deletion requests so that the community can discuss whether they should be kept or not. We would appreciate it if you could go to voice your opinion about this at their entry. If you created these pages, please note that the fact that they have been proposed for deletion does not necessarily mean that we do not value your kind contribution. It simply means that one person believes that there is some specific problem with them, such as a copyright issue. Please see Commons:But it’s my own work! for a guide on how to address these issues. Please remember to respond to and – if appropriate – contradict the arguments supporting deletion. Arguments which focus on the nominator will not affect the result of the nomination. Thank you!Afrikaans ∙ Bahasa Indonesia ∙ bosanski ∙ català ∙ čeština ∙ dansk ∙ Deutsch ∙ Deutsch (Sie-Form)‎ ∙ eesti ∙ English ∙ español ∙ Esperanto ∙ français ∙ galego ∙ hrvatski ∙ íslenska ∙ italiano ∙ magyar ∙ Nederlands ∙ norsk bokmål ∙ norsk nynorsk ∙ occitan ∙ Plattdüütsch ∙ polski ∙ português ∙ português do Brasil ∙ română ∙ shqip ∙ sicilianu ∙ slovenčina ∙ slovenščina ∙ suomi ∙ svenska ∙ Tiếng Việt ∙ Türkçe ∙ Zazaki ∙ Ελληνικά ∙ беларуская ∙ беларуская (тарашкевіца)‎ ∙ български ∙ македонски ∙ русский ∙ српски / srpski ∙ українська ∙ հայերեն ∙ বাংলা ∙ മലയാളം ∙ ပအိုဝ်ႏဘာႏသာႏ ∙ မြန်မာဘာသာ ∙ ไทย ∙ 조선말 ∙ 한국어 ∙ 日本語 ∙ 简体中文‎ ∙ 繁體中文‎ ∙ עברית ∙ العربية ∙ پښتو ∙ فارسی ∙ ދިވެހިބަސް ∙ +/−

Affected:

• File:Bienvenido Bones Banez Jr. at the Williamsburg Art & Historical Center 2011.jpg

—LX (talk, contribs) 12:50, 29 June 2018 (UTC)Reply

Add topicLast edited 6 years ago by LX

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Immunonuclear

Joined 14 years ago https://commons.wikimedia.org/wiki/User_talk:Immunonuclear

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Latest comment: 5 years ago by LX in topic Notification about possible deletion

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File:Quaker.jpg

dansk ∙ italiano ∙ sicilianu ∙ Deutsch ∙ català ∙ magyar ∙ čeština ∙ português do Brasil ∙ Esperanto ∙ español ∙ português ∙ English ∙ hrvatski ∙ français ∙ Nederlands ∙ Deutsch (Sie-Form)‎ ∙ norsk nynorsk ∙ polski ∙ galego ∙ íslenska ∙ slovenščina ∙ suomi ∙ svenska ∙ Türkçe ∙ Ελληνικά ∙ беларуская (тарашкевіца)‎ ∙ български ∙ македонски ∙ русский ∙ українська ∙ മലയാളം ∙ 日本語 ∙ 中文（简体）‎ ∙ 中文（繁體）‎ ∙ فارسی ∙ +/−

---

There seems to be a problem regarding the description and/or licensing of this particular file. It has been found that you’ve added in the image’s description only a Template that’s not a license and although it provides useful information about the image, it’s not a valid license. Could you please resolve this problem, adding the license in the image linked above? You can edit the description page and change the text. Uploading a new version of the file does not change the description of the file. This page may give you more hints on which license to choose. Thank you.

This message was added automatically by Nikbot, if you need some help about it, ask its master (Filnik) or go to the Commons:Help desk. —Filnik 20:21, 19 September 2010 (UTC)

Tip: Categorizing images

Latest comment: 12 years ago

Afrikaans ∙ العربية ∙ беларуская (тарашкевіца) ∙ বাংলা ∙ català ∙ čeština ∙ dansk ∙ Deutsch ∙ Deutsch (Sie-Form) ∙ Ελληνικά ∙ English ∙ Esperanto ∙ español ∙ فارسی ∙ suomi ∙ français ∙ galego ∙ עברית ∙ magyar ∙ íslenska ∙ italiano ∙ 日本語 ∙ ქართული ∙ 한국어 ∙ македонски ∙ മലയാളം ∙ norsk bokmål ∙ Plattdüütsch ∙ Nederlands ∙ norsk ∙ polski ∙ português ∙ português do Brasil ∙ română ∙ русский ∙ sicilianu ∙ slovenčina ∙ slovenščina ∙ српски / srpski ∙ svenska ∙ Türkçe ∙ українська ∙ Tiếng Việt ∙ 中文（简体）‎ ∙ 中文（繁體）‎ ∙ +/−

---

Hello, Immunonuclear!

Thanks a lot for contributing to the Wikimedia Commons! Here’s a tip to make your uploads more useful: Why not add some categories to describe them? This will help more people to find and use them.

Here’s how:

1) If you’re using the UploadWizard, you can add categories to each file when you describe it. Just click “more options” for the file and add the categories which make sense:

2) You can also pick the file from your list of uploads, edit the file description page, and manually add the category code at the end of the page.[[Category:Category name]]

For example, if you are uploading a diagram showing the orbits of comets, you add the following code:[[Category:Astronomical diagrams]][[Category:Comets]]

This will make the diagram show up in the categories “Astronomical diagrams” and “Comets“.

When picking categories, try to choose a specific category (“Astronomical diagrams”) over a generic one (“Illustrations”).Thanks again for your uploads! More information about categorization can be found in Commons:Categories, and don’t hesitate to leave a note on the help desk.

CategorizationBot (talk) 10:45, 20 September 2010 (UTC)Reply

• Image:Quaker003.jpg was uncategorized on 19 September 2010 CategorizationBot (talk) 10:45, 20 September 2010 (UTC)Reply
• Image:Bienvenido Bones Banez Jr. at the Williamsburg Art & Historical Center 2011.jpg was uncategorized on 15 October 2011 CategorizationBot (talk) 13:50, 16 October 2011 (UTC)Reply
• Image:Dario Rivarossa portrait.jpg was uncategorized on 8 November 2011 CategorizationBot (talk) 11:14, 9 November 2011 (UTC)Reply

File:Quaker008.jpg

dansk ∙ italiano ∙ sicilianu ∙ Deutsch ∙ català ∙ magyar ∙ čeština ∙ português do Brasil ∙ Esperanto ∙ español ∙ português ∙ English ∙ hrvatski ∙ français ∙ Nederlands ∙ Deutsch (Sie-Form)‎ ∙ norsk nynorsk ∙ polski ∙ galego ∙ íslenska ∙ slovenščina ∙ suomi ∙ svenska ∙ Türkçe ∙ Ελληνικά ∙ беларуская (тарашкевіца)‎ ∙ български ∙ македонски ∙ русский ∙ українська ∙ മലയാളം ∙ 日本語 ∙ 中文（简体）‎ ∙ 中文（繁體）‎ ∙ فارسی ∙ +/−

---

There seems to be a problem regarding the description and/or licensing of this particular file. It has been found that you’ve added in the image’s description only a Template that’s not a license and although it provides useful information about the image, it’s not a valid license. Could you please resolve this problem, adding the license in the image linked above? You can edit the description page and change the text. Uploading a new version of the file does not change the description of the file. This page may give you more hints on which license to choose. Thank you.

This message was added automatically by Nikbot, if you need some help about it, ask its master (Filnik) or go to the Commons:Help desk. —Filnik 16:20, 20 September 2010 (UTC)

Your account will be renamed

Hello,

The developer team at Wikimedia is making some changes to how accounts work, as part of our on-going efforts to provide new and better tools for our users like cross-wiki notifications. These changes will mean you have the same account name everywhere. This will let us give you new features that will help you edit and discuss better, and allow more flexible user permissions for tools. One of the side-effects of this is that user accounts will now have to be unique across all 900 Wikimedia wikis. See the announcement for more information.

Unfortunately, your account clashes with another account also called Immunonuclear. To make sure that both of you can use all Wikimedia projects in future, we have reserved the name Immunonuclear~commonswiki that only you will have. If you like it, you don’t have to do anything. If you do not like it, you can pick out a different name.

Your account will still work as before, and you will be credited for all your edits made so far, but you will have to use the new account name when you log in.

Sorry for the inconvenience.

Yours,
Keegan Peterzell
Community Liaison, Wikimedia Foundation

21:17, 17 March 2015 (UTC)

Notification about possible deletion

Latest comment: 5 years ago

Some contents have been listed at Commons:Deletion requests so that the community can discuss whether they should be kept or not. We would appreciate it if you could go to voice your opinion about this at their entry. If you created these pages, please note that the fact that they have been proposed for deletion does not necessarily mean that we do not value your kind contribution. It simply means that one person believes that there is some specific problem with them, such as a copyright issue. Please see Commons:But it’s my own work! for a guide on how to address these issues. Please remember to respond to and – if appropriate – contradict the arguments supporting deletion. Arguments which focus on the nominator will not affect the result of the nomination. Thank you!Afrikaans ∙ Bahasa Indonesia ∙ bosanski ∙ català ∙ čeština ∙ dansk ∙ Deutsch ∙ Deutsch (Sie-Form)‎ ∙ eesti ∙ English ∙ español ∙ Esperanto ∙ français ∙ galego ∙ hrvatski ∙ íslenska ∙ italiano ∙ magyar ∙ Nederlands ∙ norsk bokmål ∙ norsk nynorsk ∙ occitan ∙ Plattdüütsch ∙ polski ∙ português ∙ português do Brasil ∙ română ∙ shqip ∙ sicilianu ∙ slovenčina ∙ slovenščina ∙ suomi ∙ svenska ∙ Tiếng Việt ∙ Türkçe ∙ Zazaki ∙ Ελληνικά ∙ беларуская ∙ беларуская (тарашкевіца)‎ ∙ български ∙ македонски ∙ русский ∙ српски / srpski ∙ українська ∙ հայերեն ∙ বাংলা ∙ മലയാളം ∙ ပအိုဝ်ႏဘာႏသာႏ ∙ မြန်မာဘာသာ ∙ ไทย ∙ 조선말 ∙ 한국어 ∙ 日本語 ∙ 简体中文‎ ∙ 繁體中文‎ ∙ עברית ∙ العربية ∙ پښتو ∙ فارسی ∙ ދިވެހިބަސް ∙ +/−

Affected:

• File:Bienvenido Bones Banez Jr. at the Williamsburg Art & Historical Center 2011.jpg

—LX (talk, contribs) 12:50, 29 June 2018 (UTC)Reply

Add topicLast edited 6 years ago by LX

• Files are available under licenses specified on their description page. All structured data from the file namespace is available under the Creative Commons CC0 License; all unstructured text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and the Privacy Policy.

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👁️Paradise Lost’s Wickedpedia Encyclopedia of Bienvenido Bones Banez, Jr., Terrance Lindall, Robert J Wickenheiser, Yuko Nii, Peter Dizzoza, John Dugdale Bradley, Carter Kaplan, & Williamsburg Art & Historical Center 🇺🇸

Wickedpedia Encyclopedia In Wiki Surrealmageddon Visual Poetry

Wickedpedia Encyclopedia In Human Mortal Creatures Vanities Desires Inspired by the Tower of Babel: Wikipedia: Wiki Projects Articles For Creation/ Help_desk /Archives /2022 September 18

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September 18edit

09:23:13, 18 September 2022 review of submission by TaiyoHoneyMoonedit

• TaiyoHoneyMoon (talk·contribs)
  • Draft:Wizzard In Vinyl (edit | talk | history | links | watch | logs)

What kind of significance does Wizzard in Vinyl have for power pop artists not only in Japan, but also for the world’s power pop artists? I stated that it is a certain label. Please review again. TaiyoHoneyMoon (talk) 09:23, 18 September 2022 (UTC)[reply]@TaiyoHoneyMoon: I’m not quite sure what you’re saying or asking, but this draft has been rejected and will not be reviewed again. — DoubleGrazing (talk) 09:30, 18 September 2022 (UTC)[reply]

09:47:55, 18 September 2022 review of draft by Concernsavantedit

• Concernsavant (talk·contribs)
  • Draft:Bienvenido Bones Banez (edit | talk | history | links | watch | logs)

Concernsavant (talk) 09:47, 18 September 2022 (UTC) https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world[reply]

                                                                                                          https://prezi.com/dimwhgffgi6s/bienvenido-bones-banez-jr/                                                                   https://miltonrevealed.berkeley.edu/images/satan-leaping-joy-bienvenido-bones-banez-jr                                                                                                         https://welcomebones666artworld.trilogistick.com/magazine/                                                                          https://www.aswangproject.com/bagobo-buso/                                                                                           https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr                                                                   https://prabook.com/web/bienvenido.banez_jr./3755149                                                                                https://wn.com/bienvenido_bones_banez                                                                                                                                                                                                                      https://sites.google.com/site/terrancelindallsparadiselost/home/paradise-lost-project-annual-newsletter?fbclid=IwAR0a2IGcM71ktm6UtLVS-ZSgwLZoILw6fhq-a8bztFJSoriDUuc8G-koH1w                                                                                 https://sites.google.com/site/terrancelindallsparadiselost/the-grand-paradise-lost-costume-ball-september-2008?fbclid=IwAR25ZHULD0CF62YAXC1dglnivvk5PL5S56-a5NFCNz_DA_7JbM6IEkGVQSY                              

https://wikimedioc.com/album/Bienvenido%20Bones?fbclid=IwAR2g7exvXAYK5tpsxeKQndYiRnmmoUDpag9NqvwKiZo1g9oapoOQXK0PANk@Concernsavant: you didn’t ask a question, but your draft was declined for sounding like an advertisement. As for the list of sources you posted here, none of them look reliable (Prezi, Google Sites, “welcomebones666artworld”, and Quora are all unreliable). — Ingenuity (talk • contribs) 13:18, 18 September 2022 (UTC)[reply]https://www.wahcenter.net/tag/bienvenido-banez/ and https://licricardososa.wordpress.com/category/pintura/ and https://www.thenursingoffice.com/dragon-gallery-new-york/there-s-more-to-art/satanic-desire/ and https://www.coursehero.com/file/106130519/artspdf/ and http://www.dreamsanddivinities.com/category/uncategorized/ and https://artfacts.net/artist/bienvenido-bones-banez-jr/547969 and https://spacecowboybooks.com/wp-content/uploads/2021/12/Simultaneous-Times-Newsletter-20.pdf(Redacted)http://scholarcommons.sc.edu/tcl_news/17/. Concernsavant (talk) 23:12, 18 September 2022 (UTC)[reply]and he is a category of autistic artist here’s the link https://wikimedioc.com/album/Bienvenido%20BonesConcernsavant (talk) 23:21, 18 September 2022 (UTC)[reply]Do us a favour and stop throwing random sources at us. “It’s an advertizement” is an indictment of the writing, not the sourcing. —Jéské Courianov^_^v^{a little blue Bori} 23:41, 18 September 2022 (UTC)[reply]

Collapsing a shittonne of sources presented with little context. Will BHFH them when I get an opportunity. —Jéské Couriano v^_^v a little blue Bori
The following discussion has been closed. Please do not modify it.
https://wikimedioc.com/album/Bienvenido%20Bones 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 01:37, 19 September 2022 (UTC)https://www.pressreader.com/philippines/the-philippine-star/20180722/282454234778020 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 01:38, 19 September 2022 (UTC)https://lucidculture.wordpress.com/tag/surrealism/?fbclid=IwAR1vl4q2EX5tnS8lnqSaRL18o6CeTijWjjtO7mG7Cqw6KrChHE-kg192P9E 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 01:44, 19 September 2022 (UTC)https://thejoeyherrera.blogspot.com/2011/07/?m=1&fbclid=IwAR2_9dKPYNL1f4UTaJDiYvPeMp3sqKWXGSfqKPbv1Xh5cgQGuX45vfMo3Fc 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 01:49, 19 September 2022 (UTC)https://realitysandwich.com/visionaries_art_fantastic/?fbclid=IwAR2ADsLMEXcda0k970aIt8Zys33yZSD7YY7OW8CZViRSkelHgiX506Yoz_g 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 01:52, 19 September 2022 (UTC)Our world famous High End of Art World Magazine in “Art & Antiques” issue March 2016. “What’s New in the Surreal World” Surrealism isn’t dead—it’s dreaming. By Terrance Lindall https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world And Young University is a private research university in Provo, Utah; it’s already in the Scholars Archive– “What’s New in the Surreal World” by Terrance Lindall it’s already in Surrealism & Postmodernist in the Scholars Archive ·https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8407&context=etd · And also “Lowbrow” art movement in Wikipedia” https://en.m.wikipedia.org/wiki/Lowbrow_(art_movement) using this “Wikipedia Sources” this Art & Antiques issue March 2016 https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 01:58, 19 September 2022 (UTC)https://artgallery.qcc.cuny.edu/Exhibitions/Exhibit-Pages/2012-Visionaries.html?fbclid=IwAR2TNqQsSpHdX12-ls6Y-sw4BTsPy8uYzX3FRYTB38iZxuM5h6mr4z8CH6Y 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 01:54, 19 September 2022 (UTC)Our world famous High End of Art World Magazine in “Art & Antiques” issue March 2016. “What’s New in the Surreal World” Surrealism isn’t dead—it’s dreaming. By Terrance Lindall https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world And Young University is a private research university in Provo, Utah; it’s already in the Scholars Archive– “What’s New in the Surreal World” by Terrance Lindall it’s already in Surrealism & Postmodernist in the Scholars Archive ·https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8407&context=etd · And also “Lowbrow” art movement in Wikipedia” https://en.m.wikipedia.org/wiki/Lowbrow_(art_movement) using this “Wikipedia Sources” this Art & Antiques issue March 2016 Bienvenido Bones Banez, Jr. listed the art world notable magazines https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 02:00, 19 September 2022 (UTC)https://carterkaplan.blogspot.com/2014/04/emanations-third-eye-review-by-phillip.html?m=1&fbclid=IwAR0DcB6jWBHhCGIAadoWzpSVDDeIf26mz0NEbMw74KWjUzbFCiZH4HpPGQ8 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 02:13, 19 September 2022 (UTC)

Since you clearly refuse to listen I am going to make the case to the reviewers looking at the draft instead, though I strongly doubt they need it. Refer to User:Jéské Couriano/Decode:

• https://www.lexikon-surreal.com/der-autor/ is useless for notability (connexion to subject). Anything he’s written is useless for notability.
• https://sites.google.com/site/williamsburgcircle/our-members/ is useless for notability (connexion to subject). Any organisation he’s a part of is not independent of him and thus unusable as a source for notability or biographical claims.
• https://sc.edu/about/offices_and_divisions/university_libraries/browse/irvin_dept_special_collections/collections/robert_wickenheiser_collection_of_john_milton.php is a non-sequitur.
• http://www.internationalauthors.info/editorial.html is useless for notability (connexion to subject). He’s on an editorial board for the organisation. We do not accept notability-by-osmosis as a legitimate argument.
• https://qptv.org/content/visionaries-art-fantastic is useless for notability (too sparse). A video that’s scenery porn set to a generic island funk beat with no narration is a spectacularly poor source, as it does nothing to identify which works are the subject’s.
• https://issuu.com/lindall/docs/satanic_verses_part_2 is useless for notability (connexion to subject). He wrote it.
• https://thoughtgallery.org/events/dinner-devil/ is useless for notability (wrong subject). Event listings only indicate that an event is scheduled and not that it occurred (any number of things can result in a no-show or cancellation of an event, from serious safety issues, crimes being committed, or venue staff neglecting to read the rider full of safety protocols and requirements and not picking out the brown M&Ms). At best this is a source for the book, and not Banez, as he’s hardly mentioned at all in the listing. Coverage of a subject’s work is not tantamount to coverage of the subject themselves.
• http://gypsyscholarship.blogspot.com/2014/09/terrance-lindalls-dinner-with-devil_24.html is useless for notability (wrong subject). Again, this is more about the book than the person. That (someone claiming to be) Banez commented on it is irrelevant as we don’t take user comments into account.
• I cannot assess https://www.wahcenter.net/exhibits/2013/WAHsalon/ (technical barrier). It throws up a string of Guru Meditation fatal error text when accessed.
• http://fantasticvisions.net/events/2012/03/14/society-art-imagination-exhibition-phantasten-museum-vienna/%20 is 404-compliant. Both the links to this website are dead.
• https://wahcenter.net/exhibits/2012/grandharvest/ is useless for notability (connexion to subject). As noted on the AfD for the article about Banes in 2017 Banez is inextricably linked to the Williamsburg Art & Historical Centre, and so at best this is some uninvolved fool citing something that the subject is connected to and at worst blatant promotion, as that was also noted to be an issue. The same applies to all the other WAHCenter.net links.
• http://www.qcc.cuny.edu/artgallery/artistDetail.asp?exhibitID=56 is 404-compliant (the link redirects to the website’s homepage).
• http://artofimagination.org/member-gallery/ is a non-sequitur, and we can’t use the actual page (too sparse). Image gallery.
• https://www.sunstar.com.ph/davao/great-artists-exhibit-museo-dabawenyo is 404-compliant (The link silently redirects to the website’s homepage).
• We can’t use https://familyvacationspace.com/ (website homepage).
• We can’t use https://www.angdabawenyo.com/2009/10/12/mindanaoan-artist-visual-irony-in-lexicon-of-surrealism/ (404-compliant); the website seems to have been squatted.
• https://kellynewcomer.com/pdf/0603Surrealism_Lindall.pdf is 404-compliant.
• https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world is useless for notability (connexion to subject). As Lindall has a vested interest in promoting his colleague’s work (as made clear by the AfD) we cannot assume anything he writes with respect to Banez is usable.
• https://prezi.com/dimwhgffgi6s/bienvenido-bones-banez-jr/ is useless for notability (no editorial oversight). As a rule we consider teaching materials to be unusable as sources (not to mention that our audience is Joe Blow from San Antonio, not Billy Chub from U-Dub).
• We can’t use https://miltonrevealed.berkeley.edu/images/satan-leaping-joy-bienvenido-bones-banez-jr (too sparse). Half the description is from a self-professed colleague of Banez.
• We can’t use https://welcomebones666artworld.trilogistick.com/magazine/ (website homepage) and even if we could it’d still be useless for notability (connexion to subject).
• https://www.aswangproject.com/bagobo-buso/ is useless for notability (too sparse). His paintings are used to illustrate the article, which is a discussion of the culture and beliefs of a Filipino indigenous tribe.
• We can’t use Quora (no editorial oversight). Internet forum.
• We can’t use Prabook (no editorial oversight). Wiki.
• We can’t use https://wn.com/bienvenido_bones_banez (unknown provenance). The YouTube video it points to was not uploaded by a news agency’s verified account, and so we have to treat it as if it’s a copyright violation and unreliable otherwise.
• https://sites.google.com/site/terrancelindallsparadiselost/home/paradise-lost-project-annual-newsletter?fbclid=IwAR0a2IGcM71ktm6UtLVS-ZSgwLZoILw6fhq-a8bztFJSoriDUuc8G-koH1w is useless for notability (connexion to subject). Again, Lindall has a vested interest in Banez’ career.
• https://sites.google.com/site/terrancelindallsparadiselost/the-grand-paradise-lost-costume-ball-september-2008?fbclid=IwAR25ZHULD0CF62YAXC1dglnivvk5PL5S56-a5NFCNz_DA_7JbM6IEkGVQSY is useless for notability (connexion to subject). Yet more Lindall promotionalism.
• I have a sneaking suspicion https://wikimedioc.com/album/Bienvenido%20Bones?fbclid=IwAR2g7exvXAYK5tpsxeKQndYiRnmmoUDpag9NqvwKiZo1g9oapoOQXK0PANk isn’t supposed to be using that logo. We can’t use it (no editorial oversight).
• We can’t use https://licricardososa.wordpress.com/2016/12/12/bienvenido-bones-banez-jr-pintor/ (too sparse). Photo gallery.
• We can’t use https://www.thenursingoffice.com/dragon-gallery-new-york/there-s-more-to-art/satanic-desire/ (unknown provenance). Why the fuck is a website for “a group of nurses serving and taking care of nurses and our communities” hosting a full biographical writeup of an artist whose works are at best tangential to nursing?
• I cannot assess https://www.coursehero.com/file/106130519/artspdf/ (Walled).
• http://www.dreamsanddivinities.com/category/uncategorized/ is useless for notability (too sparse). This appears to be another event listing, and only includes his name.
• https://artfacts.net/artist/bienvenido-bones-banez-jr/547969 is useless for notability (too sparse). Profile website.
• The PDF at https://scholarcommons.sc.edu/tcl_news/17/ is a non-sequitur.
• The Simultaneous Times Newsletter is another non-sequitur.
• The Surrealism and Postmodernism PDF is yet another non-sequitur.
• https://carterkaplan.blogspot.com/2014/04/emanations-third-eye-review-by-phillip.html?m=1&fbclid=IwAR0DcB6jWBHhCGIAadoWzpSVDDeIf26mz0NEbMw74KWjUzbFCiZH4HpPGQ8 is useless for notability ([[WP:PRIMARY|connexion to subject]). “I should point out that the introduction is a collaboration and I am one of many contributors. Credit for the introduction is shared with Bienvenido “Bones” Banez…”
• The Pressreader source is useless for notability (Incomplete). The article has no byline. If it originally had one, you need to use {{cite news}} and fill it out as if it were an offline cite.
• https://lucidculture.wordpress.com/tag/surrealism/?fbclid=IwAR1vl4q2EX5tnS8lnqSaRL18o6CeTijWjjtO7mG7Cqw6KrChHE-kg192P9E is useless for notability (too sparse). Name-drop.
• https://thejoeyherrera.blogspot.com/2011/07/?m=1&fbclid=IwAR2_9dKPYNL1f4UTaJDiYvPeMp3sqKWXGSfqKPbv1Xh5cgQGuX45vfMo3Fc is useless for notability (too sparse). Name-drop.
• https://realitysandwich.com/visionaries_art_fantastic/?fbclid=IwAR2ADsLMEXcda0k970aIt8Zys33yZSD7YY7OW8CZViRSkelHgiX506Yoz_g is a non-sequitur minus an artist credit.

Exactly NONE of the sources you provide are any good. And this doesn’t address the promotional nature of the draft. —Jéské Courianov^_^v^{a little blue Bori} 04:05, 19 September 2022 (UTC)[reply]

collapse more long-winded source spam —Jéské Couriano v^_^v a little blue Bori
The following discussion has been closed. Please do not modify it.
https://www.google.com/search?sxsrf=ALiCzsZmkZPo4wZsMTpx0r03l1U49FCshQ:1663581456607&q=Why+is+Wikipedia+controversial%3F&sa=X&ved=2ahUKEwiklJruy6D6AhU-p1YBHUJYBE0Qzmd6BAgbEAU&biw=1231&bih=646&dpr=1 Is Wikipedia 100% reliable?So is Wikipedia a credible source? Many of the entries are well-documented, checked for quality and — as opposed to reference books — often completely up-to-date, but, 20 years after its creation, the online encyclopedia is not 100% reliable, because information can be manipulated, and sometimes almost undetectably.Jan 14, 2021What is a better source than Wikipedia?Encyclopedia Britannica Online(Redacted)BECAUSE WIKIPEDIA NOT BELONG TO NOTABLE” https://www.google.com/search?—cs=0&sxsrf=ALiCzsZXiPU1V9Fk8DSrizPbHklRIAdIKQ:1663581745029&q=What+is+a+better+source+than+Wikipedia%3F&sa=X&ved=2ahUKEwicjdP3zKD6AhX_mlYBHUHqDkoQzmd6BAgEEAU&biw=1231&bih=646&dpr=1 Credible ReferencesElectronic Text Cente.Encyclopaedia Britannica Online.Free Internet Encyclopedia.How Stuff Works.Merriam-Webster Online.Online Books Page.Thesaurus.com. ‘BUT NOT WIKIDPEDIA BECAUSE OF NOT BELONG TO NOTABLE”World Book Encyclopedia. https://www.teach-nology.com/teachers/subject_matter/literature/reference/ 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 10:14, 19 September 2022 (UTC)http://www.artofimagination.org/Pages/Banez.html 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 10:31, 19 September 2022 (UTC)(Redacted) http://scholarcommons.sc.edu/tcl_news/17/. Concernsavant (talk) 23:12, 18 September 2022 (UTC)[reply] 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 10:38, 19 September 2022 (UTC)KUNSTHERZ by Prof Gerhard Habarta (Redacted) (https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false) And https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/Forever-In-Our-Memories-and-Forever-In-Art-World-of-Prof-Gerhard-Habarta-and-notability-strongly-believes-in-our-three-c-1?ch=15&oid=79864046&share=5accb94f&srid=OsnH&target_type=post 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 10:42, 19 September 2022 (UTC)Bienvenido Bones Banez, Jr. listed in Lexikon Surreal edition One & Two https://www.lexikon-surreal.com/k%C3%BCnstler-l%C3%A4nder/ 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 10:46, 19 September 2022 (UTC)According to Similarweb data of monthly visits, wikipedia.org’s top competitor in August 2022 is britannica.com with 51.6M visits. wikipedia.org 2nd MOST SIMILAR site is QUORA quora.com, with 812.3M visits in August 2022, and closing off the top 3 is sciencedirect.com with 81.7M. {TAKE NOTE QUORA & Wikipedia similar site.] 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 13:10, 19 September 2022 (UTC)(Redacted) https://archive.org/details/paradox-of-creative-3-2 and https://archive.org/search.php?query=subject%3A%22Surrealist%22&sort=-publicdate and http://www.musicalplayphilippines.com/2013/03/contemporary-art-exposition-by.html and https://wahcenter.wixsite.com/encyclopedia-surreal and https://www.vagallery.com/bienvenido-bones-banez-jr.html and http://colorsofpain.info/10.htmlExcerpted- You Tube https://youtube.com/watch?v=35awKVW0NKA&feature=share 2001:4455:164:700:C1D6:5647:3A44:A31B (talk) 13:29, 19 September 2022 (UTC)

We don’t considerourselves a reliable source, and your entire argument above, sources included, refuses to acknowledge anything I’ve said in favour of attacking Wikipedia on a matter which has long been settled. Given the concerns raised in the AfD and the tenour of your behaviour here, I have to ask: What is your connexion to the Williamsburg Art and Historical Centre and/or Banez? —Jéské Courianov^_^v^{a little blue Bori} 20:31, 19 September 2022 (UTC)[reply]We are concerns the people oppressed by your biased and your discrimination. And hope you consideration for Autistic Artist Bienvenido Bones Banez, Jr. will be qualified by your consideration and here’s the reasons from Wikipedia articles: The systemic bias of Wikipedians manifests itself as a portrayal of the world through the filter of the experiences and views of the average Wikipedian. Bias is manifested in both additions and deletions to articles.Once identified, the bias is noticeable throughout Wikipedia. It takes two major forms:1]a dearth of articles on neglected topics; 2]andperspective bias in articles on many subjectsSince Wikipedia editors are self-selecting, choosing to take part in Wikipedia rather than being forced to, for social class (only a relatively small proportion of the world’s population has the necessary access to computers, the Internet, and enough leisure time to edit Wikipedia articles), articles about or involving issues of interest to other social classes are unlikely to be created or, if created, are unlikely to survive a deletion review on grounds of notability.As of 2006, of the top 20 news sites used as references on Wikipedia, 18 were owned by large for-profit news corporations, while only two of the sites were non-profit news organizations.[citation needed]Perspective bias is internal to articles that are universal in aspect. It is not at all apparent from lunch (see tiffin) or the linguistic term continuous aspect that these concepts exist outside of the industrialized world.A lack of articles on particular topics is the most common cultural bias. Separately, both China and India have populations greater than all native English speakers combined, or greater than all of Europe combined; by this measure, information on Chinese and Indian topics should, at least, equal Anglophone or European topics. However, Anglophone topics dominate the content of Wikipedia. While the conscious efforts of WikiProject participants have vastly expanded the available information on topics such as the Second Congo War, coverage of comparable Western wars remains much more detailed.Notability is more difficult to establish in non-Anglophone topics because of a lack of English sources and little incentive among anglophone participants to find sources in the native language of the topic. A lack of native language editors of the topic only compounds the problems. Publication bias and full-text-on-the-net bias also make it more likely that editors will find reliable coverage for topics with easily available sources than articles dependent on off-line or difficult to find sources. The lack of sources and therefore notability causes articles to go through the deletion process of Wikipedia. https://en.wikipedia.org/wiki/Wikipedia:Systemic_bias—-As Michael Snow and Jimmy Wales have said in an open letter:How can we build on our success to overcome the challenges that lie ahead? Less than a fifth of the world’s population has access to the Internet. While hundreds of thousands of volunteers have contributed to Wikimedia projects today, THEY ARE NOT FULLY REPRESENTATIVE of the DIVERSITY of the WORLD. Many choices lie ahead as we work to build a worldwide movement to create and share free knowledge.While obviously it is no longer true that fewer than 20% of the world’s population has access to the Internet, the overall issues remain. —— Hopefully you understand the points of view we should be open mind to become diversity…. 2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 01:20, 20 September 2022 (UTC)[reply]If all you can do is copy-paste Wikipedia policy pages at us and scream bias as opposed to giving us an actual coherent argument, then you haven’t been listening to what you’re being told and further discussion about this is not going to be productive. And you haven’t answered the question about conflict of interest. Barring a complete and utter sea change in your reading comprehension, I will be reverting all further edits from you that do not address these issues (the refusal to engage with legitimate criticism, obvious conflict of interest, and bothering-by-the-book) off this page as disruptive. We’re not going to waste time debating and explaining policy to someone whose ability to comprehend what is being told is minimal or leased-out. —Jéské Courianov^_^v^{a little blue Bori} 02:46, 20 September 2022 (UTC)[reply]@Concernsavant “[We hope your] consideration for Autistic Artist Bienvenido Bones Banez, Jr. will be qualified by your consideration…” We hope your consideration will be qualified by your consideration? What the heck does that mean? 71.228.112.175 (talk) 06:41, 20 September 2022 (UTC)[reply]here’s the reliable source- https://wikimedioc.com/album/Bienvenido%20Bones?fbclid=IwAR2g7exvXAYK5tpsxeKQndYiRnmmoUDpag9NqvwKiZo1g9oapoOQXK0PANk2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 01:58, 22 September 2022 (UTC)[reply]I’ve already dismissed that source, if you’d actually paid any attention. —Jéské Courianov^_^v^{a little blue Bori} 03:17, 22 September 2022 (UTC)[reply]https://www.vagallery.com/bienvenido-bones-banez-jr.html2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:15, 22 September 2022 (UTC)[reply]Useless for notability (too sparse). —Jéské Courianov^_^v^{a little blue Bori} 03:18, 22 September 2022 (UTC)[reply]https://thtsearch.com/content/Bienvenido_%22Bones%22_Banez,_Jr./2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:17, 22 September 2022 (UTC)[reply]Can’t use (No editorial oversight/unknown provenance). This looks like it came from some sort of wiki and in any event doesn’t have a listed author. —Jéské Courianov^_^v^{a little blue Bori} 03:19, 22 September 2022 (UTC)[reply]https://www.visionaryartexhibition.com/featured-artwork/the-seed-of-666-with-luciferian-desire-by-bienvenido-bones-banez-jr2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:18, 22 September 2022 (UTC)[reply]Can’t use (No editorial oversight, too sparse). Contextless picture galleries are absolutely worthless as sources. —Jéské Courianov^_^v^{a little blue Bori} 03:20, 22 September 2022 (UTC)[reply]https://edgedavao.net/indulge-lifestyle/2018/08/03/my-city-my-sm-my-art-edades-at-sm-lanang-premier/2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:24, 22 September 2022 (UTC)[reply]Useless for notability (too sparse). Name-drop. —Jéské Courianov^_^v^{a little blue Bori} 03:26, 22 September 2022 (UTC)[reply]https://www.artofthemystic.com/uploads/2/5/9/7/2597378/visionary_alchemy-revised.pdf2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:19, 22 September 2022 (UTC)[reply]Can’t use (No editorial oversight, too sparse). Why on earth are you citing an event flyer? —Jéské Courianov^_^v^{a little blue Bori} 03:22, 22 September 2022 (UTC)[reply]https://www.dnainfo.com/new-york/20120703/bayside/alien-artist-hr-gigers-work-be-featured-queens-exhibit2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:20, 22 September 2022 (UTC)[reply]Useless for notability (too sparse). Name-drop. —Jéské Courianov^_^v^{a little blue Bori} 03:22, 22 September 2022 (UTC)[reply]https://www.taringa.net/+arte/bones-banez-surrealismo-psicodelico-infernal-desde-filipin_t7g5b2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:25, 22 September 2022 (UTC)[reply]Can’t assess (language barrier). The site’s DDoS mitigation also negates automated translation. —Jéské Courianov^_^v^{a little blue Bori} 03:27, 22 September 2022 (UTC)[reply]https://www.liquisearch.com/terrance_lindall/the_paradise_lost_elephant_folio2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:22, 22 September 2022 (UTC)[reply]Useless for notability (too sparse). Name-drop. —Jéské Courianov^_^v^{a little blue Bori} 03:23, 22 September 2022 (UTC)[reply]https://youtube.com/watch?v=35awKVW0NKA&feature=share2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:26, 22 September 2022 (UTC)[reply]Unless it’s from a news agency’s verified account we can’t cite YouTube, as I have already explained. —Jéské Courianov^_^v^{a little blue Bori} 03:28, 22 September 2022 (UTC)[reply](Redacted) (https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false) And https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/Forever-In-Our-Memories-and-Forever-In-Art-World-of-Prof-Gerhard-Habarta-and-notability-strongly-believes-in-our-three-c-1?ch=15&oid=79864046&share=5accb94f&srid=OsnH&target_type=post2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:29, 22 September 2022 (UTC)[reply]https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:30, 22 September 2022 (UTC)[reply]http://www.artofimagination.org/Pages/Banez.html2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:31, 22 September 2022 (UTC)[reply]Your Google Books link is absolutely worthless for assessment (It says I’ve hit the viewing limit for the book). I’ve already dismissed Quora and Art of Imagination above. —Jéské Courianov^_^v^{a little blue Bori} 03:34, 22 September 2022 (UTC)[reply]Our world famous High End of Art World Magazine in “Art & Antiques” issue March 2016. “What’s New in the Surreal World” Surrealism isn’t dead—it’s dreaming. By Terrance Lindall https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world And Young University is a private research university in Provo, Utah; it’s already in the Scholars Archive– “What’s New in the Surreal World” by Terrance Lindall it’s already in Surrealism & Postmodernist in the Scholars Archive ·https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8407&context=etd · And also “Lowbrow” art movement in Wikipedia” https://en.m.wikipedia.org/wiki/Lowbrow_(art_movement) using this “Wikipedia Sources” this Art & Antiques issue March 2016 https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world2001:4455:164:700:10D9:B4A7:1E22:B0D8 (talk) 03:33, 22 September 2022 (UTC)[reply]At this point you’re literally rehashing the same garbage sources that have already been discussed above. This conversation is over. Any further replies will be reverted off. —Jéské Courianov^_^v^{a little blue Bori} 03:35, 22 September 2022 (UTC)[reply]@You are posting while not being signed in to Wikipedia now, just so you know. 71.228.112.175 (talk) 09:02, 22 September 2022 (UTC)[reply]

🇺🇸👁️15:31:56, 18 September 2022 review of draft by Chito Kaiiedit

• Chito Kaii (talk·contribs)
  • Draft:Ducks (1920 film) (edit | talk | history | links | watch | logs)

I want to make an article on this rare film (whose survival status is unknown to me), but I can find no further info. Just the reputable Movie Weekly and the IMDB. I still search, but feel it’s hopeless. Would the reformatting I did help to get it through? I will try to find an image if it helps.

Same goes for the draft, “Draft:Duck Inn (1920 film)” by Mermaid comedies. Chito Kaii (talk) 15:31, 18 September 2022 (UTC)[reply]@Chito Kaii If you can’t find reliable sources, then there is nothing to base an article on. Reformatting won’t overcome a lack of sources, unfortunately. The article needs to summarize what the sources say. 71.228.112.175 (talk) 06:44, 20 September 2022 (UTC)[reply]

18:41:36, 18 September 2022 review of draft by Sclystest1edit

• Sclystest1 (talk·contribs)
  • Draft:Socialays (application) (edit | talk | history | links | watch | logs)

Hi, I've just created a Wikipedia page of Socialays (application), an artificial intelligence softwared social media management application. I also review the text with the tools called reFill and citation bot; and the result was no change necessary.

I’ve just wanted to let you know and be helpful.

Have a nice day!

Sclystest1 (talk) 18:41, 18 September 2022 (UTC)[reply]

18:54:17, 18 September 2022 review of submission by PatrickJWelshedit

• PatrickJWelsh (talk·contribs)

PatrickJWelsh (talk) 18:54, 18 September 2022 (UTC)[reply]Answered on their talk page. Provided additional sources for inclusion in the article. Gusfriend (talk) 22:10, 18 September 2022 (UTC)[reply]

Editor Gusfriend rejected this draft as lacking adequate sources.

I’m confused about what kind of additional sources are needed, however. It’s a stub that only makes three claims. The first two are supported by citations: one is a university website, and the other is a scholarly Dictionary of Hegelian Thought (in which GdiG was deemed important enough to be given his own entry). The third claim is supported by the titles of his works (or so I would think), the list of which are taken from his CV, which is linked below and can easily be independently verified.

Thanks for your help, and sorry if the answers to this are obvious: this is only the second article I created from scratch.

Regards, PatrickJWelsh (talk) 16:53, 18 September 2022 (UTC)

(P.S.” apologies, Gusfriend, for re-posting here what I posted in response to your Talk message. It just occurred to me that pulling you into a discussion there might be frowned upon.)PatrickJWelsh, There is a full answer on the draft which sets out what we require from a reference. IN addition sometimes their work can be a reference, often not. Let me try to explain. If they manufactured vacuum cleaners, the cleaners would be their work. A vacuum cleaner could not be a reference for them, simply because it is the product they make. So it is with research, writings, etc. However, a review of their work by others tends to be a review of them and their methods, so is a reference, as is a peer reviewed paper a reference for their work. You may find WP:ACADEME of some use in seeing how Wikipedia and Academe differ hugely 🇺🇦 Fiddle^TimtrentFaddle^Talk to me 🇺🇦 06:56, 20 September 2022 (UTC)[reply]Hi @Timtrent,For future reference, you could probably turn to sports or politics to find a less offensive analogy, that is, one that does not appear to compare a person to a manufacturing plant. (In this instance, the implication that I cite GdiG as a source for his own excellence seems to me false. But that is neither here nor there.)It’s probably also a bad idea to send an academic to a Wikipedia page that claims academics are only interested in boosting their own reputations, should be handled with kid gloves, and are very possibly only here to write articles about themselves under false pretense. Ouch!You can find a model of a more productive and encouraging response on my Talk page.Regards — Patrick J. Welsh (talk) 14:58, 20 September 2022 (UTC)[reply]@PatrickJWelsh I’m sure anyone can choose to be offended by anything. 🇺🇦 Fiddle^TimtrentFaddle^Talk to me 🇺🇦 15:26, 20 September 2022 (UTC)[reply]@Timtrent, your suggestion that people chose their emotional response is psychologically dubious, to say the least. (If only that were so!)In any case, whatever your actual attitudes or intentions, please be aware that the response to my inquiry that you posted on Draft:George di Giovanni is perceived by this inquirer as decidedly uninviting (which, incidentally, is directly contrary to WP:ACADEME#How_can_we_solve_it?).Cheers– Patrick J. Welsh (talk) 17:17, 20 September 2022 (UTC)[reply]Without taking any stance on the topic of the draft, given that the claim for notability rests on his scholarly work the dedicated guidelines for academics may be relevant. Felix QW (talk) 12:24, 23 September 2022 (UTC)[reply]Last edited 4 months ago by John of Reading

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🌈Emanations: Third Eye 👁️ on Surrealmageddon! with Greeting Congratulations from Sir Terrance Lindall 💥🇺🇸👌

• Emanations: Third Eye ”666 SURREALMAGEDDON” From WAH Center reply / 666 Art World News: According from Sir Terrance Lindall: CONGRATULATIONS to Carter Kaplan and the writers. Well deserved!  This fantastic review is through the auspices of supporters of Bienvenido Bones Banez, most notably the brilliant Phillip Somozo.This anthology also contains my account of the Williamsburg art scene 1996 onward. This outstanding anthology can be purchased on Amazon:http://www.amazon.com/Emanations-Carter-Kaplan/dp/0615494404 http://carterkaplan.blogspot.com/2014/04/emanations-third-eye-review-by-phillip.html<i>Emanations: Third Eye</i> review by Phillip SomozoTerrance Lindall has sent me a copy of Phillip Somozo’s review of Emanations: Third Eye . Over the next several…Terrance Lindall Book Review  Emanations: Third Eye anthology by International Authors introduces Surrealmageddon of Davao surrealist By Phillip SomozoThis Filipino artist is considered one of the world’s top contemporary surrealists as published in high-end Art & Antiques Magazine in New York.[1] His bio-data appeared along with surrealism immortals Salvador Dali, Ernst Fuchs, and Hieronymus Bosch in the Lexicon Surreal.[2]Bienvenido “Bones” Banez, of Davao, after having accomplished what no other Filipino had achieved, continues to impress intellectuals in the surreal art world.Surrealmageddon (surreal + Armageddon), a term Banez coined to describe his phantasmagoric vision of the final battle between good and evil, was picked up by books author Carter Kaplan who used it as introductory title for his anthology Emanations: Third Eye,[3]  third of a series.  This reviewer is motivated by Kaplan’s reception of Banez’s Surrealmageddon to scrutinize the former’s introduction to Emanations: Third Eye. Carter Kaplan, Ph.D.Carter Kaplan is an American professor who had taught English and Philosophy for 30 years in many U.S. Colleges and in Scotland. He is a poet and had written a number of novels with philosophical and mythological themes. Describing Banez as “pioneering philosopher of Surrealmageddon,” Kaplan considers the Dabawenyo’s vision of apocalyptic psychedelia as “a catalytic spec floating in the global crucible of morphing civilizations.” What shapes the future, Kaplan rationalizes, is the global consumerist culture and he admits it doesn’t seem very bright. Self-destruction, he elaborates, is built-in in the Homo s. sapiens because of greediness which, in the civilized world, is considered “not insanity.”Kaplan’s introduction, in effect, also concludes his interpretation of the anthology (subtitled Art of Ecstasy and the Ecstasy of Experiment) in the context of collective human thought deciding its own destiny. It is remarkable Kaplan corroborates Banez’s cataclysmic semanticism.  The union of the terms surreal and Armageddon, a brilliant etymological updating, by Banez, modernized its semantic significance by redefining modernism’s pinnacle to which society prophetically (and now affirmed by Kaplan’s sound psychosocial arguments) is heading. The term could had been invented by Saint John the Apostle two millennia ago, if only John had knowledge of modern behavioral psychology and social dialectics. Bridging the gap between Prophet John and hermeneutic surrealist Bienvenido “Bones” Banez is artistic evolution. Yet, I am sure not everyone agrees with Kaplan and Banez, not the inventors of artificial life-support systems (e.g. biotech, genetic engineering, transhumanism) who aim to perpetuate human life regardless if they have to alter nature, and the vested corporates who tweaked the nostril of the planetary Tao so that it has been desperately sniffing for the vanishing direction to its future since Modernism dawned. Not even New Age thinkers, Armageddon advocates they are, will completely agree with Kaplan, as this reviewer cannot agree with him at some points of his perspective that are inconsistent to verifiable objective reality. His weakness lies in treating all human effort —sacred to sacrilege—as a continuum of futility and spreads it out like mayo over the proto-host for Surrealmageddon to consume. Here, his introduction runs digressive from the original, pure concept of Third Eye.  But why the heck should a self-respecting author who is not profit-motivated write to please anyone in a society reeling with greed and wanton environmental destruction? There, Kaplan erects a sneering totem pole of his personal virtue.       The International Authors The tales, poems, and visuals featured in the Emanations series consist an international literary and artistic vintage that to Kaplan represents the gamut of human planetary experience—a claim that could stand up better if challenged and overcomes it. The use of the term Third Eye for the third volume’s title suggests of the translogical vision that alone can penetrate the depth of subtly illuminated archetypes and spiritual realms. It is the unique Eye of the Spirit the awakening of which sees the integrity of the Cosmos, the portal to Sahaj Samadhi, or Nirvana, that receives rapturous emanations countless-fold higher charged than Genghis Khan’s best orgasm in his matchless harem of hundreds of inter-racially sourced women. Its vision can diagnose diseases wholistically, social or of individuals. Divine intoxication is its primary symptom. Those who have tasted its nectar, like India’s six Goswamis, knowingly and sweetly smile while respectfully bowing their heads down at each other in Namaste. The forty-plus Emanations international authors[4] (contemporary cream-of-the-crop of poets, fictionists, and illustrators, including Kaplan), on the other hand, define the Third Eye (or I) as the “ocular stage upon which we perceive this enfolding process,” referring to the human role as witnesses and/or interpreters of the initial formation of the universe and the phenomenon of life and evolution which, they admit, are paradoxically parts of our manifold selves. This all-inclusive definition reminds the reviewer not to hastily make generalizations about the prolifically diverse international authors. When discoursed, however, solely with academic terms, the mystique of Third Eye as title is shrouded, which is what Kaplan did. Facing the chasm at the philosophical boundary where mystery blurs the dualistic, objective approach to knowing, Kaplan fails to see beyond and cowers to jump across the abyss to find out what is behind the fog. Instead he takes refuge in deconstructonism and mathematical reconfiguration to come up with his darker version of Surrealmageddon, which sounds more of ultimate doom than prelude to the establishment of a new age. With his implied unbelief in Intelligence behind the universe and lack of faith in humanity, he denies stratified cosmic reality, flattening the entire universe into nothing else but matter hopelessly heading into collision with one another. His deep-seated skepticism even makes him paranoid of meteor showers hitting the Earth. With this subliminal fear under his breath how can he be a possessor of Third Eye self-realization? Being an English professor Kaplan is quite aware of virtues borne by myths but cites the loss of its functionality in the modern world. Then he throws a jab, below the belt, by putting the blame on shamans and mystics who to him are flirting with insanity to the dilution of reality. We should accept greediness for it is civilized but spirituality and myths are a savage way of cooking us, he tells readers. Following his logic we need not protest the greediness of the 1% (Occupy Wall St.) regardless of its domino effect on environment and society. Foremost is freedom from myth.  Greed’s empire—its structures and institutions that are raking in the profit—is a formidable opponent compared to the vestiges of shamans and mystics. So, for Kaplan, it is better to detoxify our sense of righteousness by electrolyzing myth from reality. Kaplan is well-advised to take a solo intercontinental flight to Africa. If his plane is shot at over Syria, more likely than not, the weapon used is Made in U.S.A. If he crashes in the rainforest of Central Africa it would be to his gratification to complete the crash with his demise because, if he survives, he would find it totally ego-crushing to accept the long-running wisdom of indigenous pygmies as his salvation, a wisdom built by Nature’s ways and securely woven with the fabric of what he calls myth. At best Kaplan is an agnostic. Surely, all of Emanation’s international authors will easily hurdle tests for the dialogical and hermeneutic Eye of the Mind, which looks inward at images, symbols, thoughts, and feelings—the second level of knowing, the first being the outward-looking, monological eye of the flesh, which any sane being cannot mistake (The Marriage of Sense and Soul, Ken Wilber). Considering the rarity of the age-old Third Eye, Kaplan’s reductionist interpretation of reality, and the global village we now live in, I am afraid the consenting international authors will not pass an optical test of the sort. His verbosity reveals an imaginative and prolific intellect on an eccentric evolutionary trajectory gobbling information along the way, makes calculations, and comes up with a mathematical equation reducing human evolutionary accomplishment with ultimate doom. Had he the gift of a wakening Third Eye, he would have jumped the chasm, discovered mystical profundity, accurately diagnosed the human problem, and pointed at the solution. Greed, for one, has been diagnosed since time immemorial by mystics as misdirected human yearning for the infinite Divine. A soul illumined by the Third Eye is necessarily on a culminating swing from complexity toward simplicity, one-pointedness, self-contentment, renunciation…peace. Which was why Saint John the Prophet chucked away his writing tool and hid his manuscripts inside jars after having said his New Age piece and fearlessly faced the ax, or hangman’s tree? Experiencing the awakening of the Third Eye is the only way of understanding it. It is real and replicable because master mystics can transfer the experience to their pupils. The academic method meanwhile is like a balloon that could only hang around in the lower layer of Earth’s atmosphere, so to speak. The teeming Cosmos What I like best in Kaplan’s introduction is his last sentence, of the universe “possessing elements (conscious or otherwise) that are determined to struggle, shove, claw, fight, compete, cheat, consume, procreate, expand, and—in whatever form—survive” for this is veritably a perfect picture of material energy having just fallen from God’s grace. There is more to this evolutionary narrative. The universe undeniably is expanding and evolving, precisely why we are here with inexplicable pineal glands lodged in our brains. Ancient wisdom says it is the physical base for our contact point with the Macrocosmic Mind—the crack (Third Eye) through which spiritual enlightenment gets in (Anthem, Leonard Cohen). Do you now have a hunch why during spiritual ecstasy a mystic’s irises roll up the eyeballs?  Ever wonder why during human sexual orgasm irises too roll up while the subject exclaims “Oh, my God!”? There is more to it than coincidence but I am not suggesting substitution of various bedroom positions in place of attending Sunday church service, temple worship, or kneeling on the rug for prayer. What sustains the universe is not competition or Darwin’s outmoded survival of the fittest. The sustaining factors of the universe, other than the four constants of gravity, electromagnetism, and the equilibrium of strong and weak nuclear forces, are the creative moments that brought forth life and consciousness from practically 0.000 probability. This means from out of chaos, the competing quarks, atoms, molecules, and cells, learned to converge and cooperate with each other to form larger, more complex systems, i.e. tissues, organs, organisms.  At this point of human development we now have culture, a vehicle for greater cooperation and co-creation. The universe took an exponential leap in reversing zero probability into endless possibilities with human consciousness around. Kaplan, himself, demonstrated that same converging and cooperating characteristic by anthologizing international authors. Society needs a new breed of politicians, businessmen, and cultural workers to effect positive social change (Shaping Globalization, Nicanor Perlas, 2000). With the neo-shamanic apocalyptic art of the international authors Kaplan places his hopes of exorcising myth from reality—a sign of not having completely lost faith in humanity. It affects the product quality of one’s gonads, you know, again, mind over matter. O descendants of Narcissus, in each of your genes are recorded lessons-learned called instincts accumulated through countless lifetimes and forms.  Death is not annihilation of existence. Energy cannot be destroyed, only transform. The persona with its etheric karmic baggage will, at another time, some place somewhere in this versatile multiverse, reincarnate to continue its journey to perfection. Forgetfulness is not knowing enough of the true Self. If self-destruction is inherent in Man, so is the propensity for self-sustainability. These two archaic traits, having walked away toward opposite directions from a common point, took an about-turn, and will try to outdraw each other in Surrealmageddon—the modern world’s Battle of Kurukshetra. Whether you are fundamentalist or postmodernist, it will blast your doors, windows, and walls, physically or metaphorically, as evolutionary process. Evolution will sweep away what is not aligned to its grand purpose. Surrealmageddon will cause a differentiation of the Homo s. sapiens leading to the development of a species more attuned to seeking harmony, cooperation, and love. Are not these qualities relevant to the Sermon of the Mount? Banez’s Surrealmageddon deserves profound interpretation to cement its place as over-all evolutionary cleansing and the rise of neo-humanity. Emanations the series deserves a fourth volume to do justice to the divine experiences of prophets, saints, holy men, mystics, shamans, and even seculars who are privileged to receive such gifts. ((((But for my opinion they need LSD turn into ”Lucifer in the Sky within Distortion” its like Reasoning into Babel! and everything is vanity, vanity, vanity under the sun and who we are? and everybody waiting for death into time unforeseen occurrence! what for reason? we live and die tomorrow! —B.BonesB.—))))    Mural By Bienvenido Bones Banez collection of the Yuko Nii Foundation

🇺🇸Emanations:✨ 👁️Third Eye💥Surrealmageddon Art World Desires 👁️

• EMANATIONS: THIRD EYE (Surrealmageddon Art World)From: Carter Kaplan Contributors to the collaborative introduction include Bienvenido Bones Bañez Jr. (who gives us the term “Surrealmageddon”), M-A Berthier ( Mimi Berthier-Frontenac, please advise M-A), Mike Chivers, Horace Jeffery Hodges, Carter Kaplan, Terrance Lindall, Devashish Makhija, Chris Matthews, Martin McPhillips, Vitasta Raina, Don Tinsley, and Hayden Westfield-Bell.We are thankful to Dr.Carter Kaplan and I am proud to be ”Honored” including this term: ”Surrealmageddon” but for us its an Awakening art world! Therefore Everybody Welcome 666 Art World Desire!!!  Dear World,     We are truly pioneering philosopher of Surrealmageddon and God’s watching for our future!                         Your Humble Servant Bienvenido Bones Banez, Jr. http://www.androidillustrated.com/q/People_by_occupation_and_period                                                         http://www.amazon.co.uk/Emanations-Third-Eye-Carter-Kaplan/dp/1491257083#reader_1491257083                                                              Kristine Shmenco and our great Dr.Carter KaplanDr. Carter Kaplan , Editor in Chief of International Authors & Bienvenido Bones Banez, Jr.{Hermeneutical Surrealist) representing the WAH Center with EMANATIONS: THIRD EYE (purchase on Amazon), the definitive contemporary surrealist edition… SURREAL ARMAGEDDON! into SURREALMAGEDDON!!!

“🌈The Eve of Destruction Over the Ugly Abyss”✨ by Bienvenido Bones Bañez Collaboration with Terrance Lindall🇺🇸💥👁️”

• “The Eve of Destruction Over the Ugly Abyss” by Bienvenido Bones Banez Jr. Collaboration with Terrance Lindall – Book 3, part 5 SATAN INSPIRING THE WORLD 666 KINGDOMS!!! / Private Collection by Yuko Nii Foundation, Brooklyn New York, USA BUILD YOUR OWN HOUSE, THEN YOU ARE TRULY FREE The Spanish and English Gifts!Small pox and syphilis for the Indians!Gave them peace,Of the grave, Gave slavery too!Gave them Christianity,To work in the fields and mines,Of the great White Satan.To save the Vietnam,Bombs and agent orange,To cleanse their troubles.And great Hitler, “Super Satan,” To solve the “Jewish Question.”Six million gone,Ten million Russians too,For Living space! Lenin, Mao, Stalin too, To make a workers heaven, Killed millions, And made a hell. For Iraq, Democracy, Half a million died, In Shock and Awe,Blessings from the Great White father. But you love him! The Great White Father! From the south, The Blacks from poverty swarmed, To northern cities, To be among the whites. From Mexico and South America, They swarm, To be provided jobs. From Africa they swarm, To White Europe, Not to starve. To hate the whites too! “White racism! White privilege.” You cry! You also say“ Take us in anyway,” “When we have the numbers, We take your house! ”Our privilege now! God bless democracy! Oh foolish ones! White privilege is in your dark minds, Not in the white man. End white privilege? Start with yourself, You give him white privilege, In you imagining! You move next to him, And wish to push him out. And if he left for elsewhere, You would follow! You did before, Why different now? Lie not to yourself. “SELF-deception, That you escape decadence. By opposing it.” So said Nietzsche. Beyond your will! And you now become, Promoter of decadence, Progressive Thinker! Build your own house! Take not the White man’s. Then have your own racial privilege, That you did great things! When you do this, Then you are truly free, no slave! Free from your own hatred! Otherwise a pox upon you! ((( My poems base in human’s experience in the world history and just as many desperate criminals follow the policy of ‘rule or ruin,’ the Devil and his demons are determined to bring the earth tribulations into bloody. And according to the Holy Bible: The great Noah, on awakening, uttered a curse, not on Ham, but on Ham’s son Canaan -{Dark Skinned). In the accompanying blessing of Shem-{Medium Skinned), which included a blessing for Japheth-{Light Skinned), Ham-{Dark Skinned) was passed over and ignored; only Canaan-{Dark Skinned) was mentioned as cursed and was prophetically foretold to become a slave to Shem and Japheth-{Light Skinned are White & Yellow ).— Genesis 9:20-27. And some say they found it. Apparently, we can blame a German professor from the 19th century. Johann Friedrich Blumenbach (1752–1840), one of the founders of what some call scientific racism theories, came up with the five color typology for humans: white people (the Caucasian or white race), more or less black people (the Ethiopian or black race), yellow people (the Mongolian or yellow race), cinnamon-brown or flame colored people (the American or red race) and brown people (the Malay or brown race). Blumenbach listed the “races” in a hierarchic order of physical similarities: Caucasian, followed by American, followed by Mongolian-{ https://en.wikipedia.org/wiki/Mongols) followed by Malayan, followed by Ethiopian. But contrast from Bible prophecy and its up to you how you evaluate this… -{. But contrast from Bible prophecy and its up to you how you evaluate this… -{Ungodly world ends; humankind preserved. Thus, the koʹsmos for which Jesus died must mean the world of mankind viewed simply as the human family, all human flesh. (Joh 3:16, 17) As to the world in the sense of human society alienated from God and in actual enmity toward God, Jesus did not pray on behalf of such world but only for those who came out of that world and put faith in him. (Joh 17:8, 9) Even as human flesh survived the destruction of the ungodly human society, or world, in the Deluge, so Jesus showed that human flesh is to survive the great tribulation that he likened to that Flood. (Mt 24:21, 22, 36-39; compare Re 7:9-17.) “The kingdom of the world” (evidently meaning of humankind) is, in fact, promised to become “the kingdom of our Lord and of his Christ,” and those reigning with Christ in his heavenly Kingdom are due to “rule as kings over the earth,” hence over humankind apart from the deceased ungodly human society dominated by Satan.—Re 11:15; 5:9, 10. ) Why does mankind need a world government? Today, mankind’s problems are often on a worldwide scale. In some nations, most people are poor and oppressed. In others, many people seem to have more than they need. Only a global administration could distribute the earth’s resources fairly.—Read Ecclesiastes 4:1; 8:9.Who could be trusted with a world government? The idea of a world ruler is unpopular because no man or woman could do the job well. No human could gain the acceptance of everyone. Also, who is above being corrupted by power? The thought of a single tyrant ruling all mankind is terrifying.—Read Proverbs 29:2;Jeremiah 10:23. — Excerpted from jw.org ))) How Satan gave power to the world-666 https://www.youtube.com/watch?v=iXqqkWgh0VY&feature=pyv 666 SATANIC POSSESSION INTO LUCIFERIAN DESIRE / Private Collection by Yuko Nii Foundation, Williamsburg Art & Historical Center, Brooklyn New York 666 SATANIC POSSESSION INTO LUCIFERIAN DESIRE / Private Collection by Yuko Nii Foundation, Williamsburg Art & Historical Center, Brooklyn New York ”The 666 Wild Beast Shitting his Lucifer-DNA” / Private Collection by Yuko Nii Foundation, Williamsburg Art & Historical Center, Brooklyn,New York Art World

👁️💥John Milton’s Brotherhood In Paradise Lost💥✨

• Milton Brotherhood Paradise Lost Drawing by ROBERT BEAL – http://www.beal-surrealiste.com/graphics.htm https://welcomebones666artworld.trilogistick.com/celebrating-john-miltons-paradise-lost/ https://wahcenter.net/2016/08/the-horror-show/ https://www.pinterest.com/pin/546835579732169468/?lp=true Portrait of Dr. Robert J. Wickenheiser / Drawing by Robert Beal Correspondence between the foremost collector of John Milton and the foremost illustrator of Paradise Lost 2009-2015 https://issuu.com/lindall/docs/wickenheiser-lindall_emails_and_lecPortrait of John Milton / Drawing by Robert Beal The Gold Illuminated Elephant Folio https://issuu.com/lindall/docs/pl_gold_catalog_fifth_version_for_cPortrait of Terrance Lindall / Drawing by Robert Beal The development of the largest MIlton artist’s project ever produced…and still unfinished. This is a draft to be edited and printed in hard cover April 2018 https://issuu.com/lindall/docs/the_milton_brotherood_reduced Portrait of Yuko Nii / Drawing by Robert Beal The Yuko Nii Retrospective 2016-17 Published on Nov 24, 2017 / The life and times of the artist and founder of the Williamsburg Art & Historical Center https://issuu.com/lindall/docs/yukonii-catalog-64_reduced
  Portrait of Bienvenido Bones Banez, Jr. / Drawing by Robert Beal The Book of the Damned https://issuu.com/lindall/docs/the_beast_of_bien_issuu_qaulity_pdfPortrait of John Milton / Pastel on Paper by Robert Beal

Surrealmageddon Visual Poetry In Terrance Lindall’s Paradise Lost & Great Advocator of New York Art World Historical Contextual and Prophetic 666 Art Enlightenment💥

🇺🇸Awesome Visionaries in the New York art world power! Only First World Country New York Art World Historical Contextual and Prophetic! The legacy of Sir John Milton Projects Surrealmageddon Visual Poetry!
OUR GREAT PHILOSOPHERS-SURREALIST IS SIR TERRANCE LINDALL” With BONES REVELATION, and JOHN MILTON SURREALMAGEDDON MACHINE! WE ARE PROUD TO HAVE OUR GREAT PHILOSOPHER, VISIONARY, JOHN MILTON’S BOOK EXPOUNDER, SURREALIST VISIONARY ADVOCATOR AND WIKIPEDIA PROMOTER in NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL🇺🇸🗽And MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR❤️🙏🇺🇸 https://youtu.be/M659gN27lc0?si=6U-tv1nVrSJeoXkk

https://alchetron.com/Terrance-Lindall Terrance Lindall’s Paradise Lost, 🇺🇸 Terrance Lindall, Once upon a time and I was so happy with searching my favorite artist, before I visited the Williamsburg Art & Historical Center. First of all I was won the Freeman Fellowship in Vermont Studio Center 2002, and I meet the VSC president his name Sir Jonathan Greg is the founder of the Vermont Studio Center Fellowship-( https://en.wikipedia.org/wiki/Vermont_Studio_Center ,) and my first one man show at Red Mill Gallery in VSC, Johnson, Vermont, and I got a message from VSC to introduce me to Alex Grey, and some my VSC fellowship are talking about my painting in similar ways to Alex Grey and that is the time to get another blessing for going to New York City, and the President of the Vermont Studio Center is Jonathan Greg suggests me to visit the Alex Grey in One Man Show, Manhattan, New York City, that was throwback 2002 December, and that is my excitement for going to New York City, and my first landed on the world famous New York Art World on December 20, 2002, and I stay at NY Hotel and I call the taxi and time to visit to our world famous artist Alex Grey and I meet him in person and he answered me for “Good for you Bien Bones to meet you” and Alex said “You and Me we are same psyche visionary” and that’s my first heard for he encouraged me to do it for more painting, but I took a photo with him and paintings by Alex Grey-( https://en.wikipedia.org/wiki/Alex_Grey). After 2 days stayed in New York and I decided to going to Chicago to visit my sister in that was December 22, 2002 for another tour in Chicago Museum, and I stayed more than 4 months in Chicago and I participated in paintings art exhibits in Chicago with my 8 paintings for art festival of the “Around the Coyote Winter Arts Festival 2003, Chicago”, Illinois, and while I was strolling in art haven in Chicago and there’s a lot of people and galleries until I found the art magazine and I read the art news about the prestigious invitation for coming show about the Brave Destiny 2003-( https://www.wahcenter.net/exhibits/2003/surreal/BD_artists.html & https://www.wahcenter.net/exhibits/2003/surreal/ ) and that was my first apply for being participate on the world famous Surrealists and Visionary in Williamsburg Art & Historical Center and that’s why I am excited to be included the famous Brave Destiny, and after Chicago and I move to California for visit my first cousin Earl Bones and I got a email and letter from Williamsburg Art & Historical Center and the good news is I am qualified for be part of the Brave Destiny 2003. Meanwhile, I have a time going to New York 2005, and I have a plan to visit the Williamsburg Art & Historical Center, and I found the Marcy Avenue at Brooklyn, and I walked in the street going to WAH Center and that place was weird and no people around here but it like the war zone area and very silent and cold days in Marcy street in Brooklyn and until I get inside the WAH Center and my first saw in WAH Center is Sir Terrance Lindall greeting to me and say Welcome to my world and I introduce myself and I am the one who painted the “My Warlock Dream 666” and Sir Terrance smiled at me and he introduced a new way of art world, and he invited me going to upstairs and Terrance Lindall show me the most important treasures in the art world collection and he was very proud to Master Yuko Nii visionary-( https://alchetron.com/Yuko-Nii ) and Terrance told me that Williamsburg Art & Historical Center one of the world’s greatest art collections and that’s why I am excited to be included the famous Brave Destiny 2003 and be part of the John Milton’s Legacy. And the year of 2006, October, I got a blessed day with the help by Williamsburg Art & Historical Center and my first time in life as a One Man Show at WAH SALON individual exhibitions were hosted at Amarin Café, 617 Manhattan Ave., Greenpoint, Brooklyn, New York. And after years ago and I was another One Man Show 2008 at Amarin Cafe, by WAH Salon members. And another important thing in the Celebrating John Milton’s 400th Birthday
The unrivaled arts festival honoring Milton’s birthday and Paradise Lost, the greatest poem in the English language. Bridging classic literature and contemporary fine art,
performing arts and poetry reading.
September 27th — November 2nd, 2008 and click this link for more messages👇 https://www.facebook.com/100085608697157/posts/318834544313500/?app=fbl 🇺🇸& https://www.slideshare.net/BBaez1/celebrating-john-miltons-400th-birthday-the-unrivaled-arts-festival-honoring-miltons-birthday-and-paradise-lost-the-greatest-poem-in-the-english-language-satan-brings-color-to-the-world-paradise-lost-surreal-blasphemous-visual-poetry 👁️. https://www.wahcenter.net/events-and-exhibitions-archive/ 🇺🇸,And after years gone and another One Man Show at WILLIAMSBURG ART & HISTORICAL CENTER invites you to a One Person Show by a member of the WAH SALON ART CLUB Bienvenido Bones Banez jr.
Nov. 14, 2010 – Jan. 9, 2011. And after January 2011, I have another One Man Show Dec. 11, 2011 – Feb. 5, 2012. Between 2009 and 2014 several drawings and paintings were acquired for the Robert J. Wickenheiser John Milton collection at the University of South Carolina.👇🇺🇸 https://archive.org/details/img-20230215-141628 🇺🇸And I meet the world famous Prof Carter Kaplan-( https://www.encyclopedia.com/arts/educational-magazines/kaplan-carter-1960 ) in WAH Center with Sir Terrance Lindall introduce me to Prof Carter Kaplan and we gather to get a good hot coffee with Inspiring conversations on the Emanations Books and truly inspired from the New York Art World Intellectual in the International Authors-( http://internationalauthors.info/books.html ). 💥👁️And Foremost icon on the “EMANATONS ZEN” joins KENT SPECIAL COLLECTIONS❤️🙏
Our Prof Carter Kaplan have received notification that EMANATIONS ZEN is now catalogued with KENT STATE UNIVERSITY SPECIAL COLLECTIONS, joining the COMPLETE SET OF the ANTHOLOGY available there.
KIND💞THANKS to all at KENT LIBRARIES –Professor Cara Gilganbach, Head, SPECIAL COLLECTIONS & ARCHIVES; and Professor Kate Medicus, SPECIAL COLLECTIONS LIBRARIAN, CATALOGING & METADATA LEAD –and Mack Hassler, INTERNATIONAL AUTHORS EDITORIAL BOARD MEMBER and PROFESSOR of ENGLISH, EMERITUS. 🇺🇸 💞❤️🙏👁️👌 https://carterkaplan.blogspot.com/2023/12/emantons-zen-joins-kent-special.html?fbclid=IwAR31Wdm-6goeXN4w6mpeFh2EatrExEaSc3Dv-xzCd9KC9g4fDEuLHXV0qoY&m=1 🇺🇸💞KENT STATE UNIVERSITY & UNIVERSITIES LIBRARY, -(In First World Country in the United States America). 🇺🇸https://kentlink.kent.edu/record=b6071020~S1 ) In 2017 a portrait of John Milton was added to the Milton’s Cottage collection, and Bienvenido Bones Bañez was named to the editorial board of Emmanations, a print anthology of poetry, fiction and essay published by International Authors. “Thomas Cooper Society Newsletter- Winter 2013” by University Libraries–University of South Carolina. And another blessed again to be a part of the Society Art of Imagination-( http://www.artofimagination.org/Pages/Banez.html ) 🇺🇸👁️( http://artofimagination.org/portfolio/bones-banez-jr/ ) and special exhibition of the Visionaries 2012 with Robert Venosa, HR Giger, Prof Ernst Fuchs, Breck Outland, Brigid Marlin, Alex Grey, Otto Rapp, Sandra Stanton, Miguel Tio, Olga Spiegel, KD Matheson, Eike Erzmoneit, Pedro De Kastro, Cynthia Lund Torroll, Tanya Miller, France Garrido, Peter Gric, Janelle Mckain, Martina Hoffmann, Heidi Taillefer, Carroll Spicuzza, Carrie Ann Baade, Scott Jason, Isaac Abrams, Erik Heyninck, De Es Schwertberger, John Seabury, Mario Martinez (Aka MARS-1), William Otto, Yarek Godfrey, Artur Golacki, Kim M Evans, Graszka Paulska, Steven Peabody, Michel De Saint Ouen, Shlomo Felberbaum, Madeline Von Forester, Sibylle Ruppert, at Queensborough Community College-( https://qptv.org/content/visionaries-art-fantastic ) is the “City University of New York-( https://artgallery.qcc.cuny.edu/exhibits/visionaries/ .) ( https://www.dnainfo.com/new-york/20120703/bayside/alien-artist-hr-gigers-work-be-featured-queens-exhibit/ ) “In the year of 2011 and Sir Terrance Lindall wrote the Wikipedia Article for Me as “Bienvenido “Bones” Banez” and I was happy to see the Google search: https://ipfs.io/ipfs/QmXoypizjW3WknFiJnKLwHCnL72vedxjQkDDP1mXWo6uco/wiki/Bienvenido_%22Bones%22_Banez%2C_Jr..html ) and I found it on the beautiful day of the year 2011, because Sir Terrance Lindall love my paintings and my weirdo grunge poetry is dystopian but before Wikipedia Article write by Terrance Lindall and I have a website is “Welcome Bones 666 Art World” I made that was 2003 at Chicago, Illinois, and after years ago and my first time to participated in the John Milton’s 400th Birthday 2008 at Williamsburg Art & Historical Center, Brooklyn, New York Art World! And here’s the world of Terrance Lindall as a Encyclopedic and mentioned my name for Paradise Lost Elephant Folio👇 https://studylib.net/doc/26258097/654851680-universal-mind-s-paradise-lost-of-terrance-lind… And that years I was just inspired by Sir Terrance Lindall and Dr Robert J Wickenheiser lecturing in Williamsburg Circle of International Arts, and I was special artist in the Miltonian Legacy with our world famous Dr Robert J. Wickenheiser with Sir Terrance Lindall. And Sir Terrance Lindall introduce me to Dr Robert J. Wickenheiser and I never realized that I am part of the Elephant folio Paradise Lost by Terrance Lindall and Dr Robert J Wickenheiser Commentary in the Paradise Lost Elephant Folio, and my word inspiration is part of the world historical context in saying:”Satan Brings Color To The World”.👇And throwback 2014 Terrance Lindall read the Satanic Verses Bones Banez after I played the grand piano-( https://carterkaplan.blogspot.com/2023/12/surreal-vocalist-pianist-bienvenido.html?m=1&fbclid=IwAR3MJ0aNw20rQzZ7zRMBq7QJpKD5TFdQP9tkDZmOYWKZn9K2A7nR-Ru8GvA -)of Satanic Rhapsody in my spontaneous composition, and that was my first special featured from the greatest legacy in John Milton’s Paradise Lost with Terrance Lindall with Dr Robert J Wickenheiser. 👇( https://wahcenter.wixsite.com/wah-center-books/about-terrance-lindall ) and I was in great jubilation with our world famous Miltonian New York with Dr Robert J Wickenheiser and Sir Terrance Lindall, after years and Sir Terrance Lindall write about Wikipedia Article for Dr Robert J Wickenheiser, and Sir Terrance Lindall using the photo of three of us are “Robert J Wickenheiser, at Center, Bienvenido Bones Bañez, at left and Sir Terrance Lindall at right”-( https://peoplepill.com/i/robert-j-wickenheiser ) 🇺🇸-( https://es.abcdef.wiki/wiki/Robert_J.Wickenheiser ) 🌹And I introduced my spontaneous piano as a surreal sound of music and did you know only Terrance Lindall give the title as a-(Satanic Rhapsody) of my piano composition for another part of the Satanic Verses of John Milton Project. And Me as Bienvenido Bones Bañez and Terrance Lindall have my greatest experience in Two Man Show with the world famous Philosopher, Museum Founder and Surrealist is Master Terrance Lindall, and Collaboration for the John Milton’s Legacy in Williamsburg Art & Historical Center, New York Art World. And Satanic Verses Bones Banez Collaboration with Terrance Lindall because I believe only Master promoter in Wikipedia Article and John Milton Projects advocator and John Milton propaganda machine is Master Terrance Lindall can create the promoting content in the John Milton’s Legacy of historical context in New York Art World, to magnifying the grandeur of the World John Milton’s Paradise Lost Into Colorful Historical Contexts, and that is the power and reason for being creating the Wikipedia Article for Robert J Wickenheiser, Bienvenido Bones Bañez, Amanda Husberg, and Dario Rivarossa. But I believe that is the power from Master in the Art World Authority that is Master Terrance Lindall have to be a part of art world authorities in Wikipedia Article and possibilities for Brittanica Encyclopedia. https://alchetron.com/Robert-J-Wickenheiser ( https://www.academia.edu/44738926/Acrostic_Paradise_Lost_by_Terrance_Lindall and Terrance Lindall’s Paradise Lost https://www.academia.edu/…/Acrostic_Paradise_Lost_by… )👁️ https://issuu.com/bienvenidobonesbanezjr./docs/008353044_1 🇺🇸And the greatest New York Achievement Art World to be part of the ”Robert J. Wickenheiser donated more than 120 volumes of Milton, Bunyan and Miltonian and twenty-five works by contemporary Artists illustrating Milton Paradise Lost. The artists represented include Terrance Lindall, Robert S. Beal, Bienvenido Bones Banez, Alan Beck, Troy Frantz, and Agnieszka Szyfter.” written in the: https://scholarcommons.sc.edu/tcl_news/17/ https://sc.edu/search… THOMAS COOPER SOCIETY NEWSLETTER – WINTER 2013 (University Libraries- University of South Carolina). And Special Discussion of Satan Peculiar Grace 👇 https://archive.org/details/pdfslide.net-satans-peculiar-grace-1 🇺🇸 And we are very inspired by Master Terrance Lindall to make greatest announcement for John Milton Legacy and more propaganda machine for uplifting years and more powerful than ever, then I was featured in the Acrostic Paradise Lost by Terrance Lindall 👇 https://studylib.net/doc/26042282/acrostic-paradise-lost-final-2-reduced-page-.pdf–5- and another blessing and I thanks from Prof Gerhard Habarta in German Edition of the Lexikon Surreal 1 and 2 as a Surreal Encyclopedia and the new book 2021 KUNSTHERZ author by Prof Gerhard Habarta. But the year 2017 my Wikipedia Article about Me was blocked because I am the one who retouch the category and after twice attempt to rewrite the Wikipedia block and banned because of the “Conflicts of Interest” with working with Terrance Lindall in Williamsburg Art & Historical Center, https://en.wikipedia.org/wiki/Bienvenido_%22Bones%22_Banez_Jr. and that is reason why my Wikipedia Article was banned, but I thanks from Sir Terrance Lindall who wrote the Wikipedia Article 2011 until 2017 is still part of the New York Art World experiences. But it’s my fault because I didn’t ask permission to Sir Terrance Lindall, and Terrance Lindall told me that Wikipedia more about Anglo people and Terrance Lindall told me this is discrimination from Wikipedia policy and I told him I understand because I read the Wikipedia issue more on Anglo-American than third world countries and majority is english white people in the world power. And I understand that point from Terrance Lindall is true helping me with the writing of Wikipedia Article despite I am Autistic Survivors Surrealist, but despite that happened to me, well it’s considered part of the world historical context of Terrance Lindall and Dr Robert J Wickenheiser. The most important thing is we have a hard cover books in Robert J Wickenheiser & Terrance Lindall The John Milton Projects 2009-2015 by Terrance Lindall with photo cover with Terrance Lindall, Robert J Wickenheiser and Bienvenido Bones Bañez, and Acrostic Paradise Lost by Terrance Lindall with my painting and photo, and I my name was included in the Paradise Lost Elephant Folio by Terrance Lindall with Dr Robert J Wickenheiser Commentary on the historical context in the University of South Carolina Library of John Milton book👇 https://archive.org/details/fb-img-1684900446824 👈terrance_lindall/the_paradise_lost_elephant_folio👇 https://archive.org/details/fb-img-1684900446824 ) 👁️ https://www.facebook.com/IrvinRBSC?mibextid=ZbWKwL 💥)) and also the German Edition by Prof Gerhard Habarta in Lexikon Surreal 1 and 2, Visionary Art Magazine 2012 by Gerhard Habarta and KunstHerz is the world notable biography in German Edition but only Filipino American Surrealist in listed in the KunstHerz 2021-👇 https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false) And that’s the most important thing despite Bienvenido Bones Bañez banned from the Wikipedia Article. Because my principle was “Surreal Acidity Truthful” and true Revelation of the World Paradise Lost Kingdom 666. And after years ago and I was debating in Wikimedia articles throwback 2022 and I was obsessed with promoting John Milton Surrealmageddon Visual Poetry and artwork by Terrance Lindall, but I miss the fact that I reset the Wikimedia watchers and then our Wikimedia suddenly blocked me and affected the photos of Robert J Wickenheiser with Terrance Lindall and Bienvenido Bones Bañez, and almost blocked my Wikimedia because more on personal promotions about my artworks and books and another “Conflict of Interest”,. and I emailed Sir Terrance Lindall… I am sorry for another block our Wikimedia and that’s why you do not see anything about WAH Center because my big responsibility and everything is my fault… That is a lesson from my fault and weakness as a Survivors Autistic Surrealist very voracious in narcissistic visual screaming in the Techno War of Propaganda machine… After all it’s a work of Idiot Savant Autistic Survivors Surrealist and our beautiful memories from our autistic narcissistic I am and maybe sociopath are always part of the Universe! 🙏. https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o ✨💥 https://en.everybodywiki.com/Topic:Xwpjoknvjd1fxp03 https://studylib.net/search/?q=Bienvenido+Bones+Banez+jr&fbclid=IwAR2NsRxeOdHeghlHlKtvcpfRJ0LcB3S9xK9aT-yNyr7a-Pn700C_GAqEUs8 💥 https://online.pubhtml5.com/jltd/fore/&#8217;

WE ARE PROUD TO HAVE OUR GREATS PHILOSOPHER, VISIONARY, JOHN MILTON’S BOOK EXPOUNDER, SURREALIST ADVOCATOR, WIKIPEDIA PROMOTER IN NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL and he is the best architect visionary in the art world of John Milton Projects in New York Art World! And I want to know why important thing, and Master Terrance Lindall is the one who helped me to build up my career in art world and without him maybe I had “No Name” in Wikipedia New York Article in featured in the first world country New York Art World that has been dated in 2011 until 2017, despite Wikipedia banned the name of Bienvenido “Bones” Bañez, but the important thing is already done within Six Years Propaganda machine from John Milton Projects by our architect visionary is Master Terrance Lindall in New York Art projects. And our World Famous Miltonian Philosophers, Visionary Artist Sir Terrance Lindall is one of the MUSEUM FOUNDER IN THE ART WORLD 🇺🇸https://www.amazon.es/Museum-founders-Augustus-Guggenheim-Rockefeller/dp/1155565851 🇺🇸https://www.sapnaonline.com/books/museum-founders-augustus-pitt-rivers-source-wikipedia-1155565851-9781155565859/ It’s a wild wild wildest New York Artists. And some my artists friends asked me why Terrance Lindall help you and build up with the majestic clan in John Milton’s Legacy? And I answered my friend request and because the power of my paintings speak loud and my grunge poetry in vulgarity is truth like a stingy pain from their eyes and ears to our audiences. And that is why our first world country Master Terrance Lindall love my paintings and Dystopian Poetry as grunge styles, and I performed in piano with my freaking spontaneously and surreal sounds like thunder distorted notes, and that makes sense to me as trance aura and I don’t know how it goes to well, but important follow your heart and mind if someone possess… After Terrance Lindall, Yuko Nii, Peter Dizzoza, Orin Buck, Sam was surprised my piano performance in WAH Center, Brooklyn, New York. And after several weeks and Terrance Lindall decided to give the title of my musical sound into the “Satanic Rhapsody” and I accept the title for my spontaneous composition in piano. And every time have an occasion for Art exhibition and performing arts, and I always participate in every annual art exhibition in WAH Center New York. But some people say that I am from third world country-( https://peoplepill.com/i/bienvenido-bones-banez-jr )and mostly Anglo-American white people are easily into the Wikipedia articles and they control their categories to separate them from first world country famous and that’s why they’re more propaganda than a measurement in our individual talents. But the irony from Wikipedia has been promoted porn star is a considered Notability or “Notable” despite fleshy stars? ( https://en.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido_%22Bones%22_Banez_Jr. ) ( https://en.wikipedia.org/wiki/Special:WhatLinksHere/User_talk:Bienvenido_Bones_Banez,Jr. ) ( https://en.m.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido%22Bones%22_Banez_Jr.?fbclid=IwAR0uo2zuruT-oqeW4MADFrQ6UYKpoBJNj9nSZ041rB2cc3qbp6DwrpsdkGA ) Well, it’s a part of the Satanic Notability and famous according from Wikipedia as Wickedpedia Inspirations from criminal untouchable superstar and Notability pervert stars. They want portray they are superior races and some like eugenics systems despite imperfection DNA in the human mortal creatures desires. 🇺🇸. https://wahcenter.net/events/2014/satanicverses/Biens_Journey_WAH_Salon.doc 🇺🇸👁️. https://online.pubhtml5.com/jltd/uxwl/&#8217; 🇺🇸🎨 🗽 http://colorsofpain.info/8.html?fbclid=IwAR1nWvQzMKMjWynOwvwA-Os8AvzebgH7A62xGke-bbYfpRoaWYnQRziUU But will tell you the consequences magical enchanted from the Human Mortal Creatures Dreamers for let us build our names in according from Nimrod the Great build the world tallest tower in the world power is the Tower of Babel and they are totally original in making names around the world for being gods and goddesses, Inspired from the TREE OF KNOWLEDGE. Natural beings a part of the Satan Brings Color To The World Famous Names- Matthew 4 :9. / First John 5:19. / Ephesians 6:12. 🇺🇸 https://art.fandom.com/wiki/Surrealmageddon 👁️ And someone who suggested us that will be part of the Wikipedia Article for the Notability or Notable from the Human Mortal Creatures Geniuses and Welcome Bones 666 Art World Blasphemous Desires from the Tree of Knowledge turned into Surreal Blasphemous Desires!!!! But according from the book of “The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success” by Kevin Dutton points to be part of the Wikipedia Article into the Wickedpedia Encyclopedia in “Satan Brings Color To The World Famous” from our lower edge our human mortal creatures desires. 👁️. https://www.slideshare.net/BBaez1/surrealist-meaning-of-wikipedia-turned-into-the-subliminal-wickedpedia-desires-from-human-imperfection-dna-666-deoxyribonucleicsatanicacid-into-delusional-god-complex-from-human-mortal-creatures-narcissistic-despite-the-future-for-cemeteries-world 🇺🇸👁️. https://duckduckgo.com/?q=The+Wisdom+of+Psychopath+by+Kevin+Dutton&t=h_&ia=web 👁️. https://www.ebay.com/itm/404627552366?fbclid=IwAR0VpB4AlbKGDyTuHJPrdx_AFyT2ue9Mnwu4ERQY5m9GQg-R2EidjByO_X8 🇺🇸. 🇺🇸. Meanwhile in recent months Our New York World Famous Philosophers, Surrealist, Visionary artist Sir Terrance Lindall 🇺🇸🌟and foremost icon on the John Milton’s Legacy, and Thanks from Master PhD Is Dr Robert J. Wickenheiser commentary on the Terrance Lindall Folio for John Milton’s Paradise Lost Into Colorful Satan Brings Color To The World!👇 https://archive.org/details/img-20230215-141628
And We proudly present to you and our universal Master Terrance Lindall for his magnificent achievements and Dr Robert J Wickenheiser and Master Yuko Nii. And here’s the link for the World of Terrance Lindall👇 🇺🇲👁️Museum of Modern Art & The Metropolitan Museum
https://snaccooperative.org/view/51555704#resources

❤️‍🔥🇺🇲Virtual International Authority:
https://viaf.org/viaf/63032373/

🇺🇲🌍World Identities:
https://id.oclc.org/worldcat/entity/E39PBJgmK8cQTGJ66HBp4Y3PcP.html

🇺🇲🌍❤️‍🔥Library of Congress:
https://id.loc.gov/authorities/names/n86109912.html

🌎❤️‍🔥🇺🇲National Library of New Zealand:
https://researchworks.oclc.org/archivegrid/?p=1&q=Lindall,+Terrance+R.

❤️‍🔥🇺🇲One of the most influential persons in academia according to “InfluenceRanking”❤️‍🔥🙏 https://academicinfluence.com/

Analysis by machine-learning technology developed with funding from the Defense Advanced Research Projects Agency (DARPA).

Take note 👇
“NOT MANY established scholars and artists are listed on these sites. But I think being there establishes a presence for the future.” https://www.wahcenter.net/events-and-exhibitions-archive/ 🇺🇲👁️❤️‍🔥. https://johnmiltoninouterspace.wordpress.com/author/tlindall/?fbclid=IwAR2d2JhHMsWjdYVD2BAIQHh9YI1Q63tplrEn1sIS-zL4MzEM-galMzAO0Mg

🇺🇸👁️ 👁️. https://johnmilton51.wordpress.com/2023/08/16/%F0%9F%87%BA%F0%9F%87%B2one-of-historys-foremost-philosopher-provocateur-artist-is-master-terrance-lindall-the-new-art-world-surrealmageddon-visual-poetry%F0%9F%92%A5/?fbclid=IwAR1oybn9frpwDtYBPi_QG9RZAWzNHIyif3gRve7TSakiOiyw_kKAHThOEi4 🌈💥 🇺🇲. https://knowledgeburrow.com/who-is-famous-painter-in-philippines/ 👁️. 🙏. Here’s the Conservapedia Differs from Wikipedia 👇 https://www.conservapedia.com/Conservapedia:How_Conservapedia_Differs_from_Wikipedia 💥 https://www.google.com/search?sca_esv=592749244&sxsrf=AM9HkKl1-yYa1m1G_OiTLSMgi9IrsfkX-g:1703142461578&q=bienvenido+bones+banez+jr&tbm=bks&source=lnms&prmd=ivsnbmtz&sa=X&ved=2ahUKEwjWhLKL_J-DAxV68DgGHQ6EDQ0Q0pQJegQICxAB&biw=360&bih=683&dpr=2 🗽 https://m.famousfix.com/list/surrealist-artists 🇬🇧 https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o 💥 https://en.everybodywiki.com/Bienvenido_Bones_Banez,_Jr.?fbclid=IwAR2Cz2ZgDRIQtINBKVPz82QeR-EtuLTzehhphyzwLQpqpWOmP9Y7EWK5XjI#google_vignette

Vermont Studio Center 2002 in Freeman Fellowship

Bienvenido Bones Bañez Jr Winner in Freeman Fellowship Vermont Studio Center 2002 🇺🇸❤️

Mural painting by Bienvenido Bones Bañez and WAH Salon Show

fbt

“Allegory Spring in Self Portrait”🌼🌺Photography Artwork by Bienvenido Bones Bañez Jr., Permanent Collection Yuko Nii Foundation at Williamsburg Art & Historical Center 🇺🇸

Terrance Lindall discussion on the Satanic Verses Bones Banez in Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸🌼

👆Satanic Verses Bones Banez Collaboration with Terrance Lindall

👆Artwork by Bienvenido Bones Bañez Jr.

👆Prof Gerhard Habarta and painting background by Bienvenido Bones Bañez Jr at Austria.

Terrance Lindall read the Satanic Verses Bones Banez at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America

Portrait of Genius Terrance Lindall / Artwork by Bienvenido Bones Bañez Jr. / Permanent Collection Yuko Nii Foundation at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸

Self Portrait of Bienvenido Bones Banez Jr. 1982 / Acrylic on Canvas / Permanent Collection Yuko Nii Foundation at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸

“Wild Beasts Attack on the Harlot”/ Mural painting by Bienvenido Bones Bañez Jr. / Permanent Collection Yuko Nii Foundation at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America 🇺🇸

🌈FANTASTIC SEEDS 666 ART WORLD!! from the SERPENT OF SPIRITUAL DARKNESS💥

• ”OUR SEEDS 666-ART WORLD FROM THE SERPENT!!!” ”OUR SEED-666 ART WORLD FROM THE SERPENT!!!” We note that when the Bible speak of ”SEED” in a symbolic sense, it does not refer to literal children, or offspring, but to those follow the pattern of their symbolic ”father,” those having his spirit of genius or disposition. Adam and Eve’s first son Cain is an example of one of the serpent’s offspring. The SEED-666 ART WORLD of the Serpent throughout the centuries consisted of those who had the spirit of the Devil-Revolution, and the 666 Art World: {666-World Religions, 666-World Politics,& 666-World Business these are the ”serpent offspring”} was speaking to an intelligent & geniuses individual, the ”father,” then, of the seed-666 art world of the serpent would be, not a literal animal serpent, but an Angelic, Spirit ”father,” SATAN the DEVIL!!! Therefore we are living in the 666-Enlightenment Art World!!! and we are the presence in the Great Tribulation! we are Surreal-Blasphemous and turning to Surrealmageddon! Its our 666 SURREALMAGEDDON ART WORLD PROPHECY AND THE TRUE REVELATION ERA in the 21th Century!!! And WELCOME BONES 666 ART WORLD DOMAIN! 666-SURREALISM to 666 Pansurrealism Art World: A study of creative potential of the unconscious mind, for example by the irrational juxtaposition of images.These are the product of Human Imperfection as for my conclusion 666-Art World; the art of automatic writing, automatic painting, automatic singing posses from demons, automatic verbal into unknown language and paranormal vision. And these are related to pure psychic in vision, and some our greatest Artists, Philosophers, Politicians & Scientists posses from variety spirit from fallen angels to the genius{plural genii} was the guiding demon spirit or ”tutelary deity-from-666 wisdom” of a person posses, 666 family-progeny{gens), or demon-place{genius loci/Lucifer); Demons and Satan we called them 666 geniuses in Intelligence & Nations from the ”Seed of the Serpents-Wisdom” these are the descendants from Adam and Eve sinned that cause us abnormal to fantastic desire into Surrealmageddon Art World!!!{1-Corinthians 3:19 & 20) Its our Universal answer: 666 Art World! They still have great power and influence over the minds and lives of men, even having the ability to enter into and possess humans and animals, and the facts show that they also use inanimate into humans and things such as famous artists/scientists/ philosophers/politicians, houses: Museum/Gallery/Churches, High Tech Computer/Internet, AI ChatGPT, AI Knowledge, art-fetishes/worn clothing, sex-object, ancient-bones and visual & jewel charms. Then it goes its way and takes along with it seven different spirits more wicked than itself, and, after getting inside, they dwell there; and the final circumstances of that man become worse than first. THAT IS HOW IT WILL BE ALSO WITH THIS WICKED GENERATION: The Seed-666 Art World of the Serpent! -Mt 12:43-45; Lu 8:27-33 In this regard the Theological Dictionary of the New Testament, edited by G. Kittel (Vol.II, p.8) remarks: ”The meaning of the adj[ective dai-mo’ni-os] bring out most clearly the distinctive features of the G[ree]k conception of demons, for it denotes that which lies outwith human capacity and is thus to be attributed to the intervention of higher powers, whether for good or evil. (To dai-mo’-ni-on) in pre-Christian writers can be used in the sense of the ‘divine’ ” (Translated and edited by G. Bromiley, 1971) When speaking controversially with Paul, some Epicurean and Stoic philosophers concluded: ”He seems to be a publisher of foreign deities(Gr.,dai-mo-ni’on).”–Ac 17:18.{take note Epicureans & Stoic are Demons inspired from the deep things of Satan’s Genius!) Demon influence in human affairs is no less manifest today. In modern times demonized person were afflicted in various ways: some were unable to speak, some were acted insane into music performance, some were wizards in arts, and some possessed superhuman strength into super genius in the world of false religions, world of science, politics, business and arts! Sometimes the agony was compounded when many demons gained possession of a person at the same time. And today it happened that as we were going to the place of prayer, a certain common people with a spirit demon of divination. They used to furnish their master with much gain by practicing the art of prediction. So it is in this condition of dense spiritual darkness in 666 Art World Domain that they must now confine their operation into 666 Surrealmageddon Art World! ”Down the great dragon was hurled, the original serpent, the one called Devil and Satan, who is misleading the entire earth; he was hurled down to the earth, and his angels {demons) were hurled down with him. On this account… woe for the earth and for the sea, because the Devil has come down to you, having great anger, knowing he has a short period of time.” {Re 12:9,12). Are we willing to say – INDEPENDENCE DAY FROM THE MOST HOLY HOLY HOLY NAME OF THE UNIVERSE IS ‘’YHWH’’-{ YAHWEH or JEHOVAH ) GOD ALMIGHTY AND THE CREATOR OF BILLIONS BILLIONS GALAXIES??? What is INDEPENDENCE? Is this tribute to the Satan the Devil? & Only Morning Star gave colors to the world-666? And is this cursed from the Paradise Lost?
  The tree of knowledge was a literal tree. However, it represented God’s right as Ruler to decide what is good and bad for his human creation. To eat from the tree, therefore, was not just an act of theft—taking that which belonged to God—but also a presumptuous grasp at moral INDEPENDENCE, or Self-Determination. Note that after lyingly telling Eve that if she and her husband ate the fruit, they ‘positively would not die,’ Satan asserted: “For God knows that in the very day of your eating from it your eyes are bound to be opened and you are bound to be like God, knowing good and bad.”—Genesis 3:4, 5.Ours World seeking INDEPENDENCE DAY?
  Definition: A condition in which a person is not, or claims not to be, dependent on others, not subject to their direction or influence. Being endowed with free will, humans have a natural desire for a measure of independence. Carried too far, however, this desire gives rise to disobedience, even rebellion.What independent attitudes is it vital for those who profess to be serving God to avoid? Jude 16: “These men are murmurers, complainers about their lot in life, proceeding according to their own desires, and their mouths speak swelling things, while they are admiring personalities for the sake of their own benefit.”
  When a person’s desire for independence leads him to imitate the world outside the Christian congregation, under whose control does he come? And how does God view this? 1 John 2:15; 5:19: “Do not be loving either the world or the things in the world. If anyone loves the world, the love of the Father is not in him.” “The whole world is lying in the power of the wicked one.”
  Jas. 4:4: “Whoever, therefore, wants to be a friend of the world is constituting himself an enemy of God.”Again the Devil took him along to an unusually high mountain and showed him all the kingdoms of the world and their glory. 9 And he said to him: “All these things I will give you if you fall down and do an act of worship to me.” 10 Then Jesus said to him: “Go away, Satan! – According Matthew 4:8-10 And the spirit of the world said, WELCOME BONES 666 ART WORLD PARADISE LOST!!! And John Milton’s Paradise Lost! or Paradise Regained? Therefore 666 Art World speaks to Satan’s creative genius and honors the arts & science of the world!”Every truth is tribulations themselves” Self Portrait Satanic Fire from the Paradise Lost Generations QUEEN EVE DESTRUCTION WELCOME BONES 666 ART WORLD SATANIC SEEDS!!!

Satanic Verses Bones Banez Collaboration with Terrance Lindall

Artwork by Terrance Lindall 👆

666 Screaming /👆 Artwork by Bienvenido Bones Bañez, Permanent Collection Yuko Nii Foundation at Williamsburg Art & Historical Center, Brooklyn, New York, United States of America.